William Seguier

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William Seguier (pronounced [siː'gə]; 9 November 17725 November 1843) was a British art dealer, painter, and official functionary in the art world.

Seguier was born in the parish of St Martin-in-the-Fields in London, the descendant of French Huguenot refugees. Many of his relatives were involved in the arts on a professional level, from his father David, a picture dealer, to his uncle on the paternal side, the sculptor Peter Seguier. Initially Seguier pursued the practical side of the profession; he may have been taught by George Morland and perhaps even William Blake. However, his marriage to Anne Magdalene Clowden (a fellow Huguenot), gave him the independent means to establish a dealership, and he largely gave up painting thereafter.

From 1806, when Lord Grosvenor consulted him on the purchase of the Agar collection, Seguier's clientele became ever more aristocratic and well-connected, including such names as Sir George Beaumont, Sir Abraham Hume, Sir Robert Peel and the Duke of Wellington. Beaumont and Grosvenor were also members of a group of connoisseurs and artists (including David Wilkie and Benjamin Haydon) that called itself "the clique", to which Seguier was admitted. Through such connections as these the opportunistic Seguier was secured a number of high-ranking official positions, beginning in 1805 with his appointment as Superintendent of the newly-formed British Institution. This was followed in 1820 with the post of Surveyor of the King's Pictures, and upon the foundation of the National Gallery in 1824 he was appointed its Keeper. Seguier held these three positions until his death in 1843.

[edit] Reference

Laing, Alastair D. “Seguier, William (1772–1843).” Oxford Dictionary of National Biography. Ed. H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004.

Preceded by
Superintendent of the British Institution
1805–1843
Succeeded by
John Seguier
Preceded by
Benjamin West
Surveyor of the King's / Queen's Pictures
1820–1843
Succeeded by
Sir Augustus Wall Callcott
Preceded by
Keeper of the National Gallery
1824–1843
Succeeded by
Sir Charles Lock Eastlake