Vertex (album)

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Vertex
Studio album by Buck 65
Released	1997
Recorded	1996
Genre	Hip Hop
Length	63:21
Label	Four Ways to Rock/Metaforensics
Producer(s)	Buck 65
Professional reviews
Blougou Review
Buck 65 chronology
Language Arts (1996)	Vertex (2005)	Man Overboard 1999

Vertex is an album from Halifax, Nova Scotia hip hop artist Richard Terfry, who performs as Buck 65.

Many critics believe that Vertex is Terfry’s best work.

"The Centaur", possibly Buck 65's most well-known track, features on this album. It is an irony-laden piece that can be taken many ways, the most obvious one being a literal flow of prose discussing the consternation of a well-endowed man who just wants to be taken seriously, arguing that he has a "complicated mind" and is just "looking for true love". The piece is full of crude imagery, a relatively common theme in Terfry's early work:

People are afraid of me but act like they love me,
Feast your eyes upon my nudity, I am beauty and the beast.
I have plenty to say but nobody listens,
Because my cock is so big and the end of it glistens.

The track has developed a considerable cult following, and is always requested at live shows. To date, Terfry has produced two more versions of the track: a drum and bass version on Synesthesia and an acoustic, cleaned-up version on This Right Here is Buck 65, an album designed to appeal more to his American fans.

Vertex also continues to explore the theme of typical American life that is prevalent throughout most of his career. The blues tracks (Parts 1 to 3) all deal with the game of baseball, and techniques involved, while Supper At Sundown and BSc., both towards the end of the album, deal with more serious themes. The latter track suggests a growing maturity both in Terfry’s music and his life ethics, preferring religion to getting stoned:

I’d rather read the bible than use its pages to roll joints with.

[edit] Track listing

1. "Sounds from the Back of the Bus" – 4:04
2. "The Centaur" – 2:30
3. "Driftwood" – 3:04
4. "Jaws of Life" – 4:33
5. "The Blues, Pt. 1" – 3:08
6. "On All Fours" – 4:21
7. "Slow Drama" – 3:39
8. "Sleep Apnoea" – 3:39
9. "Brown Truck" – 3:00
10. "In Every Dream House There Is a Heartache" – 5:37
11. "The Blues, Pt. 2" – 1:30
12. "Memory Is Parallax" – 4:17
13. "To Say the Very Least" – 3:06
14. "Works of Light" – 3:35
15. "Supper at Sundown" – 2:13
16. "Bachelor of Science" – 2:46
17. "The Blues, Pt. 3" – 5:32
18. "Style # 386" – 2:40

[edit] Buck 65's Self Review

If Travis Bickle made a hip hop record, this would be it.

This is very much the sound of a broken person, living in the dark.

Everything is out of place. There's the centaur stuck in the modern world, just trying to make it. There are the small town baseball champions - future janitors, RadioShack managers and child molesters. There's the habitual masturbator who has loneliness down to a science.

I was almost there. But I was still holding my cards too close to my chest. I was still afraid to come right out and say what I was thinking. I was boring and I hated it. I wanted to break out. Not just lyrically, but musically too. Witness my spare-parts cover version of 'In Every Dream Home A Heartache' by Roxy Music. What the hell?! I didn't know what I was doing, clearly, but I was willing to learn. I wanted to create intrigue, but I didn't know how. I also had a brutally bad ear. 'The Bachelor of Science' is a step in the right direction, but is so horribly out of tune, it hurts to listen to it.

The sound quality is still bad, bad, bad. The music is experimental without a purpose. My voice is still annoying. Even when I'm trying to be sincere and heart-felt, I sound like a brat. Hard to feel for a guy who sounds like a twerp.

One thing this record has in spades is atmosphere, ill though it may be. I think the record gets by on that fact. The ideas are my best ones to this point and it's good to see a little empathy for once. I wanted to create a symphony with this record - and God knows everything inside me was reaching for it - but I just couldn't do it.

Two out of five