The Businessman: A Tale of Terror
From Wikipedia, the free encyclopedia
The Businessman: A Tale of Terror is a novel written by Thomas M. Disch, and published by Harper & Row in 1984. The Businessman is a contemporary novel, a form that Disch -- best known for his science fiction and historical novels -- had not hitherto tried, although all of his subsequent adult novels have shared its milieu.
Disch's novel of Robert Glandier, a Minneapolis businessman who murders his wife and is later haunted by her; his mother-in-law, Joy-Ann Anker (whose death frees her daughter Giselle's entombed spirit and allows her to roam the world, and who eventually defers her own ascent through an elaborate afterlife in order to help her beleaguered daughter), and various other, historical characters -- including the ghost of poet John Berryman, whose 1972 suicide has left him in a beleaguered posthumous condition, and Adah Isaacs Menken, the nineteenth-century actress, who conducts Joy-Ann through the afterlife -- is a mordant and complexly-plotted metaphysical thriller, which follows numerous viewpoints (including an omniscient narrator, who explains to the reader that "The source of grace has its favorite bloodlines, for which there is no accounting" and that the Anker family, although slothful and philistine, is blessed with grace whatever their weaknesses) in their characters' interactions, which culminates in a sexual encounter between the ghost Giselle and her murderer Glandier, and the resulting conception of a demonic foetus.
Published in the summer of 1984 and proffered by Harper & Row (rather incongruously) as an entertaining summer read, The Businessman was favorably reviewed by Time and Newsweek, among other periodicals, but failed to sell well, and there was no paperback edition until the Disch's next novel, The M.D.: A Horror Story (1991), became a bestseller.
The M.D.: a Horror Story, The Priest: A Gothic Romance (1994), and The Sub: A Study in Witchcraft (1999) are all set the same "meta-Minneapolis" (Disch's term), and each includes a formal innovation -- here, the demonic child born to a ghost and her murderer -- that Disch believed unique in the literature of the fantastic. It was included in Fantasy: The 100 Best Books by James Cawthorn and Michael Moorcock.