William Trevor

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William Trevor, KBE (born May 24, 1928) is a short story writer, novelist and playwright of Irish origin, now living in Devon in England.

Born William Trevor Cox in Mitchelstown, County Cork, Ireland to a middle-class Anglican family, he moved several times to other provincial towns due to his father's work as a bank official. He was educated at St Columba's College, County Dublin, and Trinity College, Dublin. He received a degree in history at Trinity College in Dublin.

Trevor worked for a while as a sculptor, supplementing his income by teaching. He married Jane Ryan in 1952 and emigrated to England two years later. His first novel, A Standard of Behaviour, was published in 1958, but had little critical success.

After abandoning sculpting he became a copywriter in London before becoming a full-time writer in 1965. Trevor's stories are set in both England and Ireland, ranging from black comedies and sexual deviants to tales based on Irish history and politics. He focused on the tensions between Protestant landowners and Catholic tenants. Trevor maintains that, unlike the characters in his stories, those in his novels 'cause everything to happen.' His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities, which are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles. Unreliable narrators and different perspectives reflect the fragmentation and uncertainty of modern life. Again, Trevor draws increasingly on his Irish background for setting and character, and Fools of Fortune was a new departure in that it was Trevor's first 'Big House' novel. Trevor continued to explore the decaying institution of the 'Big House' in The Story of Lucy Gault.

He has written several collections of short stories that were well received. His short stories often follow a Chekhovian pattern. Characters have deeply felt longings but must accept that life will not change, and the inevitable has to be endured. There are fragmentary moments of illumination, but these are soon quenched, and problems prevail. One of the dominant themes in the stories is the difficulty of dealing with truth, of recognizing it, of communicating it, and of accepting it. The characters in Trevor's work are usually marginalized members of society: children, old people, single middle-aged men and women, or the unhappily married. Those who cannot accept the reality of their lives create their own alternative worlds into which they retreat. A number of the stories use elements of the Gothic convention to explore the nature of evil and its connection with madness. Trevor acknowledges the influence of James Joyce on his short story writing, and 'the odour of ashpits and old weeds and offal' can be detected in his work, but the overall impression is not a gloominess, since, particularly in the early work, the author's wry humor offers the reader a tragicomic version of the world. He has adapted much of his work for stage, television and radio. Felicia's Journey was made into an acclaimed film by Atom Egoyan.

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[edit] Awards and distinctions

Trevor is a member of the Irish Academy of Letters. In 2002 he received an honorary knighthood in recognition of his services to literature. He was given an honorary CBE in 1977, and was made a Companion of Literature in 1994.

A monument to Trevor - a bronze sculpture by Liam Lavery and Eithne Ring in the form of a lectern, with an open book incorporating an image of the writer and a quotation, as well as the titles of his three Whitbread Prize-winning works, and two others of significance - was unveiled in Mitchelstown on 25 August 2004.

[edit] Bibliography

  • A Standard of Behaviour (Hutchinson, 1958)
  • The Old Boys (Bodley Head, 1964)
  • The Boarding House (Bodley Head, 1965)
  • The Love Department (Bodley Head, 1966)
  • The Day We Got Drunk on Cake and Other Stories (Bodley Head, 1967)
  • Mrs Eckdorf in O'Neill's Hotel (Bodley Head, 1969)
  • Miss Gomez and the Brethren (Bodley Head, 1971)
  • The Old Boys (play, Davis-Poynter, 1971)
  • A Night with Mrs da Tanka (play, Samuel French, 1972)
  • Going Home (play, Samuel French, 1972)
  • The Ballroom of Romance and Other Stories (Bodley Head, 1972)
  • Elizabeth Alone (Bodley Head, 1973)
  • Marriages (play, Samuel French, 1973)
  • The Last Lunch of the Season (Covent Garden Press, 1973)
  • Angels at the Ritz and Other Stories (Bodley Head, 1975)
  • The Children of Dynmouth (Bodley Head, 1976)
  • Lovers of their Time (Bodley Head, 1978)
  • The Distant Past (Poolbeg Press, 1979)
  • Other People's Worlds (Bodley Head, 1980)
  • Beyond the Pale (Bodley Head, 1981)
  • Scenes from an Album (Co-Op Books (Dublin), 1981)
  • Fools of Fortune (Bodley Head, 1983)
  • The Stories of William Trevor (Penguin, 1983)
  • A Writer's Ireland: Landscape in Literature (Thames & Hudson, 1984)
  • The News from Ireland and Other Stories (Bodley Head, 1986)
  • Nights at the Alexandra (Hutchinson, 1987)
  • The Silence in the Garden (Bodley Head, 1988)
  • Family Sins and Other Stories (Bodley Head, 1989)
  • Two Lives (Viking, 1991)
  • Juliet's Story (Bodley Head, 1992)
  • Outside Ireland: Selected Stories (Viking, 1992)
  • Excursions in the Real World: Memoirs (Hutchinson, 1993)
  • Felicia's Journey (Viking, 1994)
  • After Rain (Viking, 1996)
  • Death in Summer (Viking, 1998)
  • Personal Essays (1999)
  • The Hill Bachelors (Viking, 2000)
  • The Story of Lucy Gault (Viking, 2002)
  • A Bit On the Side (Viking, 2004)

[edit] As an editor

[edit] External links

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