Andrew Dasburg
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| Andrew Michael Dasburg | |
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| Born | May 4, 1887 Paris |
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| Died | August 13, 1979 Taos, New Mexico |
| Occupation | Artist |
| Known for | Cubism |
| Spouse | Mary Channing Wister |
Andrew Michael Dasburg (May 4, 1887 – August 13, 1979) was an American modernist painter and "one of America's leading early exponents of cubism".[1]
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[edit] Biography
He was born in 1887 in Paris. He emigrated from Germany to the United States with his widowed mother in 1892 to New York City. After a severe injury, he passed the time in convalescence by sketching.[1]
In 1902 he joined the Art Students League of New York on a scholarship,[2] where he was taught by Kenyon Cox.[3] At the League's summer school in Woodstock, New York, he studied landscapes under Birge Harrison.[1]
In 1909, he went to Paris and fell in with the avant-garde movement. There he happened on some small Cubist paintings by Cézanne, after which he became an ardent promoter of the style.[1]
His first exhibition was in 1911.[2] Dasburg exhibited three oils and a sculpture[1] at the "International Exhibition of Modern Art", better known the Armory Show, that opened in New York City's 69th Regiment Armory in 1913 and introduced astonished New Yorkers to modern art.[4] The three Cubist-oriented oils displayed at the 1913 show were considered "daringly experimental".[5] In the years after the Armory Show Dasburg's works were exhibited along with those of other Modernists at Alfred Stieglitz's 291 gallery.[6]
After moving to Santa Fe, New Mexico in 1921, Dasburg integrated the boxy traditional construction styles in New Mexico into his Cubist art.[7]
In both New York and Taos, he was part of the social milieu that included Georgia O'Keeffe and Gertrude Stein, and a close friend of Mabel Dodge Luhan.[2] A painting named The Absence of Mabel Dodge was allegedly painted to inflame the jealousy of her then-lover, mutual friend John Reed (it was a pointed reminder of a peyote celebration in which the two had shared), and for four years Dasburg and Reed's other erstwhile lover Louise Bryant carried on an affair.[8] The elderly Dasburg appeared posthumously as himself in the movie about Reed and Bryant's love affair, Reds, although he "curiously ... does not speak of his intimacy with either".[9] He was also involved for some time with Ida Rauh, a co-founder of the Provincetown Players, and the two of them were friends with D. H. Lawrence and Frieda von Richthofen, and helped Lawrence recover from a bout with tuberculosis that nearly got him refused entry to the U.S. at the border with Mexico.[10]
In 1936, he married poet Mary Channing Wister, the daughter of Owen Wister.[11]
Dasburg died in his home in Taos, New Mexico on August 13, 1979, at age 92. [5] Following his death, the Fine Arts Museum in Santa Fe held a 96-work retrospective exhibition funded in part by the National Endowment for the Arts which traveled to four other Western states.[12] His works are in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art and the Denver Art Museum, among others.[5]
[edit] Awards and honors
- Tulips, Second Prize, First Pan-American Exhibition of Oil Paintings at Los Angeles County Museum of Art (1925)[13]
- Poppies, Third Prize, 16th International Exhibition of Art, Carnegie Institute of Technology (1927)[14]
- Guggenheim Fellowship (1932)[15]
[edit] See also
[edit] References
- ^ a b c d e Steve Shipp (1996). American Art Colonies, 1850-1930: A Historical Guide to America's Original Art Colonies and Their Artists. Greenwood Press. ISBN 0-313-29619-7.
- ^ a b c Andrew Michael Dasburg. Retrieved on 2007-09-25. “Andrew Dasburg was one of the leading Modernists in New Mexico for sixty years. A student of Robert Henri, an acquaintance of Matisse and a contributor to the famous 1913 Armory Show, his artistic credentials are sterling and his following devoted.”
- ^ (1986) in Edward Burns: The Letters of Gertrude Stein and Carl Van Vechten 1913-1946. Columbia University Press. ISBN 0231064306.
- ^ Andrew Michael Dasburg, artnet. Accessed October 30, 2007.
- ^ a b c "Andrew Dasburg, Cubist Painter, Dies. Said to Be Last Surviving Artist of the Armory Show of 1913.", New York Times. Retrieved on 2007-09-25. "Andrew Dasburg, a painter who was said to be the last survivor of the artists who contributed work to the Armory show of 1913, died yesterday in Taos, N.M. He was 92 years old."
- ^ Andrew Dasburg Smithsonian papers. Smithsonian Institution. Retrieved on 2007-10-31.
- ^ Zimmer, William. "Mexico, Both Sides of the Border, From the Century's First Half", The New York Times, October 27, 1996. Accessed October 30, 2007. "Andrew Dasburg worked with the idea that New Mexican towns and villages, with their arrangements of box-like buildings, constituted a kind of Cubism in the flesh. His Taos Houses (New Mexican Village) is a good example of this."
- ^ Ross Wetzsteon (2002). Republic of Dreams: Greenwich Village, the American Bohemia, 1910-1960. Simon and Schuster. ISBN 0684869969. The painting is now lost.
- ^ Mark Christopher Carnes (1995). Past Imperfect: History According to the Movies. Holt Paperbacks. ISBN 0805037608.
- ^ John Worthen (2007). D. H. Lawrence: The Life of an Outsider. Counterpoint Press. ISBN 1582433550.
- ^ "Dispatches", TIME magazine, March 13, 1933. Retrieved on 2007-10-31. "Married. Mary Channing Wister, poetess daughter of Novelist Owen Wister; and Painter Andrew Michael Dasburg, 45, Guggenheim Fellow; in Philadelphia."
- ^ Frank Waters (2000). Of Time and Change. MacAdam/Cage Publishing. ISBN 1878448072.
- ^ History of the American Art Collection of the Los Angeles County Museum of Art. Los Angeles County Museum of Art. Retrieved on 2007-10-31. “It turned out to be an important event for the art world of Los Angeles and also for the museum’s collection, to which were added not only the purchase prize paintings-William Wendt’s Where Nature’s God Hath Wrought, John Carroll’s Parthenope, Andrew Dasburg’s Tulips, Guy Pène du Bois’s Shops, and Diego Rivera’s Flower Day --but also Bernard Karfiol’s Seated Figure and Eugene Savage’s Recessional.”
- ^ "International Exhibition", TIME magazine, October 24, 1927. Retrieved on 2007-10-31. "Third prize ($500) was given to Andrew Dasburg of Santa Fe. He had painted a table, on which a vase was full of poppy petals, heaped on the canvas like the bright blood of an immortal."
- ^ "Guggenheim Fellowships", TIME magazine, March 21, 1932. Retrieved on 2007-10-31.
