World government in science fiction

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In both science fiction and utopian/dystopian fiction, authors have made frequent use of the age-old idea of a global state and, accordingly, of world government.

In tune with Immanuel Kant's vision of a world state based on the voluntary political union of all countries of this planet in order to avoid colonialism and in particular any future war ("Idee zu einer allgemeinen Geschichte in weltbürgerlicher Absicht", 1784; "Zum ewigen Frieden", 1795), some of these scenarios depict an egalitarian and environmentally sustainable world supervised (rather than controlled) by a benevolent (and usually democratic) world government. Others, however, describe the effects of a totalitarian regime which, after having seized power in one country, annexes the rest of the world in order to dominate and oppress all humankind.

One of the first examples of world government in science fiction appears in Aldous Huxley's 1932 novel Brave New World, in which the planet is united as The World State. World government themes in science fiction are particularly prominent in the years following World War II, coincident with the involvement of many scientists in the actual political movement for world government in response to the perceived dangers of nuclear holocaust. Prominent examples from the Cold War era include Childhood's End (1953), Starship Troopers (1959), Star Trek (from 1966) and the Doctor Who story The Enemy of the World (1968). Later references to a unified world government also appear however in post-Cold War science fiction television series such as Babylon 5.

The concept also appears frequently in science fiction anime, whether in the form of a strengthened United Nations or an entirely new organizations with world presidential election. Examples of anime with this premise are Macross (better known in America as the first part of Robotech) and Gundam.

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