Adelaide Johnson
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| Adelaide Johnson | |
 |
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| Birth name | Adeline Johnson |
| Born | 26 September 1859 Plymouth, Illinois |
| Died | 10 November 1955 Washington, DC |
| Nationality | American |
| Field | Sculpture |
| Training | St. Louis School of Design, Giulio Monteverde |
| Works | The Woman Movement, U.S. Capitol |
Adelaide Johnson (1859–1955) was an American sculptor whose work is displayed in the U.S. Capitol and a feminist who was devoted to the cause for equality of women.
Born Sarah Adeline Johnson to a farm family of modest means in Plymouth, Illinois, she attended rural school and then took classes at the St. Louis School of Design. In 1878, she changed from Sarah Adeline to Adelaide, a name she thought was more dramatic. She moved to Chicago and supported herself with her art. In January 1882, hurrying to get to her studio, she slipped and fell twenty feet down the well of an unguarded elevator shaft. Badly hurt, she sued for compensation and was awarded the sum of $15,000. Ironically, this injury and award gave her the financial freedom to travel to Europe to study painting and sculpture, an opportunity she would never have had without the accident.[1] She took the opportunity to study in Dresden and Rome, studying with Giulio Monteverde in Rome where she kept a studio until 1920.
In 1896 she married Frederick Jenkins, a British businessman and fellow vegetarian who was eleven years younger than she. He took her name as "the tribute love pays to genius". They were wed by a woman minister, and her bridesmaids were the busts she did of Susan B. Anthony and Elizabeth Stanton. However, the marriage ended after twelve years.[2]
She exhibited at the 1893 World's Columbian Exposition in Chicago, showing busts of prominent suffragists Lucretia Mott, Susan B. Anthony, and Elizabeth Cady Stanton. The high point of her professional career was to complete a monument in Washington D.C. in honor of the women's suffrage movement. Alva Belmont helped to secure funding for the piece, which was unveiled in 1921.[3]
Her career declined after the 1930s, and financial problems beset her. She relied on others for financial support and was often unwilling to sell her sculptures because she felt the prices offered did not recognize her work. Faced with eviction for failure to pay taxes, in 1939 she invited the press to witness her mutilating her own sculptures as a protest against her circumstances, and against the failure to realize her dream of a studio-museum commemorating suffragists and other women's campaigners. She moved in with friends in 1947 and appeared on TV quiz programs trying to win money to buy back her home. Her flamboyant nature led her to lie about her age through her life. She celebrated her 100th birthday at the age of 88, realizing that it made good publicity. Upon her death, her age was reported to be 108, though she was only 96. She is buried in Washington, D.C. at Congressional Cemetery.[4]
[edit] References
- ^ Adelaide Johnson, Shirley J. Burton, Women Making a Difference website. Accessed 13 January 2008.
- ^ Walking tour guide, Association for the Preservation of Congressional Cemetery (2002), accessed 12 January 2008.
- ^ Adelaide Johnson, Sunshine for Women website. Accessed 13 January 2008.
- ^ Adelaide Johnson', "A Woman a Week" website, accessed 13 January 2008.
[edit] External sites
- Congressional Cemetery, Washington DC
- Adelaide Johnson: A marriage of art and politics. Frank Faragasso and Doug Stover, National Capital Parks — East. Accessed 13 January 2008.
