Talk:Where Are You Going, Where Have You Been?

From Wikipedia, the free encyclopedia

This article is part of WikiProject Novels, an attempt to build a comprehensive and detailed guide to narrative novels, novellas, novelettes and short stories on Wikipedia. If you would like to participate, you can edit one of the articles mentioned below, or visit the project page, where you can join the project and contribute to the General Project Discussion to talk over new ideas and suggestions.
This article has been automatically rated as Stub-Class because it uses a stub template.
  • If you agree with the assessment, please remove |auto=yes from this template.
  • If you disagree with the assessment, please change it by editing the |class= parameter in this template and removing the stub template from the article.|-
Stub This article has been rated as Stub-Class on the quality scale.
??? This article has not yet received a rating on the importance scale.
This article is supported by the Short story task force, which deals with short story articles

Article Grading:
The article has been rated for quality and/or importance but has no comments yet. If appropriate, please review the article and then leave comments here to explain the ratings and/or to identify the strengths and weaknesses of the article.

THe article writes that there is no code that adds up to 69 in the story, but there is a code that says 33, 19, 17, which is a verse from the bible. However, the numbers 33, 19, and 17 DO add up to 69...

This article also lists Arnold Friend as the main protagonist of the story when it would seem more likely that he is that antagonist and that Connie is the protagonist.

[edit] Arnold Friend and Connie

This story has often reminded me of the Greek myth in which Hades, the god of death, abducts Demeter's daughter Persephone. I've always interpreted the ending as stongly suggesting that Connie is killed. I've often found it intriguing that the death figure in the story seems to represent the excititng world outside the bored young girl's sheltered home, and is as seductive and fascinating as he is frightening. This suggests to me that the life, which the young girl's maturing body and psyche draw her to, contains also the seed of her death, the natural conclusion of that life.

¬¬¬¬Talaria