Warai no Daigaku: University of Laughs
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| Warai no Daigaku | |
|---|---|
| Directed by | Hoshii Mamoru |
| Starring | Yakusho Koji Goro Inagaki |
| Release date(s) | 2004 |
| Country |  Japan |
| Language | Japanese |
| IMDb profile | |
Warai no Daigaku: (笑の大学) University of Laughs is a story by Japanese dramatist Mitani Koki which began as a play in 1997 staring actors Nishimura Masahiko and Kondo Yoshimasa. After success it was then made into a movie in 2004 starring actors Yakusho Koji and Goro Inagaki by Fuji Television and Toho Studios. The major theme of the piece is censorship vs. an artist's freedom of expression, but it is a comedy and was intended so, not a political commentary as it may seem.
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[edit] Plot
Set in the early 1900s, a young playwright, Tsubaki Hajime (Inagaki / Kondo) comes up against a government censor, Sakisaka Mutsuo (Yakusho / Nishimura). The censor's job is to prevent anything political or taboo from getting into the pre-war media, but THIS censor has a thing against comedy, too.
Tsubaki comes to have his script checked by the censors before rehearsals begin. But the censor, who is looking for an excuse to shut down the comedy troupe at which Tsubaki works, tells him that his whole play sucks and Tsubaki would have to rewrite it completely before Sakisaka would let it be performed.
But what starts as cruel teasing makes the once-sucky play better and better as Tsubaki returns day after day to have it torn to shreds and criticized over and over again. Finally the play is perfected and Sakisaka's dislike of Tsubaki turns into respect for his talent.
[edit] Production
This is a two-man play that is given dimension through film. The play was originally performed at Parco Theatre in Shibuya, Tokyo, Japan in 1997 with high acclaim.
The movie was then released in 2004 by Toho Studios, and directed by Hoshii Mamoru, who was chosen by the screenwriter himself for his previous work in directing one of his other successful stories, Furuhata Ninzaburo.
[edit] Differences Between the Play and Movie
The only major differences in the two versions was the addition of other non-speaking characters in the opening sequence of the movie for depth, and the cut of a running gag about a stranded crow being cared for by Sakisaka in the original play.
[edit] Writer's Take
Mitani Koki, the writer of the scenario, claims that his inspiration for Tsubaki came from Kikuya Sakae, who was the writer for the comedy star of the Showa Period, Enomoto Kenichi. He claims that the play was not meant to be any sort of political commentary, nor was it inspired by current events. Instead, Mitani is known to often turn to history for jidaigeki such as his popular Shinsengumi serial drama.
Even though the story deals with censorship, the story does not portray a negative view of it. In fact, the charm of this story is the clever way in which Tsubaki's play improves as a result of having to work around the constrictions that Sakisaka places upon him. If it were a commentary on the oppression of artists, then Mitani would have presented the censorship in a more negative light.
However, in an interview for The Japan Times Mitani did admit that the play was timely and had potential to be sympathised with even by people from other countries and cultures.
