Almost an Evening (play)
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Almost an Evening is a series of three one act plays written by Academy Award winner Ethan Coen and directed by Neil Pepe. It premiered Off-Broadway in January 2008 at the Atlantic Theater Company Stage 2 [1]. After its initial run through February 10, 2008 it was transferred to the Bleecker Street Theatre. Almost an Evening is set to begin previews March 20, 2008 and run through June 1, 2008[2]. The commercial run is the first partnership with Art Meets Commerce [3] and the Atlantic Theater Company.
Contents |
[edit] Plays
WAITING – Someone waits somewhere for quite some time.
FOUR BENCHES – His voyage to self-discovery takes a British intelligence agent to steam baths in New York and Texas, and to park benches in the U.S. and U.K.
DEBATE – Cosmic questions are taken up. Not much is learned.
[edit] Atlantic Theatre Company Cast
F. Murray Abraham - Control/God Who Judges
J.R. Horne - Mr.Broodhum/Angel 2/Understudy
Jordan Lage - Mr. Sebatacheck/Texan/Young Man
Mark Linn-Baker - McMartin/God Who Loves
Mary McCann - Receptionist/Young Woman
Del Pentecost - Polhemus/Earl/Angel 1
Joey Slotnick - Nelson/Waiter
Jonathan Cake - One/Maitere D'
Elizabeth Marvel - Woman with Pram/Lady Friend
[edit] Bleecker Street Theatre Cast
F. Murray Abraham - Control/God Who Judges
J.R. Horne - Mr.Broodhum/Angel 2/Understudy
Jordan Lage - Mr. Sebatacheck/Texan/Young Man
Mark Linn-Baker - McMartin/God Who Loves
Mary McCann - Receptionist/Young Woman
Del Pentecost - Polhemus/Earl/Angel 1
Joey Slotnick - Nelson/Waiter
Tim Hopper- One/Maitere D'
Johanna Day - Woman with Pram/Lady Friend
[edit] Critical Response
Head Critic for The New York Times, Ben Brantley stated:[4]
“Tasty, bite-sized comedies. Nimbly directed by Neil Pepe. Theatergoers nostalgic for the urbane, mind-teasing divertissements that once flourished Off-Broadway should leave happily hungry. A dream team!”
Melissa Rose Bernardo from Entertainment Weekly stated:[5]
“Boisterous and fun! Coen couldn’t ask for a better production than this Atlantic Theater Company treatment!”
Linda Winer from Newsday Stated:[6]
“Gleeful, thoughtful and darkly loopy! These new, lean pieces mark the serious stage debut of a shrewd and weirdly endearing comic voice.”
