William Gilmore Simms

From Wikipedia, the free encyclopedia

image:WGSimms.JPG
William Gilmore Simms

William Gilmore Simms (April 17, 1806 – June 11, 1870) was a poet, novelist and historian from the American South whose novels achieved great prominence during the 19th century, with Edgar Allen Poe pronouncing him the best novelist America had ever produced. In recent decades, though, Simms' novels have fallen out of favor, although he is still known among literary scholars as a major force in Antebellum literature.[1] He is also remembered for his strong support of slavery and for his opposition to Uncle Tom's Cabin, in response to which he wrote reviews and a novel.[2]

Contents

[edit] Simms' life

Simms was born in Charleston, South Carolina, of Scottish-Irish ancestors. His mother died during his infancy, and his father failed in business and joined Coffee's Indian fighters; as a result, Simms was brought up by his grandmother. As he grew up, Simms worked as a clerk in a drug store and studied law, and the bar of Charleston admitted him to practice in 1827. However, he soon abandoned this profession for literature.[3]

[edit] Simms' early writings

He first wrote poetry at the age of eight, and in his 19th year he produced a monody on Gen. Charles Cotesworth Pinckney (Charleston, 1825). Two years later, in 1827, Lyrical and Other Poems and Early Lays appeared. In 1828 he became a journalist as well as editor and part owner of the City Gazette, but the enterprise failed. Simms then devoted his attention entirely to writing and in rapid succession published Tile Vision of Cones, Cain, and Other Poems (1829); The Tricolor, or Three Days of Blood in Paris (1830); and his strongest poem, Atalantis, a Tale of the Sea (1832). Atalantis established his fame as an author. His short novel Martin Faber, the Story of a Criminal was published in 1833 and made Simms known to a national audience.[4]

[edit] Simms' popular novels about the South

Simms wrote a number of popular novels between 1830 and 1860, usually focusing on the pre-colonial and colonial periods of Southern history. These included such titles as The Yemassee (1835); The Lily and the Totem, or, The Huguenots in Florida (1850); Vasconselos (1853); and The Cassique of Kiawah (1859). Many critics believe The Cassique of Kiawah to be Simms’ best written work.

Simms also wrote eight novels set in South Carolina during the Revolutionary War, beginning with The Partisan (1835) and Katherine Walton (1851). Other titles included Mellichampe (1836), The Kinsmen (1841), The Forayers (1855), Eutaw (1856), and Joscelyn (1867). Finally, Simms wrote ten novels dealing with the expansion into the frontier territory from Georgia to Louisiana, such as Richard Hurdis; or, the Avenger of Blood. A Tale of Alabama (1838) and Border Beagles: A Tale of Mississippi (1840). In 1852, Simms published The Tennessean’s Story, his only full-length work of Southern humor.

By the mid-1840s, Simms' fame for his novels was so great that Edgar Allan Poe declared Simms to be "The best novelist which this country has, on the whole, produced."[5] However, despite having achieved a very good literary reputation during his lifetime, today Simms' novels are, for the most part, out of print. Still, he is known among literary scholars as a major force in Antebellum literature.[6]

[edit] Simms as historian

Simms, circa 1860
Simms, circa 1860

Simms was one of the best, and most respected, historians of his day. His History of South Carolina (1840) served for several generations as the standard school textbook on the state's history. He also wrote enormously popular biographies of Revolutionary War heroes Francis Marion, Nathanael Greene, and John Laurens, as well as John Smith and the Chevalier Bayard. Additionally, Simms was a popular lecturer on American history and accumulated one of the largest collections of Revolutionary War manuscripts. Unfortunately, most of this collection was lost when Sherman's army burned his home.[7]

[edit] Simms' pro-slavery writings

Simms is also remembered today for his strong support of slavery and for his opposition to Harriet Beecher Stowe's abolitionist novel Uncle Tom's Cabin, in response to which he wrote reviews and a book.[8] His Anti-Tom novel was The Sword and the Distaff.

Even though The Sword and the Distaff came out only a few months after Stowe's novel, it contains a number of sections and discussions that are clearly debating Stowe's book and view of slavery. The novel focuses on the Revolutionary War and its aftermath through the lives of Captain Porgy and one of his slaves. Many of Simms other writings took a similar pro-slavery viewpoint.[9]

Simms' book was one of between twenty and thirty Anti-Tom novels written after Stowe's book. As in Simms' book, these novels tended to feature a benign white patriarchal master and a pure wife, both of whom presided over child-like slaves in a benevolent extended-family-style plantation. Simms' novel was popular enough that it was reprinted in 1854 under the title Woodcraft.[10]

[edit] Simms' final years

In Simms' later years, he became part of the Southern plantation class and firmly supported slavery and Southern secession. During the American Civil War Simms espoused the side of the Secessionists in a weekly newspaper and suffered damage at the hands of the Federal troops when they entered Charleston. He served in the state House of Representatives in 1844–1846, after which he was defeated in the election for lieutenant-governor by only one vote.[11] The University of Alabama conferred on him the degree of LL.D. He died at Charleston in 1870.

A large bust of Simms is centrally located in Charleston's Battery Park.

[edit] See also

[edit] External links

[edit] References

  1. ^ "Review of From Nationalism to Secessionism: The Changing Fiction of William Gilmore Simms by Charles S. Watson," reviewed by Richard J. Calhoun, South Atlantic Review, Vol. 60, No. 1 (Jan., 1995), pp. 149-151.
  2. ^ "Woodcraft: Simms's First Answer to Uncle Tom's Cabin" by Joseph V. Ridgely, American Literature, Vol. 31, No. 4 (Jan., 1960), pp. 421-433; "Simms's Review of Uncle Tom's Cabin" by Charles S. Watson, American Literature, Vol. 48, No. 3 (Nov., 1976), pp. 365-368
  3. ^ 1911 Britannica.
  4. ^ 1911 Britannica.
  5. ^ Review by Edgar Allan Poe in Broadway Journal, September 20, 1845.
  6. ^ "Review of From Nationalism to Secessionism: The Changing Fiction of William Gilmore Simms by Charles S. Watson," reviewed by Richard J. Calhoun, South Atlantic Review, Vol. 60, No. 1 (Jan., 1995), pp. 149-151.
  7. ^ Busick, Sean R. A Sober Desire for History: William Gilmore Simms as Historian., 2005. ISBN 1570035652.
  8. ^ "Woodcraft: Simms's First Answer to Uncle Tom's Cabin" by Joseph V. Ridgely, American Literature, Vol. 31, No. 4 (Jan., 1960), pp. 421-433; "Simms's Review of Uncle Tom's Cabin" by Charles S. Watson, American Literature, Vol. 48, No. 3 (Nov., 1976), pp. 365-368
  9. ^ An Overview of Southern Literature by Genre by Lucinda MacKethan, North Carolina State University, originally published in Southern Spaces, accessed Feb. 17, 2007.
  10. ^ "Caroline Lee Hentz's Long Journey" by Philip D. Beidler. Alabama Heritage Number 75, Winter 2005. Accessed 2/7/2006.
  11. ^ Busick, Sean R. A Sober Desire for History: William Gilmore Simms as Historian., 2005. ISBN 1570035652.
Retrieved from "http://en.wikipedia.org../../../w/i/l/William_Gilmore_Simms_90db.html"
In other languages