Wah Wah

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Wah Wah
Wah Wah cover
Studio album by James (band)
Released October ? , 1994
Recorded 1993
Genre Alternative Britpop
Label Mercury Records
Producer(s) Brian Eno
Professional reviews
James (band) chronology
Laid
(1993)
Wah Wah
(1994)
Whiplash
(1997)


The seventh full-length release by Manchester indie rock group, James, Wah Wah was produced by Brian Eno during the same six-week session as Laid. Although the group had always been keen on improvisation, both as their principle songwriting method and onstage, this was their first (and only) album to be comprised entirely of such material. It was Eno's idea that the group's improvisations should be recorded, having told them that he regarded this music as having equal importance to the finished songs birthed from it. However, the group told Stuart Maconie (for their authorised biography Folklore) that the album caused disagreements, particulary over Tim Booth's wish to redo some vocals and over how to deal with the finished record - originally planned as a giveaway with early copies of Laid, it was eventually issued as a limited edition several months later.

One track, Jam-J was chosen as a single, and released as a double-A side, along with Say Something from the album Laid.

The track Tomorrow was later re-recorded from scratch and placed on the band's next release, the album Whiplash as well as being culled as the second single from that record.

[edit] Track listing

  1. Hammer Strings
  2. Pressure's On
  3. Jam J
  4. Frequency Dip
  5. Lay The Law Down
  6. Burn The Cat
  7. Maria
  8. Low Clouds
  9. Building A Fire
  10. Gospel Oak
  11. DVV
  12. Say Say Something
  13. Rhythmic Dreams
  14. Dead Man Whistling
  15. Rain
  16. Basic Brian
  17. Low Clouds
  18. Bottom of the Well
  19. Honest Joe
  20. Arabic Agony
  21. Tomorrow
  22. Laughter
  23. Sayonara



Brian Eno
Discography
with Roxy Music Roxy Music | For Your Pleasure
Solo albums: Here Come the Warm Jets | Taking Tiger Mountain By Strategy | Discreet Music | Another Green World | Before and after Science | Music for Airports | Music for Films | Thursday Afternoon | The Shutov Assembly | Nerve Net | Neroli | The Drop | Another Day on Earth
with Robert Fripp: Fripp & Eno (No Pussyfooting) | Evening Star | Air Structures (bootleg) | The Essential Fripp and Eno | The Equatorial Stars | The Cotswold Gnomes
with Cluster: Cluster & Eno | After the Heat | Begegnungen | Begegnungen II | Harmonia: '76: Tracks and Traces
Other collaborations: June 1, 1974 | 801 Live | The Plateaux of Mirror | Day of Radiance | Fourth World, Vol 1: Possible Musics | Fourth World, Vol 2: Dream Theory in Malaya | My Life in the Bush of Ghosts | Ambient #4, On Land | Apollo: Atmospheres and Soundtracks | Music For Films Volume 2 | Textures | The Pearl | Hybrid | Music for Films III | Wrong Way Up | Wah Wah | Spinner | Original Soundtracks 1 | Music for Onmyo-Ji | Drawn from Life
Installations/Compilations etc: The Great Learning | The Portsmouth Sinfonia Plays the Popular Classics | Hallelujah! The Portsmouth Sinfonia Live at the Royal Albert Hall | June 1, 1974 | Peter and The Wolf | Working Backwards 1983-1973 |More Blank Than Frank/Desert Island Selection | My Squelchy Life | Robert Sheckley's In a Land of Clear Colours | Box I | Box II | Headcandy | [Generative Music 1 | Extracts from Music for White Cube | Lightness: Music for the Marble Palace | I Dormienti | Kite Stories | Music for Civic Recovery Centre | Compact Forest Proposal | January 07003-Bell Studies | Curiosities Volume 1 | Curiosities Volume 2 | 77 Million Paintings
Publications
A Year with Swollen Appendices | I Dormienti
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