Al Gordon (comics)
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There were two American comic-book artists named Al Gordon. One was primarily active in the 1950s, the other started working in the comics industry in 1978.
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[edit] Al Gordon (1950s)
The first American comic-book artist named Al Gordon was a penciler-inker active in the 1950s when writer-artist credits were not routinely given, making a full bibliography difficult to compile. His earlist known credits are a story each in Trojan Comics' Attack! #6 and Beware #14 (both March 1953).
Other work includes Lev Gleason Publications' Crime Does Not Pay and Daredevil; Toby Comics' Monty Hall of the U.S. Marines, Ramar of the Jungle and Tales of Horror; and, for Marvel Comics' 1950s forerunner, Atlas Comics, stories in at least one issue each of Battle Action, Two-Gun Kid, Western Outlaws, Wild Western, and, with his final known credit, Western Kid #17 (Aug. 1957).
[edit] Al Gordon (modern)
The second American comic-book artist named Al Gordon was born Alan Gordon on June 22, 1953, in San Francisco, California. He is best known for his 1990s work on DC Comics' Legion of Super Heroes and the Justice League Of America, Marvel Comics' Fantastic Four, and Image Comics' creator-owned WildStar.
[edit] Biography
[edit] Early career
Gordon's career began in the mid-1970s as as penciler and inker of the story "A Christmas Carol", starring Michael T. Gilbert's funny-animal detective the Wraith, in Quack #6 (Dec. 1977), from the early independent comics publisher Star Reach. The following year, Gordon began freelance inking for Marvel Comics, working with pencilers Bob Budiansky and Steve Leialoha, respectively, on a backup story each in Captain America #220-221 (April-May 1978). He was the regular inker on Spider-Woman, with penciler Carmine Infantino from #7-16 (Oct. 1978 - July 1979), and worked as well on at least one issue each of The Avengers, Ghost Rider, Iron Man, Marvel Premiere, Marvel Team-Up, Marvel Two-in-One, Master of Kung Fu, Power Man and Iron Fist, The Spectacular Spider-Man and Thor Annual through 1982.
[edit] DC and DNAagents
That year Gordon left Marvel for DC Comics to ink writer-penciler-co-creator Scott Shaw and fill-in penciler Stan Goldberg on the funny-animal superhero series Captain Carrot and His Amazing Zoo Crew. In 1983, Gordon did a year-and-a-half-long run at the independent Eclipse Comics, inking Will Meugniot on Will and Mark Evanier's The DNAgents, as well as inking Rick Hoberg for the company's spin-off series Surge and its anthology Eclipse Monthly.
Afterward, he returned to Marvel to become the regular inker on both a run of company's flagship series Fantastic Four, and on the science-fiction adventure limited series Rocket Raccoon (with Mike Mignola penciling). Other work around this time includes issues of The Eternals and Power Pack, and Marvel's licensed series Thundercats and "Transformers".
Freelancing once again for DC, Gordon in 1987 began inking Kevin Maguire while also working with plotter/thumbnail artist Keith Giffen on two of that era's most critically lauded series[citation needed], Justice League and Justice League International. Two years later, Gordon, this time inking Giffen, also began cowriting with Giffen and Tom and Mary Bierbaum for DC's revived Legion of Super Heroes. Gordon took over the writing and scripting chores for issues #21 though 24 (Aug. 1991), while continuing to ink Giffen.
Other late 1980s and 1990s work includes DC's Valor and Timber Wolf (the latter of which he also wrote and thumbnailed); writer Alan Moore's Tom Strong for DC’s imprint America's Best Comics; Awesome Entertainment's "Supreme" series, Judgment Day Alpha; Hero Comics' Champions; Image Comics' Freak Force and others.
In 1992 he began adapting a childhood creation, WildStar, with Jerry Ordway for creator-owned company Image Comics. WildStar: Sky Zero was the title of the miniseries that was written, inked, edited and produced by Al, and penciled by Jerry Ordway.
He continued his working relationship with Ordway, inking Marvel's The Avengers vol. 2. Other 2000s work for Marvel includess Captain Marvel #25 (Sept. 2004) and Marvel Holiday Special #1 (Jan. 2006).
[edit] Awards
- Eisner Award (2000): Best Single Issue/Single Story - Tom Strong #1 (ABC Comics): "How Tom Strong Got Started," by Alan Moore, Chris Sprouse, and Al Gordon
- Eisner Award (2000): Best Serialized Story - Tom Strong #4–7 (ABC Comics), by Alan Moore, Chris Sprouse, Al Gordon, and guest artists
[edit] References
- Grand Comics Database
- Al's Homepage at ComiCon.com [1]