United States Office of War Information

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The United States Office of War Information (OWI) was a U.S. government agency created during World War II to consolidate government information services. Besides coordinating the release of war news for domestic use, the office established an overseas branch which launched a huge information and propaganda campaign abroad. Also it promoted patriotism and helped keep the U.S. united.

The OWI was established byExecutive Order 9182 on June 13, 1942, to consolidate the functions of the Office of Facts and Figures, OWI's direct predecessor; the Office of Government Reports, and the division of information of the Office for Emergency Management. The Foreign Intelligence Service, Outpost, Publication, and Pictorial Branches of the Office of the Coordinator of Information were also transferred to the OWI. (The Executive order creating OWI, however, stated that dissemination of information to the Latin American countries should be continued by the Office of the Coordinator of Inter-American Affairs.) Elmer Davis, who was a CBS newsman, was named director of OWI.

Freedom From Fear was one of many OWI-produced posters printed during WWII designed to motivate the state-side workforce and encourage the purchase of war bonds.
Freedom From Fear was one of many OWI-produced posters printed during WWII designed to motivate the state-side workforce and encourage the purchase of war bonds.

Among its wide-ranging responsibilities, OWI sought to review and approve the design and content of government posters. OWI officials felt that the most urgent problem on the home front was the careless leaking of sensitive information that could be picked up by spies and saboteurs.

OWI directly produced radio series such as This is Our Enemy (spring 1942), which dealt with Germany, Japan, and Italy; Uncle Sam, which dealt with domestic themes; and Hasten the Day (August 1943), which was about the Home Front. In addition, OWI cleared commercial network scripts through its Domestic Radio Bureau, including the NBC Blue Network's Chaplain Jim. In addition, radio producer Norman Corwin produced several series for OWI, including An American in England, An American in Russia, and Passport for Adams, which starred actor Robert Young.

In addition, the OWI produced a series of 267 newsreels in 16 mm film, The United Newsreel which were shown overseas and to U.S. audiences. These newsreels incorporated U.S. military footage. Examples can be seen at this Google list.

OWI also established the Voice of America in 1942, which remains in service today as the official government broadcasting service of the United States. The VOA's initial transmitters were loaned from the commercial networks, and among the programs OWI produced were those provided by the Labor Short Wave Bureau, whose material came from the American Federation of Labor and the Congress of Industrial Organizations.

During 1942 and 1943, the OWI contained two photographic units whose photographers documented the country's mobilization during the early years of the war, concentrating on such topics as aircraft factories and women in the workforce.

Among the many people who worked for the OWI were Milton S. Eisenhower, Howard Fast, Alan Cranston, Jane Jacobs, Alexander Hammid, Lewis Wade Jones, Murray Leinster, Archibald MacLeish, Charles Olson, Arthur Schlesinger, Jr., William Stephenson, James Reston, Waldo Salt, Philip Keeney, Irving Lerner, Peter Rhodes, Christina Krotkova, Gordon Parks, Lee Falk and Flora Wovschin. Many of these people were active supporters of President Roosevelt's New Deal and extolled the President's policies in producing radio programs such as This is War, which irritated Congressional opponents of such programs. In addition, many of the writers, producers, and actors of OWI programs admired the Soviet Union and were either loosely affiliated with or were members of the Communist Party USA. In his final report, Elmer Davis noted that he had fired 35 employees because of past Communist associations, though the FBI files showed no formal allegiance to the CPUSA.

Congressional opposition to the domestic operations of the OWI resulted in increasingly curtailed funds. In 1943, the OWI's appropriations were cut out of the fiscal year 1944 budget and only restored with strict restrictions on what OWI could do domestically. Many branch offices were closed and the Motion Picture Bureau was closed down. By 1944 the OWI operated mostly in the foreign field, contributing to undermining enemy morale. The agency was abolished in 1945, and its foreign functions were transferred to the Department of State.

The OWI was terminated, effective September 15, 1945, by an executive order of August 31, 1945.

[edit] References

  • Allan Winkler, The Politics of Propaganda: The Office of War Information, 1942-1945 (New Haven: Yale University Press, 1978)
  • Howard Blue, Words at War: World War II Radio Drama and the Postwar Broadcast Industry Blacklist (Lanham, Maryland: Scarecrow Press, 2002). ISBN 0-8108-4413-3.

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