Zoltán Göncz
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Zoltán Göncz (born July 23, 1958 in Budapest) is a Hungarian composer who often applies archaic forms (canon, passacaglia) and complex structures in his compositions.
[edit] Works, completions
- “…i rinoceronti del nero cosmo…” – for brass quintet (1985–86)
- Great canon (Canon perpetuus per tonos et semitonium in contrario motu) – for orchestra (1987–88)
- J. S. Bach: Fantasia and Fugue in C minor BWV 562 (completion: 1989) (see external links)
- J. S. Bach: Contrapunctus XIV (Quadruple fugue) from The Art of Fugue (reconstruction and completion: 1990–92) (the score published by Carus-Verlag [CV 18.018] in 2006)
- Whirl, Palimpsest, Pentium – 3 algorithmic studies for 2 pianos (1996)
- Canon gradus a 12 (per tonos, in contrario motu, per arsin et thesin) ad honorem Josephæ Sariæ – for mixed choir to a poem “Ten stairs” by Sándor Weöres (2005)
[edit] Publications
- The Permutational Matrix in J. S. Bach’s Art of Fugue, in: Studia Musicologica Vol. 33, pp. 109–119. 1991.
- Reconstruction of the Final Contrapunctus of The Art of Fugue, in: International Journal of Musicology Vol. 5, pp. 25–93. 1997 ISBN 3-631-49809-8; Vol. 6, pp. 103–119. 1998 ISBN 3-631-33413-3 (in Hungarian: A fúga művészete zárócontrapunctusának rekonstrukciója, Bach Tanulmányok 2, 1993.)