A Matter of Life and Death (play)
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For other uses, see A Matter of Life and Death (disambiguation).
A Matter of Life and Death is a stage adaptation by Tom Morris and Emma Rice of Powell and Pressburger's film of the same name for the company Kneehigh Theatre. Its first run at the National Theatre lasted from 3 May 2007 to 21 June 2007.
[edit] Cast & crew
Taken from the programme of the performance at the Olivier Theatre, London, 12 May, 2007.
[edit] Production team
- Director: Emma Rice
- Set Designer: Bill Mitchell
- Costume Designer: Vicki Mortimer
- Lighting Designer: Mark Henderson
- Choreographer: Debra Batton & Emma Rice
- Music: Stu Barker
- Sound Designer: Gareth Fry
- Projection Designers: Jon Driscoll & Gemma Carrington
[edit] Cast
| On Earth | |
| Peter | Tristan Sturrock |
| June | Lyndsey Marshal |
| Bob | Craig Johnson |
| Girl | Debbie Korley |
| Frank | Douglas Hodge |
| Dr McEwan | Andy Williams |
| Mr Archer | Chiké Okonkwo |
| Harold | Mike Shepherd |
| Between Life and Death | |
| Boy | Dan Canham |
| Woman | Dorothy Atkinson |
| Nurse | Fiona Chivers |
| Nurse | Meryl Fernandes |
| Nurse | Lorraine Stewart |
| Nurse | Kirsty Woodward |
| Patient | Jamie Bradley |
| Patient | Thomas Goodridge |
| Patient | Pieter Lawman |
| Patient | Róbert Luckay |
| In the Other World | |
| Conductor 71 | Gisli Örn Gardarsson |
| Chief Recorder | Tamzin Griffin |
| First Prosecutor | Stuart McLoughlin |
| All other parts played by members of the Company | |
| Musician | Stu Barker |
| Musician | Pete Judge |
| Musician | Dominic Lawton |
| Musician | Alex Vann |
| Musician | Michael Vince |
[edit] Differences from the film
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Though the plot of the adaptation is broadly similar, there are some differences. June, the nurse with whom Peter falls in love, is British here rather than American, since the company "felt that it would distract attention from the central story and towards the different issues of Anglo-American relations today".[1] However, this means that the courtroom scenes cannot include the arguments about Britain, its historical place in world events and how it is perceived by the rest of the world, and have to be replaced with different arguments about war and the effects of war. For the denouement, Peter's fate is decided by the toss of a coin, rather than by June's offer to change places with him; the end thus varies from performance to performance.
[edit] Controversy
Though individual assessments varied from Nicholas de Jongh's wholly negative account in the Evening Standard to Susannah Clapp's enthusiastic review in The Observer, critical reaction to the play was generally poor. This prompted an attack by National Theatre director Nicholas Hytner on the major London critics, whom he described as "dead white men"[2]. His charges of misogyny and prejudice against lesbian directors and new styles of theatre were hotly rebutted by his targets.
