Alice in Wonderland (1951 film)
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| Alice in Wonderland | |
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 Alice in Wonderland 1951 Release Poster |
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| Directed by | Clyde Geronimi Wilfred Jackson Hamilton Luske |
| Produced by | Walt Disney |
| Written by | Winston Hibler Ted Sears Bill Peet Erdman Penner Joe Rinaldi Milt Banta William Cottrell Dick Kelsey Joe Grant Dick Huemer Del Connell Tom Oreb John Walbridge |
| Starring | Kathryn Beaumont Ed Wynn Richard Haydn Sterling Holloway Jerry Colonna Verna Felton J. Pat O'Malley Bill Thompson Heather Angel Joseph Kearns Larry Grey Queenie Leonard Dink Trout Doris Lloyd James MacDonald The Mellomen Don Barclay |
| Music by | Oliver Wallace |
| Editing by | Lloyd L. Richardson |
| Distributed by | RKO Radio Pictures, Inc. |
| Release date(s) | July 28, 1951 |
| Running time | 75 minutes |
| Country | USA |
| Language | English |
| Budget | $3,000,000 |
| IMDb profile | |
Alice in Wonderland is a 1951 animated feature film produced by Walt Disney and originally premiered in London, England on July 26, 1951 by RKO Radio Pictures. It is the thirteenth animated feature in the Disney animated features canon. Based on Lewis Carroll's books Alice's Adventures in Wonderland and Through the Looking-Glass; this adaptation solved the problems of the setting by using animation. The film features the voices of Kathryn Beaumont as Alice (also voice of Wendy Darling in the later Disney feature film, Peter Pan) and Ed Wynn as the Mad Hatter. Made under the supervision of Walt Disney himself, this film and its animation are often regarded as some of the finest work in Disney studio history, despite the lackluster, even hostile, reviews it originally received, especially in the UK. This film received an Academy Award nomination for Best Original Score (Scoring of a Musical Picture), but lost to An American in Paris.
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[edit] Plot
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The plot summary in this article or section is too long or detailed compared to the rest of the article. Please edit the article to focus on discussing the work rather than merely reiterating the plot. |
The film opens on Alice listening to her sister read aloud from a history book, to which Alice expresses boredom at the lack of pictures and her desire for excitement. She tells Dinah, her kitten, of her plans to turn the dull world of adults upside down with talking flowers and fantastic creatures. Wandering off, Alice sees a White Rabbit wearing spectacles, a waistcoat and carrying a large pocket watch. Alice follows him to a rabbit hole. Alice loses her footing and falls in. Her dress skirt puffs up like a parachute and slows her fall to a gentle float. At the bottom, she follows the rabbit into a large hallway with a tiny door barely large enough for her head.
The Doorknob tells her to drink from a bottle marked "Drink me." The contents shrink her to a tiny fraction of her original size. The Doorknob is now locked, but the key has appeared back on the table which she can no longer reach. The Doorknob directs her to a cookie marked "Eat me." The cookie makes her grow so large that her head and legs are cramped in the hallway. She believes she'll never get out and begins to cry; her massive tears flood the room. The Doorknob points out that the "Drink me" bottle still has some fluid left inside, so she finishes the last drop. She shrinks and becomes so small that she drops inside the bottle. Both she and the bottle drift through the doorknob's keyhole mouth and out to a sea made from Alice's tears.
A group of animals and other characters, led by a Dodo engage in a futile race to get dry. Alice also meets Tweedledum and Tweedledee, two fat brothers who take particular delight in reciting riddles, poems and songs. One of the tales is "The Walrus and the Carpenter," a subtle warning to watch her back in her new surroundings. Alice sneaks away to the White Rabbit's house, to find its owner inside.
Before Alice can ask him why he is so frantic about being late, he berates her, thinking her to be his housemaid, and orders her to fetch his gloves from his bedroom. Inside, Alice finds a jar of cookies and decides to eat one. She becomes so large that she gets stuck inside the house, her arms and legs sticking out of the windows. The White Rabbit asks for the help of the Dodo to get her out, thinking her to be some sort of ferocious monster. The Dodo attempts to burn the house down. Alice eats a carrot from the house's vegetable garden and shrinks down to three inches high in seconds.
The Rabbit runs off again and Alice chases after him, this time into a garden of flowers. Because of Alice's size, the flowers seem as tall as trees. Initially they are eager to entertain her, but when she reveals that she is not a flower, they suspect that she may be a weed and throw her out in a panic. She sees a hookah-smoking caterpillar who continually interrupts her pleas for help. He grows angry at her displeasure of being the same height as him, and turns into a butterfly, though not before giving her cryptic advice about the mushroom she is sitting on. Alice breaks off two pieces from both sides of the mushroom. A bite from the first piece causes her to grow so tall that her head sticks out of the trees; a bite from the second piece shrinks her to one inch high. With a small lick of the first piece, Alice finally grows back to her normal size and decides to put both mushroom pieces into her pockets for later use.
Wandering through the woods, she meets the Cheshire Cat, an eerily grinning feline that can disappear and reappear at will. He answers her queries as to the location of the White Rabbit vaguely and in riddles. He finally points her in the direction of the Mad Hatter's house. There a long tea table is set up outside with the Mad Hatter, accompanied by the March Hare and the Dormouse. They are celebrating their unbirthdays. Alice is briefly included in the celebrations before they manically dash about the tea table, offering Alice tea but never actually giving her any. The White Rabbit shows up, only to have his watch destroyed, be thrown out again, pursued and then lost by Alice.
Alice is tired of the nonsense she once so desired, gives up on the White Rabbit and decides to turn back for home. She finds herself more and more lost in a forest called Tulgey Wood, filled with bizarre creatures, including the mome raths (from Lewis Carroll's short poem, "Jabberwocky"). She breaks down crying and finds the Cheshire Cat again. He opens a door in a tree that leads to a seemingly neverending hedge maze, telling Alice that the Queen of Hearts could possibly help her.
In the hedge maze garden, Alice meets some playing cards (her own size due to her current height) painting white roses red, who warn her about a demanding queen who beheads her disloyal subjects at will. The White Rabbit appears and heralds the arrival of the Queen, her diminutive husband, and her card army. Furious over her painted roses, the Queen orders the decapitation the gardener cards. She then calms down and becomes sweet toward Alice and invites her to a game of croquet, using flamingos as mallets, hedgehogs as balls, and card soldiers as goals. The Queen cheats during the game, and orders the beheading of anyone who dares stand in the way of her victory.
The Cheshire Cat appears and plays a prank on the Queen, then disappears, causing the Queen to believe that Alice is the prankster. Before the Queen can order her execution, the King suggests that Alice be put on trial. At the trial, Alice's nonsensical acquaintances condemn her. The Cheshire Cat appears and causes enough distraction to allow Alice to eat the remaining portions of mushroom, causing her to grow to gigantic proportions. At this size, Alice scolds the terrified Queen for her rash behavior, but then starts shrinking back to her normal size all too soon.
The Queen orders her guards to execute Alice, which results in a frantic chase through Wonderland. Coming back to the Doorknob, Alice is told by him that he is still locked, but that she is already on the other side. Looking through the keyhole, Alice sees herself asleep in the park. As the mob draws nearer, she calls, "Alice, wake up!" to her sleeping self until she gradually awakens from the dream to the sound of her sister's voice. The two of them return home for teatime while Alice muses on her adventures in Wonderland, realizing that perhaps logic and reason exist for a purpose.
[edit] History
[edit] Production
The history of Walt Disney's association with Lewis Carroll's Alice books (Alice in Wonderland, Through the Looking Glass) stretches all the way back to 1923, when Disney was still a twenty-one year old filmmaker trying to make a name for himself in Kansas City. When his first series of short cartoons, the Newman Laugh-O-Grams, failed to recoup production costs, the struggling young producer tried to create other short films hoping that one of them would point the way forward. The last of these Kansas City works was called Alice's Wonderland, and it featured a live action girl (Virginia Davis) interacting with cartoon characters. While charming, the short failed to receive much notice, and so Walt Disney made the hard decision to abandon producing animated films, and he left Kansas City to become a live-action film director in Hollywood.
After months of trying to find work in live-action, and failing, Walt Disney partnered with his older brother Roy to create the Disney Brothers Studio, and they revived the idea of producing animated shorts. The independent distributor M. J. Winkler screened Walt's 1923 Alice short and found it promising, and so Winkler agreed to distribute a series of Alice Comedies for the Disney brothers. Jubilant, Walt contacted his former Kansas City colleagues and brought them to Hollywood to work on the new series (a group that today reads like a who's who of American animation legends, including Ub Iwerks, Rudolph Ising, Isadore "Friz" Freleng, and Hugh Harman. And so, from 1924 to 1926, the Disney Brothers Studio produced over fifty short Alice Comedies. The success of this silent film series established Disney as a film producer, and was probably significant for the success of the later Mickey Mouse, usually credited as the first great Disney success.
Walt Disney had a long-standing affection for Alice in Wonderland. For instance, as soon as he began discussing making feature-length films, he returned repeatedly to the idea of making a feature-length version of Alice, but for various reasons, these attempts were never realized. Prior to Snow White and the Seven Dwarfs, Walt Disney planned on making Alice in Wonderland his first feature-length film instead. Like the early Alice Comedies, he planned on using a combination of live-action and animation for the "wonderland" sequences, and in early 1933, a Technicolor screen test was shot with Mary Pickford as Alice. This first attempt by Disney at producing an Alice feature was eventually tabled when Paramount released a live-action version of Alice in Wonderland in 1933, with a script by Cleopatra director Joseph Mankiewicz (brother of Citizen Kane scribe Herman J. Mankiewicz) and a cast that included Gary Cooper, Cary Grant, and W.C. Fields as Humpty Dumpty.
Disney did not abandon the idea of making an Alice feature. After the enormous success of Snow White and the Seven Dwarfs -- as Leonard Maltin writes in his history of Walt Disney's film career, The Disney Films, Walt Disney officially recorded the title Alice in Wonderland with the MPAA in 1938. As preparatory work began on this possible "Alice" feature, the economic devastation of the Second World War as well as the demands of the productions of Pinocchio, Fantasia, and Bambi pushed the "Alice" project aside. After the war, in 1945, Disney proposed a live-action/animated version of Alice in Wonderland that would star Ginger Rogers and would utilize the techniques seen in Disney's The Three Caballeros. This, too, fell through, and in 1946, work began on an all-animated version of Alice in Wonderland that would feature art direction heavily based on the famous illustrations of Sir John Tenniel. This version was storyboarded, but was ultimately rejected by Walt, as was yet another proposed live-action/animated version of Alice that would star Luanna Patten (seen in Disney's Song of the South and So Dear to My Heart).
In the late 40's, work resumed on an all-animated Alice with a focus on comedy, music and spectacle as opposed to rigid fidelity to the books, and finally, in 1951, Walt Disney released a feature-length version of Alice in Wonderland to theaters, eighteen years after first discussing ideas for the project and almost thirty years after making his first Alice Comedy. Disney's final version of Alice in Wonderland followed in the traditions of his feature films like Fantasia and The Three Caballeros in that Walt Disney intended for the visuals and the music to be the chief source of entertainment, as opposed to a tightly-constructed narrative like Snow White or Cinderella. Indeed, Lewis Carroll's Alice books have no real plot to speak of, and because of the literary complexity of Carroll's work, they are essentially unfilmable. Instead of trying to produce an animated "staged reading" of Carroll's books, Disney chose to focus on their whimsy and fantasy, using Carroll's prose as a beginning, not as an end unto itself.
Another choice was decided upon for the look of the film. Rather than faithfully reproducing the famous illustrations of Sir John Tenniel, a more streamlined and less complicated approach was used for the design of the main characters. Background artist Mary Blair took a Modernist approach to her design of Wonderland, creating a world that was recognizable, and yet was decidedly "unreal." Indeed, Blair's bold use of color is one of the films most notable features.
Finally, in an effort to retain some of Carroll's imaginative verses and poems, Disney commissioned top songwriters to compose songs built around them for use in the film. A record number of potential songs were written for the film, based on Carroll's verses---over 30---and many of them found a way into the film, if only for a few brief moments. "I'm Late" remains one of the more famous Disney songs, and yet the entire number is less than a minute long, and is entirely spoken, not sung. Alice in Wonderland would boast the greatest number of songs included in any Disney film, but because some of them last for mere seconds (like "How Do You Do and Shake Hands," "We'll Smoke the Monster Out," "Twas Brillig," (see Jabberwocky) "The Caucus Race," and others), this fact is frequently overlooked. The original song that Alice was to sing in the beginning was titled "Beyond the Laughing Sky". The song, like so many other dropped songs, was not used by the producers. However, the composition was kept and the lyrics were changed. It later became the title song for Peter Pan (which was in production at the same time), "The Second Star to the Right".
The title song, composed by Sammy Fain, was later adopted by jazz pianist Bill Evans and featured on his Sunday at the Village Vanguard.
[edit] Release: Reactions, Criticisms, and Future Praise
All of these creative decisions were met with great criticism from fans of Lewis Carroll, as well as from British film and literary critics who accused Disney of "Americanizing" a great work of English literature. Disney was not surprised by the critical reception to Alice in Wonderland - his version of Alice was intended for large family audiences, not literary critics - but despite all the long years of thought and effort, the film met with a lukewarm response at the box office and was a sharp disappointment in its initial release[1]. Though not an outright disaster, the film was never re-released theatrically in Walt Disney's lifetime, airing instead every so often on network television (in fact, Disney's Alice in Wonderland aired as the 2nd episode of Walt Disney's Disneyland TV series on ABC in 1954), although in a severely edited version cut down to less than an hour. Walt surmised that the film failed because Alice lacked "heart" and was a difficult character for audiences to get behind and root for. In The Disney Films, Leonard Maltin relates animator Ward Kimball felt the film failed because, "it suffered from too many cooks - directors. Here was a case of five directors each trying to top the other guy and make his sequence the biggest and craziest in the show. This had a self-canceling effect on the final product." On Rotten Tomatoes, many years later, the overall score was 77%.
[edit] Re-Release Schedule, Home Video, and Beyond
Almost two decades later, after the North American success of George Duning's animated feature Yellow Submarine, Disney's version of Alice in Wonderland suddenly found itself in vogue with the times. In fact, because of Mary Blair's art direction and the long-standing association of Carroll's Alice in Wonderland with the drug culture, the feature was re-discovered as something of a "head film" (along with Fantasia and The Three Caballeros) among the college-aged and was shown in various college towns across the country. The Disney company resisted this association, and even withdrew prints of the film from universities, but then, in 1974, the Disney company gave Alice in Wonderland its first theatrical re-release ever, and the company even promoted it as a film in tune with the "psychedelic" times (mostly from the hit song White Rabbit performed by Jefferson Airplane). This re-release was successful enough to warrant a subsequent re-release a few years later, where it played on a double feature with the live-action Disney film. Later, with the advent of the home video market in the early 80's, the Disney company chose to make Alice in Wonderland one of the first titles available for the rental market on VHS and Beta. The film was released on video in 1981 and 1986 (though it was mastered for tape in 1985), staying in general release ever since, with a 40th Anniversary video release in 1991 (this and the 1986 video release were in Disney's Classics Collection), and again in 1994 and 1999 (these two were in the Walt Disney Masterpiece Collection.) It was released on DVD in Region 2 in 1999 and in Region 1 in 2000 (under the Gold Classic Collection DVD series), and on a fully restored two disc edition in 2004.
A video game version of the film was released on Game Boy Color by Nintendo of America on October 4, 2000 in North America. Additionally, Disney's take on Wonderland also appeared as one of the first worlds in Disney and Square Enix's Kingdom Hearts. Alice is also one of the fabled "Princesses of Heart" needed to open the Keyhole to Hollow Bastion.
Alice in Wonderland is also frequently featured in many parades and shows in the Disney Theme Parks, including The Main Street Electrical Parade, SpectroMagic, Fantasmic, Dreamlights, and Walt Disney's Parade of Dreams. Additionally, two rides are based on Alice in Wonderland in Disneyland: Alice in Wonderland (a dark ride telling of Alice's tale) and the Mad Tea Party. This honor of having more than one ride in a single park was only given to one other Disney classic: Dumbo. There is also a labrynth at Disneyland Paris Resort based on Wonderland along with the park's Tea Cups ride.
Alice and several other characters from the film were featured as guests in House of Mouse, and the Cheshire Cat and the Queen of Heart were two of the villains featured in Mickey's House of Villains. The Mad Hatter was also featured in Mickey's Magical Christmas: Snowed in at the House of Mouse.
While it has not been critically re-evaluated as a visionary "ahead-of-its-time" masterwork on the order of Fantasia, the reputation of Alice has improved substantially over the last thirty years. Modern appreciation for the film stems from the overall growth in the appreciation of animation in general, and respect for the film's imaginative visuals have come to somewhat outweigh the criticisms over the film's episodic storyline. Disney's Alice in Wonderland will probably never rank among the most popular of the Disney animated features, but no longer is it seen as a failure, either.
[edit] Home Video Release History
- October 15, 1981 (VHS and Betamax)
- May 28, 1986 (VHS, Betamax and Laserdisc - Walt Disney Classics)
- October 14, 1986 (VHS and Betamax - Walt Disney Classics)
- May 3, 1991 (VHS and Laserdisc - 40th Anniversary Edition - Walt Disney Classics)
- October 28, 1994 (VHS and Laserdisc - Walt Disney Masterpiece Collection)
- June 8, 1999 (VHS - Walt Disney Masterpiece Collection)
- July 4, 2000 (VHS and DVD) - Walt Disney Gold Classic Collection)
- January 27, 2004 (DVD - Masterpiece Edition)
[edit] Worldwide release dates
- U.K.: July 26, 1951
- Argentina: August 17, 1951
- Brazil: August 20, 1951
- Italy: December 6, 1951
- Netherlands: December 6, 1951
- Belgium: December 6, 1951
- Finland: December 21, 1951
- France: December 21, 1951
- Denmark: December 26, 1951
- Norway: December 26, 1951
- Sweden: December 26, 1951
- Mexico: January 1, 1952
- Australia: April 17, 1952
- Philippines: July 22, 1952 (Davao)
- Hong Kong: October 2, 1952
- West Germany: December 17, 1952
- Japan: August 22, 1953
- Austria: December 4, 1953
- Spain: April 17, 1954
- Kuwait: December 24, 1991
[edit] 2004 Masterpiece Edition features
- Disc One
- Feature film
- Dolby Digital 5.1 Surround Sound
- Mono soundtrack
- Spanish Dolby Digital 2.0 soundtrack
- French Dolby Digital 2.0 soundtrack
- "I'm Odd" Unused Song (3 minutes)
- "All in the Golden Afternoon" Sing-Along (3 minutes)
- "The Unbirthday Song" Sing-Along (2 minutes)
- Virtual Wonderland Party (30 minutes)
- "Adventures in Wonderland" Set-Top Game
- Thru the Mirror 1936 Mickey Mouse Short (9 minutes)
- Disc Two
- One Hour in Wonderland Television special from Christmas Day, 1950 (59 minutes)
- The Fred Waring Show March 18, 1951 Excerpt (31 minutes; included on the VHS video)
- Operation Wonderland June 14, 1951 Ford Star Review Segment (11 minutes; included on the VHS video)
- Alice's Wonderland 1923 Short (8 minutes)
- Original Theatrical Trailers
- 1951 Theatrical Trailer (2 minutes)
- 1974 Re-Release Trailer (2 minutes)
- Walt Disney's TV Introductions
- 1954 Disneyland Introduction (1 minute)
- 1964 Wonderful World of Color Introduction (1 minute)
- Deleted Materials
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- "From Wonderland to Neverland: The Evolution of a Song" Featurette (7 minutes)
- "Alice Daydreams in the Park" Deleted Storyboard Concept (2 minutes)
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- Song Demos (13 minutes)
- "Beware the Jabberwock"
- "Everything Has a Useness"
- "So They Say"
- "If You'll Believe in Me"
- "Dream Caravan"
- "Beautiful Soup"
- Song Demos (13 minutes)
- Art Gallery (59 Stills)
[edit] Voice cast
- Kathryn Beaumont - Alice
- Ed Wynn - Mad Hatter
- Richard Haydn - Caterpillar
- Sterling Holloway - Cheshire Cat
- Jerry Colonna - March Hare
- Verna Felton - Queen of Hearts
- J. Pat O'Malley - Tweedledum and Tweedledee; Walrus; Carpenter; Oysters
- Bill Thompson - White Rabbit; The Dodo
- Heather Angel - Alice's sister
- Joseph Kearns - Doorknob
- Larry Grey - Bill the Lizard, Card Painter
- Queenie Leonard - Bird In Tree, Snooty Flower
- Dink Trout - King of Hearts
- Doris Lloyd - Rose
- Jimmy MacDonald - The Dormouse
- The Mellomen - Cards
- Don Barclay - Other Cards
[edit] Directing animators
- Marc Davis (Alice in Tea Party sequence)
- Ward Kimball (Tweedle Dum and Tweedle Dee, The Cheshire Cat, The Mad Hatter, The March Hare)
- Frank Thomas (The Doorknob, The Queen of Hearts)
- Ollie Johnston (Alice, The King of Hearts)
- Milt Kahl (Alice in Croquet sequence)
- Eric Larson (The Caterpillar)
- Wolfgang Reitherman
- John Lounsbery
- Les Clark
- Norm Ferguson
[edit] Songs
Songs in Film
- "Alice in Wonderland" - The Jud Conlon Chorus
- "In A World of My Own" - Alice
- "I'm Late" - The White Rabbit
- "The Caucus Race" - The Dodo and Animals
- "How Do You Do and Shake Hands" - Tweedle Dee and Tweedle Dum
- "The Walrus and the Carpenter" - Tweedle Dee and Tweedle Dum
- "Old Father William" - Tweedle Dee and Tweedle Dum
- "Smoke the Blighter Out" - The Dodo and The White Rabbit
- "All in the Golden Afternoon" - The Flowers and Alice
- "AEIOU" - The Caterpillar
- "Twas Brillig" - The Cheshire Cat
- "The Unbirthday Song" - The Mad Hatter, The March Hare, and Alice
- "Very Good Advice" - Alice
- "Painting the Roses Red" - The Playing Cards and Alice/"Who's Been Painting My Roses Red?" (Reprise) - The Queen of Hearts and The Playing Cards
- "The Unbirthday Song" (Reprise) - The Mad Hatter, The March Hare, The Queen of Hearts, and The Playing Cards
- "The Caucus Race" (Reprise) - The Entire Cast Minus Alice
- "Alice in Wonderland" (Reprise) - The Jud Conlon Chorus
Songs written for film but not used
- "Beyond the Laughing Sky" - Alice (replaced by "In A World of My Own"; this melody was later used for "The Second Star to the Right" in Peter Pan)
- "Dream Caravan" - The Caterpillar (replaced by "A-E-I-O-U")
- "I'm Odd" - The Cheshire Cat (replaced by "Twas Brillig")
- "Beware the Jabberwock" - Chorus, referring to deleted character
- "So They Say" - Alice
- "If You'll Believe in Me" - The Lion and The Unicorn (deleted characters)
- "Beautiful Soup" - The Mock Turtle and The Gryphon (deleted characters)set to the tune of the Blue Danube.
- "Everything Has A Useness" - Meant for the Caterpillar, in which he explains to Alice that everything has a purpose—in this case, the use of the mushroom.
[edit] Stage Version
Alice in Wonderland has been vamped into a one act stage version entitled, "Alice and Wonderland, Jr.". The stage version is soley meant for middle and high school productions and includes majority of the film's songs and others including Song of the South's "Zip-A-Dee-Doo-Dah", This 60-80 minute version is owned Musical Theatre International in the Broadway, Jr. Collection along with other Disney Theatrical shows such as Disney's Aladdin, Jr., Disney's Mulan, Jr., Beauty and the Beast,Disney's High School Musical: On Stage!, Elton John and Tim Rice's Aida, and many more.
[edit] References
[edit] External links
- Alice in Wonderland at the Internet Movie Database
- The Big Cartoon DataBase entry for Alice in Wonderland
- Additional information about Disney's Alice in Wonderland movie, and also pictures/screencaps
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