Adolf von Henselt

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Statue of von Henselt in his hometown of Schwabach
Statue of von Henselt in his hometown of Schwabach

Adolf von Henselt (May 12, 1814 - October 10, 1889), German composer and pianist, was born at Schwabach, in Bavaria.

At the age of three he began to learn the violin, and at five the piano under Frau von Fladt. On obtaining financial help from King Ludwig I of Bavaria he went to study under Hummel in Weimar for some months, and thence in 1832 to Vienna, where, besides studying composition under Simon Sechter (the later teacher of Anton Bruckner), he made a great success as a concert pianist.

In order to improve his health he made a prolonged tour in 1836 through the chief German towns. In 1837 he settled at Breslau, where he had married Rosalie Vogel, but in the following year he migrated to St. Petersburg, where previous visits had made him persona grata at Court. He then became court pianist and inspector of musical studies in the Imperial Institute of Female Education, and was ennobled in 1876. He usually spent his summer holidays in his former homeland Germany. In 1852 and again in 1867 he visited England, though in the latter year he made no public appearance.

St. Petersburg was his home practically until his death, which occurred during a stay at Warmbrunn, Germany (now in Poland), due to cardiac disease. The characteristic of Henselt's playing was a combination of Franz Liszt's sonority with Hummel's smoothness. It was full of poetry, remarkable for the great use he made of extended chords, and for his perfect technique. Indeed, his cantabile playing was unequalled: even Liszt was envious, once exclaiming "I could have had velvet paws like that if I had wanted to." His influence on the next generation of Russian pianists is immense. It is in Henselt's playing and teaching that the entire Russian school of music had its genesis, developing from the seeds planted by John Field. Sergei Rachmaninoff held him in very great esteem, and considered him one of his most important influences.

He excelled in his own works and in those of Carl Maria von Weber and Frédéric Chopin. His Concerto in F minor was once frequently played in Europe; and of his many valuable studies, Si oiseau j'étais was very familiar. At one time Henselt was second to Anton Rubinstein in the direction of the St. Petersburg Conservatory.

However, despite his relatively long life, Henselt ceased all composition by the age of thirty. The reasons are unclear. Chronic stage fright, bordering on paranoia, caused him to withdraw from concert appearances by age thirty-three.

Contents

[edit] Works

[edit] Piano Solo

(selective list)

  • Variations on ‘Io son' ricco’ from Donizetti's L'elisir d'amore, Op. 1
  • Douze études caractéristiques, Op. 2
  • Poëme d'amour, Op. 3
  • Douze études de salon, Op. 5
  • Pensée fugitive, Op. 8
  • Scherzo in B Minor, Op. 9
  • Romance in B-flat Minor, Op. 10
  • Fruhlingslied, Op. 15
  • Fantaisie sur un air bohemien-russe, Op. 16
  • Impromptu no.2, Op. 17
  • Vier Romanzen, Op. 18
  • Arrangements of 12 numbers from Weber's operas Der Freischütz, Euryanthe and Oberon, Op. 19
  • Deux romances russes de Soumarokoff, Op. 22
  • Toccatina, Op. 25
  • Deux petites valses, Op. 28
  • Sophie polka, Op. 29
  • Chant sans paroles, Op. 33
  • Grande valse - L'aurore boréale, Op. 30
  • Ballade, Op. 31
  • Nocturne in A-flat Major, Op. 32
  • Impromptu No.3 in B-flat Minor, Op. 34
  • Marche du couronnement d'Alexandre II, Op. 35
  • Valse mélancolique in D Minor, Op. 36
  • Impromptu No.4 in B-flat Minor, Op. 37
  • Impromptu No. 1, WoO

[edit] Orchestral

[edit] Chamber

  • Duo, Op. 14, for violoncello and piano
  • Piano Trio in A Minor, Op. 24

[edit] References

[edit] External links