Maggie: A Girl of the Streets

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Maggie: A Girl of the Streets (1893) is Stephen Crane's first novel, though it is sometimes considered a novella. Considered too risqué by publishers, Crane had to finance the publication of the novel himself. "Maggie" is an example of Naturalism. Naturalism is dominated by the idea of Determinism, the notion that events and people's behavior are shaped by forces beyond their control. This pessimistic novel highlighted the deplorable living conditions of the working class during the so-called Gilded Age.

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[edit] Naturalism

Stephen Crane's Maggie is "regarded as the first work of unalloyed naturalism in American fiction." [1] According to the naturalistic principles, a character is set into a world where there is no escape from one's biological heredity. Additionally, the circumstances in which a person finds oneself will dominate one's behavior, depriving the individual of responsibility.[2] Although Stephen Crane denied any influence by Émile Zola,[3] the creator of Naturalism, on his work, examples in his texts indicate that this American author was inspired by French naturalism.

[edit] Historical context

Maggie was published during the time of industrialization.[4] The USA, a country shaped by agriculture in 19th century, became an industrialized nation in the late 1890s.[5] Moreover, "an unprecedented influx of immigrants contributed to a boom in population,"[6] creating bigger cities and a new consumer society.[7] By these developments, progress was linked with poverty, illustrating that the majority of the US population was skeptical about the dependency on the fluctuation of global economy.[8]

[edit] Main characters

Jimmie- a young boy, Maggie and Tommie's brother, who first appears in the beginning scene fighting a gang war of some sort with the Rum Alley Children.
Pete- a teenager, in the beginning, who is an acquaintance of Jimmie, and saves Jimmie in the fight
Father- brutal, drunkard, father of Jimmie, Maggie, and Tommie
Maggie- eldest child, protagonist of the story, apparently immune to the after-effects of the negative family, prostitute (at the end of the story, an implication)
Tommie- youngest child
Mary- drunkard mother, also brutal

[edit] Brief summary

The story opens with Jimmie, at this point a young boy, trying to fight a gang of boys from an opposing neighborhood all by himself. He is saved by Pete, and comes home to his sister Maggie and toddling brother Tommie, and a brutal and drunken father and mother who terrify the children until they are shuddering in the corner. Years pass, the father and Tommie die, and Jimmie hardens into a sneering, aggressive, cynical youth. He gets a job as a teamster. Maggie begins to work in a shirt factory, but her attempts to improve her life are undermined by her mother's drunken rages. Maggie begins to date Jimmie's friend Pete, who has a job as a bartender and seems a very fine fellow. He takes her to the theater and the museum. One night Jimmie and Mary accuse Maggie of "Goin to deh devil." Jimmie goes to Pete's bar and picks a fight with him (even though he himself has ruined other boys' sisters). As the neighbors continue to talk about Maggie, Pete and Mary decide to join them in badmouthing her instead of defending her. Later, Nellie, a "woman of brilliance and audacity" convinces Pete to leave Maggie, whom she calls "a little pale thing with no spirit." Thus abandoned, Maggie tries to return home but is rejected by her mother and scorned by the entire tenement. In a later scene, a prostitute, implied to be Maggie, wanders the streets, moving into progressively worse neighborhoods until, reaching the river, she is followed by a grotesque and shabby man. The next scene shows Pete drinking in a saloon with six fashionable women "of brilliance and audacity." He passes out, whereupon one, possibly Nellie, takes his money. In the final chapter, Jimmie tells his mother that Maggie is dead. The mother exclaims, ironically, as the neighbors comfort her, "I'll fergive her!".

[edit] Notes

  1. ^ Holton, Milne. Cylinder of Fiction. - The Fiction and Journalistic Writing of Stephen Crane. Baton Rouge: Louisiana State UP, 1972. 37.
  2. ^ Columbia Literary History of the United States. Ed. Emorz Elliott. New York: Columbia UP, 1988. 525-45.
  3. ^ Ibid, 52.
  4. ^ Ibid, 53.
  5. ^ Ibid, 54
  6. ^ Ibid, 54
  7. ^ Ibid, 54
  8. ^ Ibid, 54

[edit] External links