United 93 (film)
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United 93 | |
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Directed by | Paul Greengrass |
Produced by | Tim Bevan Eric Fellner Paul Greengrass Lloyd Levin |
Written by | Paul Greengrass |
Music by | John Powell |
Cinematography | Barry Ackroyd |
Editing by | Clare Douglas Richard Pearson Christopher Rouse |
Distributed by | Universal Pictures Working Title |
Release date(s) | April 28, 2006 September 5, 2006 |
Running time | 111 minutes |
Country | France United Kingdom United States |
Language | English Arabic |
Budget | $15,000,000 |
Official website | |
All Movie Guide profile | |
IMDb profile |
Ratings | |
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United Kingdom: | 15 |
United States: | R |
United 93 (formerly named Flight 93) is a 2006 Academy Award-nominated and BAFTA Award-winning docudrama written and directed by Paul Greengrass that chronicles events aboard United Airlines Flight 93, which was hijacked during the September 11, 2001 attacks. The film attempts to recount with as much veracity as possible (there is a disclaimer that some imagination had to be used), in real time, what has come to be known in the United States as an iconic moment of heroism. According to the filmmakers, the film was made with the full cooperation of all the families of the passengers.[1]
United 93 premiered on April 26, 2006 at the Tribeca Film Festival in New York City, a festival founded to celebrate New York City as a major filmmaking center and to contribute towards the long-term recovery of lower Manhattan. [2] Several family members of the passengers aboard the flight attended the premiere to show their support.
The film opened nationwide in North America on April 28, 2006. Ten percent of the gross from the three-day opening weekend was promised toward a donation to create a memorial for the victims of Flight 93. [3] The total gross to the beginning of March 2007 was $31.4 million domestically, and $76.2 million worldwide.[4][5]
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[edit] Production notes
The film was the first Hollywood feature to draw its narrative directly from the September 11 attacks. Passengers were portrayed in the film by mostly professional actors (Tom Burnett, for instance, is played by Christian Clemenson, who has appeared on Boston Legal). The roles of one of the flight attendants, the two pilots, and many other airline personnel were filled by actual airline employees. Some participants in the real-life events play themselves, notably FAA operations manager Ben Sliney. In an interview for UK magazine Attitude, casting consultant Lee Dennison revealed that stand-ins for the hijackers were used until two weeks into filming and the actors playing them were kept separate from everyone else in order to cultivate more on-screen tension.
The dialogue, which was mostly improvised during rehearsals Greengrass held with the cast, was based on face-to-face interviews between actors and families of those they portray. Almost none of the passengers in the film are referred to by their names. Their identities remain anonymous, emphasizing the group effort over any individual heroics (and also portraying the fact that strangers on an airplane would not know one another's names). Much of the dialogue uses technical authenticity rather than theatrical embellishments, such as talk about if a plane has "Squawked 7500."
Filming took place on a 20-year-old reclaimed Boeing 757, formerly operated by MyTravel Airways, at Pinewood Studios near London, England. The cockpit was built by Flightdeck solutions. The location was chosen both for its financial incentives and to shield actors from unwanted public scrutiny they might have received in the U.S.[6] Action was filmed with handheld cameras, chosen for their versatility on the close-quarter sets and to create a sense of immediacy.
The title was changed from Flight 93 to United 93 in March 2006, to differentiate it from the A&E film Flight 93. Shortly thereafter, the film was given an 'R' rating by the Motion Picture Association of America for "language, and some intense sequences of terror and violence."[7] Universal Pictures appealed this rating, but it was rejected. The film was released in U.S. cinemas on April 28, 2006. It opened second in the weekend box office behind RV, but netted a slightly higher per-screen average.
Initial screenings ended with a closing credits line, "America's war on terror had begun." This was replaced in the release version with, "Dedicated to the memory of all those who lost their lives on September 11, 2001."[8]
[edit] Historical background
United Airlines Flight 93 was a Boeing 757-222 flight that regularly flew from Newark International Airport (now known as Newark Liberty International Airport) in Newark, New Jersey, to San Francisco International Airport continuing on to Narita International Airport in Tokyo, Japan, on a different aircraft. On September 11, 2001, the aircraft on the flight was one of the four planes hijacked as part of the September 11, 2001 terrorist attacks, intended for the United States Capitol in Washington, D.C. It was the only one of the four planes that did not reach its intended target, instead crashing near Shanksville, Pennsylvania, about 150 miles northwest of Washington.
[edit] Cast
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[edit] Plot
The film opens early on the morning of September 11, 2001 with the hijackers praying in their hotel room, and then the crew and passengers of Flight 93 assembling in the airport. We also see the air traffic control crews beginning their daily routine (including Ben Sliney), where the first hints of something very wrong begin to surface.
Flight 93 takes off after a bit of a delay at Newark Airport. Not long afterwards, the first of the planes smashes into the World Trade Center. It is at first assumed to be an accident, but other traffic-control crews are certain something is amiss, and the United States Air Force is brought into the loop.
On board Flight 93, the hijackers hesitate and disagree as to when would be the best time to strike. Eventually the leader of the group storms into the lavatory, assembles a bogus bomb out of modeling clay and electrical wiring, and gives the word. The other hijackers then storm the cockpit and use knives to both terrorize the flight crew and kill one passenger outright. In the cockpit they put a photo of the U.S. Capitol, their target, on the flight yoke.
Much to the growing consternation of Sliney and his people, coordination with the Air Force is haphazard and there are simply not enough planes ready, or armed, to respond to an in-air hijacking. Sliney ultimately decides to shut down all airspace in the United States and ground every single flight.
The hijackers do not prevent the people from making phone calls through the on-board GTE Airfone system. After hearing about the crashes into the WTC, the passengers and crew understand that if they do nothing, they will also die, and eventually elect to storm the cockpit and attempt to retake the plane. The passengers make one last set of phone calls to friends and family, where they declare their intentions. The remaining crew assemble what makeshift weapons they can: cutlery, wine bottles, a fire extinguisher.
Learning that one of the passengers can fly a plane (although he has not flown a commercial aircraft), the group pin their hopes on him being able to at least control the plane. They debate whether the bomb is real or fake before deciding to start their counter-attack by overpowering the man with the bomb. The cockpit is forcefully entered by ramming a trolley into it, but the passengers cannot pull the plane out of its nosedive, and the plane plunges headfirst into a field. The very last shot of the film is the ground rushing up as seen through the cockpit window.
[edit] Controversy
The film has been criticized for its portrayal of German passenger Christian Adams. Of all passengers on the plane, only Adams is portrayed as counseling appeasement. Sunday Times critic Cosmo Landesman mused, "Surely one of the passengers didn't phone home to point out that there was a cowardly German on board who wanted to give in?"[9] Critic John Harris suggested in a Guardian blog, "there will surely be all kinds of cries about old European surrender monkeys, the United States' contrasting backbone etc."[10] The Guardian reports that Silke Adams, the Adams's widow, is "believed to have refused to cooperate on the film, saying that the memory of her husband's death was still too raw" and states that "so far there is no evidence to suggest that Christian Adams did not support the other passengers, or refused to storm the cockpit."[11]
After the trailers for the film began circulating in cinemas, there were calls for Universal Pictures to pull them, due to the upset and surprise caused to some audience members.[12] One theater in Manhattan unilaterally pulled the trailer after audience complaints.[3]
The Iraqi-born, London-based actor Lewis Alsamari, who plays a hijacker in the film, was denied a visa by U.S. immigration authorities when he applied to visit New York City to attend the premiere, despite having already been granted asylum in the United Kingdom since the 1990s. The reason given was that he had once been a conscripted member of the Iraqi army — although this was also the grounds for his refugee status after his desertion in 1993.[13]
The official Internet forum for the film, previously available on Universal's website, was shut down as of May 3, 2006. No word has yet come from Universal as to why the board was removed from their server.[14]
The transcript of the cockpit voice recorder tape from United Flight 93, made public after the film was completed, shed more light on what actually happened in the final 30 minutes before the plane crashed. In some parts, it may contradict the choices made by the filmmaker in terms of some dialogue and specific aspects of the event. For example, the pilots, Jason Dahl and LeRoy Homer, are shown in the movie to be killed by the terrorists immediately as they are hijacking the plane. Some statements made by the terrorists in the transcript of the cockpit voice recorder tape,[15] as well as moans heard in the background inside the cockpit,[16] raised doubts that both pilots were indeed dead before the plane crashed. However, other documentary evidence from the 9/11 Commission Report indicated that at least one passenger reported in a cell phone call seeing two bodies, possibly the pilots, lying dead on the floor outside the cockpit after the hijacking.[17]
[edit] Critical reception
Roger Ebert, Michael Medved, Peter Travers, and James Berardinelli all awarded it with four stars. It was termed 'one of the most moving films of the year' by Peter Travers in Rolling Stone, and achieved an average 90% rating from the Web site Rotten Tomatoes, another 90% from Metacritic and a 95% from the Broadcast Film Critics Association. At the end of 2006, United 93 received 138 Top 10 mentions out of 250 lists including 27 #1 mentions at the website Movie City News making it the #1 movie of 2006 [18][19][20] with a score of 917.5 points. In addition of Movie City News, it is the #1 film of 2006 among the critics at Metacritic [21] even though that their best reviewed movie of 2006 was Army of Shadows [22].
- All Movie Guide link
- Empire link
- Filmcritic link
- Roger Ebert link
- Rolling Stone link
- Michael Medved link
- Entertainment Weekly Grade:A-
- Rotten Tomatoes 90%
- Metacritic 90%
- Broadcast Film Critics Association 95%
[edit] Awards and nominations
[edit] Awards won
- 60th British Academy Film Awards: David Lean Award for Achievement in Direction (Paul Greengrass) - Best Editing (Christopher Rouse, Richard Pearson, Clare Douglas)
- American Film Institute: 10 Most Outstanding Movies of the Year
- Austin Film Critics Association: Top 10 Films - Best Film
- Boston Society of Film Critics: Best Ensemble
- British Film Institute: Top Films of the Year 2006
- Broadcast Film Critics Association: Top 10 Films
- Central Ohio Film Critics: Top 10 Films
- Dallas-Fort Worth Film Critics Association: Top 10 Films - Best Picture
- Empire Film Awards: Best British Film
- Evening Standard British Film Awards: Best Film
- International Cinephile Society: Top 10 Films
- Kansas City Film Critics Circle: Best Film - Best Director (Paul Greengrass)
- Las Vegas Film Critics Society: Top 10 Films
- London Film Critics Circle: Film of the Year - Director of the Year (Paul Greengrass) - British Producer of the Year (Paul Greengrass, Eric Fellner, Tim Bevan)
- Los Angeles Film Critics Association: Best Director (Paul Greengrass)
- National Society of Film Critics: Best Director (Paul Greengrass)
- New York Film Critics Circle: Best Picture
- Oklahoma Film Critics Circle: Top 10 Films - Best Film
- Online Film Critics Society: Best Picture - Best Editing (Christopher Rouse, Richard Pearson, Clare Douglas)
- Phoenix Film Critics Society: Best Picture
- San Diego Film Critics Society: Best Editing (Christopher Rouse, Richard Pearson, Clare Douglas)
- San Francisco Film Critics Circle: Best Director (Paul Greengrass)
- Southeastern Film Critics Association: Top 10 Films
- St. Louis Gateway Film Critics Association: Top 10 Films - Best Original, Innovative or Creative Film
- Utah Film Critics Society: Best Picture
- Washington D.C. Area Film Critics Association: Best Film
[edit] Nominations
- 79th Academy Awards: Achievement in Directing (Paul Greengrass) - Achievement in Film Editing (Christopher Rouse, Richard Pearson, Clare Douglas)
- 56th American Cinema Editors Eddie Awards: Best Edited Dramatic Feature Film (Christopher Rouse, Richard Pearson, Clare Douglas)
- 60th British Academy Film Awards: Alexander Korda Award for the Outstanding British Film of the Year (Tim Bevan, Lloyd Levin, Paul Greengrass) - Best Original Screenplay (Paul Greengrass) - Best Cinematography (Barry Ackroyd) - Best Sound (Chris Munro, Mike Prestwood Smith, Douglas Cooper, Oliver Tarney, Eddy Joseph)
- 54th Motion Picture Sound Editors Golden Reel Awards: Best Sound Editing for Sound Effects and Foley in a Foreign Film (Oliver Tarney, Eddy Joseph, Harry Barnes, Richard Fordham, Paul Conway, Jack Whittaker, Martin Cantwell, Tony Currie, Simon Chase, Stuart Morton, Alex Joseph)
- 59th Writers Guild of America Awards: Best Original Screenplay (Paul Greengrass)
- Bodil Awards: Best American Film
- Boston Society of Film Critics: 1st Runner-Up Best Picture - 1st Runner-Up Best Director (Paul Greengrass)
- Broadcast Film Critics Association : 1st Runner-Up Best Picture - 1st Runner-Up Best Director (Paul Greengrass)
- Chicago Film Critics Association: Best Picture - Best Director (Paul Greengrass) - Best Original Screenplay (Paul Greengrass)
- Dallas-Fort Worth Film Critics Association: 1st Runner-Up Best Director (Paul Greengrass)
- Empire Film Awards: Best Film
- International Cinematographers Guild - 44th Publicists Awards: Maxwell Weinberg Award for Top Publicity Campaign
- International Cinephile Society: 1st Runner-Up Best Director (Paul Greengrass)
- Irish Film and Television Academy Awards: Best International Film
- Online Film and Television Awards: Best Picture - Best Director (Paul Greengrass) - Best Film Editing (Christopher Rouse, Richard Pearson, Clare Douglas)
- Online Film Critics Society: Best Director (Paul Greengrass) - Best Original Screenplay (Paul Greengrass)
- Southeastern Film Critics Association: 4th Place Best Picture
- St. Louis Gateway Film Critics Association: Best Picture - Best Director (Paul Greengrass)
- Toronto Film Critics Association: Best Picture - Best Director (Paul Greengrass)
- Utah Film Critics Society: 1st Runner-Up Best Director (Paul Greengrass) - 1st Runner-Up Best Screenplay (Paul Greengrass)
[edit] See also
- September 11, 2001 attacks in arts and literature
- List of films about September 11, 2001
- Competing films with similar plots
- The Flight that Fought Back
- Flight 93, television film
- World Trade Center, film
- I Missed Flight 93
[edit] References
- ^ Four Years On, a Cabin's-Eye View of 9/11 January 1, 2006 New York Times article
- ^ September 11 plane drama to open NY film festival March 29, 2006 Reuters article
- ^ a b A Dark Day Revisited April 10, Newsweek
- ^ msnbc
- ^ Box Office mojo - United 93
- ^ The Day They Hijacked America April 28 2006 The Guardian
- ^ MPAA Film Ratings
- ^ A Flight to Remember April 18, 2006 The Village Voice
- ^ "A terrifying flight back in time" June 04, 2006 The Times
- ^ Skating on thin air May 25, 2006 http://commentisfree.guardian.co.uk, accessed June 11, 2006
- ^ United 93 'surrender monkey' defends role in film The Guardian (June 7, 2006)
- ^ Universal Will Not Pull 'United 93' Trailer, Despite Criticism April 4, 2006, New York Times
- ^ 9/11 film actor refused visa for US premiere April 21, 2006 The Times
- ^ Former Site of United 93 Universal Pictures Message Board
- ^ United Flight 93 Cockpit Voice Recorder Transcript. Some point to the comment made at 9:45:25 to indicate doubt that both pilots were dead. Accessed December 10, 2006
- ^ United Flight 93 Cockpit Voice Recorder Transcript. There are several unattributed groans recorded at 9:58, before the passenger assault on the cockpit apparently began. Accessed December 10, 2006
- ^ The 9/11 Commission Report, Page 13, paragraph 2. Accessed December 10, 2006
- ^ 2006 Overall Critic's Top 20 - Movie City News
- ^ 2006 Overall Critics Choice Results Discussion - The Hot Button
- ^ 2006 Overall Critics Choice Chart - Movie City News
- ^ 2006 Overall Critics Top 10 Lists - Metacritic
- ^ Best Reviewed Film of 2006 - Metacritic
[edit] External links
- United 93 - Official Movie Website
- United 93 at the Internet Movie Database
- United 93 at Rotten Tomatoes
- United 93 at Metacritic
- United 93 - The Movie (Unofficial site)
- United 93 - Reel Story vs. Real Story at ChasingtheFrog
- German 9/11 Victim Defamed in 'United 93 (Review focusing on the stereotyping and politics)
- Hijacking the Hijacking, the problem with the United 93 films By Ron Rosenbaum, on Slate.com
- Investigating ‘United 93’: Researching and Honoring a Catastrophe: Part I by Uri Lessing
- Investigating ‘United 93’: Researching and Honoring a Catastrophe: Part II by Uri Lessing
- 'Apolitical Propaganda?' An in-depth film criticism feature on United 93. Alternate Takes