American Me
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- For the album, see American Me (album).
| American Me | |
|---|---|
 Theatrical poster |
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| Directed by | Edward James Olmos |
| Produced by | Executive Producers: Lou Adler Floyd Mutrux Irwin Young Producers: Edward James Olmos Robert M. Young Sean Daniel |
| Written by | Screenplay: Floyd Mutrux Desmond Nakano Story: Floyd Mutrux |
| Starring | Edward James Olmos William Forsythe Pepe Serna |
| Music by | Claude Gaudette Dennis Lambert |
| Cinematography | Reynaldo Villalobos |
| Editing by | Richard Candib Arthur Coburn |
| Distributed by | Universal Pictures |
| Release date(s) | March 13, 1992 (U.S.A.) |
| Running time | 125 minutes |
| Country | United States |
| Language | English |
| Allmovie profile | |
| IMDb profile | |
American Me (1992) is a film directed by Edward James Olmos, his first film as director, and written by Floyd Mutrux and Desmond Nakano. Olmos also stars as the movie's main character. The executive producer was Lou Adler, a record producer.[1] It depicts a fictionalized account of the founding and rise to power of the Mexican Mafia in the California prison system from the 1950s into the 1980s.
The film covers the life of Santana (Edward James Olmos), a Chicano youth who breaks the law and becomes part of the "legalistic machine" that includes the horrors of serving prison time at Folsom Prison for many years.
The film tells of most of Santana's life and how the "system," in toto, works against him, in and out of jail. When Santana is released from prison the question becomes: is there an escape? As important, the film introduces audiences to California gang life, both on the street and in jail.
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[edit] Plot
The film depicts thirty years of Chicano gang life in Los Angeles focused on a teen named Santana who, with his friends Mundo and the (ethnically Hispanic but phenotypically "white") J. D., form their own gang and are soon arrested for a break-in.
Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
[edit] Background
[edit] Factual basis
The character of Montoya Santana is modeled after Rodolfo Cadena, a ranking Carnal in the prison gang La Eme, known popularly as the Mexican Mafia. Cadena unsuccessfully attempted to steer La Eme into left-wing activism before being stabbed to death by members of the rival Nuestra Familia. J.D. is based on Joe "Pegleg" Morgan, the Croatian-American godfather of the Mexican Mafia.
[edit] Mexican Mafia reaction
The real Mexican Mafia continues to revere Cadena and was enraged by the film, as the Cadena character is portrayed as having been raped as a juvenile ward of the court at the beginning of his foray into the criminal justice system and ultimately stabbed to death by his own followers at the end of his criminal career. Eme godfather Joe "Pegleg" Morgan allegedly attempted to extort money from Olmos, the director and lead actor of the film. An Eme "Carnal"-turned-informant raised the possibility of putting out a contract on him. Court documents show that Olmos was a victim in one extortion count contained in a 33-count federal indictment. Furthermore, a federal indictment accused La Eme of ordering the 1992 murder of Ana Lizarraga, an East Los Angeles gang counselor who worked as a technical advisor on American Me.[2] According to news reports of the time, Lizarraga and another consultant on the film may have been targeted for murder by the Mexican Mafia due to the depiction of the fictional homosexual rape of one of the gang's founders, which allegedly violated the Mexican Mafia's sense of machismo.[3]
Because of the danger, Olmos sought a permit to carry a concealed firearm. This permit was granted.
[edit] Casting
Edward James Olmos, in neo-realist fashion, used actual prisoners as extras and bit players when he filmed at Folsom Prison.
[edit] Filming locations
Filming locations include: Folsom Prison, Represa, California; and East Los Angeles, California.
[edit] Cast
- Edward James Olmos as Montoya Santana
- William Forsythe as J.D.
- Pepe Serna as Mundo
- Daniel A. Haro as Huero
- Sal Lopez as Pedro Santana
- Vira Montes as Esperanza Santana
- Roberto Martín Márquez as Acha
- Dyana Ortelli as Yolanda
- Evelina Fernández as Julie
- Joe Aubel as Tattoo Artist
- Rob Garrett as Zoot Riot Bystander
- Lance August as Young Sailor
- Jacob Vargas as Paulito
- Eric Close as Juvie Hall Attacker
- Christian Klemash as Blond Kid in Yard
- Brian Holechek as Juvie Officer
- Rigoberto Jimenez as Big Happy
- Cary-Hiroyuki Tagawa as El Japo
- Robby Robinson as Drug Thief
- Paul Bollen as Doc
[edit] Critical reception
Roger Ebert, film critic for the Chicago Sun-Times, liked the reality that came through in the film and that it rang true, and he wrote in a review, "What I felt watching American Me, however, is that it is based on a true situation - on the reality that street gangs and prison, mixed with the drug sales that finance the process, work together to create a professional criminal class."[4]
Janet Maslin writes in The New York Times, "But Mr. Olmos's direction...is dark, slow and solemn, so much so that it diverts energy from the film's fundamental frankness. Violent as it is, American Me is seldom dramatic enough to bring its material to life."[5]
Marjorie Baumgarten, a film critic for The Austin Chronicle, thinks the movie at times has a choppy feel that it keeps coming at her without centering on the important aspect of the film, and she wrote, "American Me is crafted with heart and conviction and intelligence. It demands no less of its audience. It insists that there are no quick fixes, but that solutions are of the utmost urgency."[6]
[edit] Distribution
The producers used the following tagline to market the film:
- In prison they are the law. On the streets they are the power.
The film opened in wide release on March 13, 1992 (830 screens). The opening weekend's gross was $3,378,100 and the total receipts for the first three weeks were $9,108,435. The film was in wide release for three weeks (seventeen days). In its widest release the film was featured in 830 theaters across the country. The final box office gross amounted to $11,318,100.[7]
[edit] Soundtrack
Being that the film deals with a Latino sub-culture, the music included in the soundtrack was Latino oriented; late 1970s urban sounds and oldies from the 1950s.
The original music soundtrack was released on April 28, 1992 by Virgin Records.
The CD has ten tracks and includes songs performed by various artists including: Los Lobos, Santana, Ike & Tina Turner, Bobby Day, Kid Frost, War, and other performers.
[edit] Notable quotes
- Montoya Santana: You know, a long time ago, two best homeboys were thrown into juvie. They were scared, so they thought they had to do something to prove themselves. And they did what they had to do. They thought they were doing it to gain respect for their people, to show the world that no one could take their class from them. No one had to take it from us, ese. Whatever we had...we gave it away...Take care of yourself, Carnal.
- J. D.: Belonging felt good, but having respect, well that feels even better.
[edit] References
[edit] Notes
- ^ American Me at the Internet Movie Database.
- ^ Associated Press, October 24, 1996.
- ^ Lombardi, John. New York Magazine, "Scenes from a Bad Movie Marriage." January 12, 1998.
- ^ Ebert, Roger. Chicago Sun-Times, film review, March 13, 1992.
- ^ Maslin, Janet. The New York Times, film review, March 13, 1992.
- ^ Baumgarten, Marjorie. The Austin Chronicle, film review, March 20, 1992.
- ^ American Me box office data at The Numbers. Last accessed: April 14, 2008.
[edit] External links
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