Tom Jones (film)
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Tom Jones | |
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Original film poster |
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Directed by | Tony Richardson |
Produced by | Tony Richardson Michael Holden Oscar Lewenstein |
Written by | Henry Fielding (novel) John Osborne |
Starring | Albert Finney Susannah York Hugh Griffith Edith Evans |
Music by | John Addison |
Cinematography | Walter Lassally |
Editing by | Antony Gibbs |
Distributed by | Lopert Pictures Corporation (US) United Artists Corporation (UK) |
Release date(s) | October 6, 1963 (NYC premiere) |
Running time | 128 min. |
Country | United Kingdom |
Language | English |
IMDb profile |
Tom Jones is an Academy Award-winning 1963 British comedy film. It is an adaptation of Henry Fielding's classic novel The History of Tom Jones, a Foundling (1749), starring Albert Finney as the titular hero. It was one of the most critically acclaimed and popular comedies of its time.[1] The film was directed by Tony Richardson and the screenplay was adapted by playwright John Osborne. The film is notable for its unusual comic style: the opening sequence is performed in the style of a silent movie, and characters frequently break the fourth wall by looking directly into the camera and addressing the audience.
Contents |
[edit] Synopsis
The story begins with a silent-movie sequence during which the good Squire Allworthy returns home after a lengthy stay in London and discovers a baby in his bed. Thinking that his barber, Mr. Partridge, and one of his servants, Jenny Jones, have "birthed" the infant out of lust, the squire banishes them and chooses to raise little Tom Jones as if he were his own son.
Tom (Albert Finney) grows up to be a lively young man whose good looks and kind heart make him very popular with the opposite sex. However, he truly loves only one woman, the gentle Sophie Western (Susannah York), who returns his passion. Sadly, Tom is stigmatized as a bastard and cannot wed a young lady of her high station. Sophie, too, must hide her love while her aunt (Edith Evans) and her father, Squire Western (Hugh Griffith) try to force her to marry a more suitable man - a man whom she hates.
This young man is Blifil (David Warner, in his film debut), the son of the Squire's widowed sister Bridget (Rachel Kempson). Although he is of legitimate birth, he is an ill-natured fellow with plenty of hypocritical 'virtue' but none of Tom's warmth, honesty, or high spirits. When Bridget dies unexpectedly, Blifil intercepts a letter which his mother intended for her brother's eyes only. What this letter contains is not revealed until the end of the movie; however, after his mother's funeral, Blifil and his two tutors, Mr. Thwackum and Mr. Square, join forces to convince the squire that Tom is a villain. Allworthy (George Devine) gives Tom a small cash legacy and sorrowfully sends him out into the world to seek his fortune.
In his road-traveling odyssey, Tom is knocked unconscious while defending the good name of his beloved Sophie and robbed of his legacy. He also: flees from a jealous Irishman who falsely accuses him of having an affair with his wife; engages in deadly swordfights; meets his alleged father and his alleged mother; saves a certain Mrs. Waters from an evil Redcoat Officer; and later beds the same Mrs. Waters. In a celebrated scene, Tom and Mrs. Waters sit opposite each other in the dining room of the Upton Inn, wordlessly consuming an enormous meal while gazing lustfully at each other.
Meanwhile, Sophie runs away from home soon after Tom's banishment to escape the attentions of the loathed Blifil. After narrowly missing each other at the Upton Inn, Tom and Sophie arrive separately in London. There, Tom attracts the attention of Lady Bellaston (Joan Greenwood), a sensual gentlewoman over 40 years of age. She is rich, beautiful and unscrupulous. Eventually, Tom ends up at Tyburn Gaol, facing a boisterous hanging crowd after two blackguardly agents of Blifil treacherously accuse him of robbery and attempted murder. Squire Western rescues him in the nick of time and conveys him to Squire Allworthy, where the audience finally learns the contents of the mysterious letter: Tom is not Jenny Jones's child, but Bridget's natural son and Allworthy's nephew. Furthermore, since Blifil knew this, concealed it, and tried to destroy his half-brother, he is now in disgrace and, one hopes, disinherited. Tom now has permission to court Sophie, and all ends well.
[edit] Production
Bridgwater's Castle Street was used as a location in several scenes.
[edit] Releases
Tagline: The whole world loves Tom Jones! Time magazine devoted a cover and three pages to the film.
The film was reissued in 1989; for this release, Richardson trimmed the film by seven minutes.[2]
[edit] Awards and nominations
[edit] Academy Awards
Wins
- Best Picture
- Best Director
- Best Music, Score - Substantially Original (John Addison)
- Best Writing, Screenplay Based on Material from Another Medium
Nominations
- Best Actor in a Leading Role (Albert Finney)
- Best Actor in a Supporting Role (Hugh Griffith)
- Best Actress in a Supporting Role (Diane Cilento)
- Best Actress in a Supporting Role (Dame Edith Evans)
- Best Actress in a Supporting Role (Joyce Redman)
- Best Art Direction-Set Decoration, Color.
Tom Jones is the only film in the history of the Academy in which three British actresses were nominated for Best Supporting Actress Oscar. [3]
[edit] BAFTA Awards
Wins
- Best Film from any source
- Best British Film
- Best British Screenplay (John Osborne)
Nominations
- Best British Actor (Albert Finney)
- Best British Actor (Hugh Griffith)
- Best British Actress (Edith Evans)
[edit] Golden Globe Awards
Wins
- Best English-Language Foreign Film
- Best Motion Picture - Comedy
- Most Promising Newcomer - Male (Albert Finney) (tied with Stathis Giallelis for America, America (1963) and Robert Walker Jr. for The Ceremony (1963).
Nominations
- Best Motion Picture Actor - Musical/Comedy (Albert Finney)
- Best Motion Picture Director (Tony Richardson)
- Best Supporting Actor (Hugh Griffith)
- Best Supporting Actress (Joan Greenwood)
[edit] Other awards
New York Film Critics Circle Awards
- Best Actor (Albert Finney)
- Best Director (Tony Richardson)
- Best Picture
- Volpi Cup: Best Actor (Albert Finney)
- Golden Lion: Tony Richardson (nom)
Writers' Guild of Great Britain
- Best British Comedy Screenplay (John Osborne)
- Best Original Score from a Motion Picture (John Addison)
[edit] Cast
- Albert Finney - Tom Jones
- Susannah York - Sophie Western
- Hugh Griffith - Squire Western
- Edith Evans - Miss Western
- Joan Greenwood - Lady Bellaston
- Diane Cilento - Molly Seagram
- George Devine - Squire Allworthy
- David Tomlinson - Lord Fellamar
- Rosalind Atkinson - Mrs. Millar
- Wilfrid Lawson - Black George
- Rosalind Knight - Mrs. Fitzpatrick
- Jack MacGowran - Partridge
- Freda Jackson - Mrs. Seagrim
- David Warner - Blifil
- Joyce Redman - Mrs. Waters/Jenny Jones
- James Cairncross - Parson Supple
- Rachel Kempson - Bridget Allworthy
- Peter Bull - Thwackum
- Angela Baddeley - Mrs. Wilkins
- George A. Cooper - Fitzpatrick
- Jack Stewart - MacLachlan
- Patsy Rowlands - Honour
- John Moffatt - Square
- Avis Bunnage - Inn Keeper
- Mark Dignam - Lieutenant
- Michael Brennan - the Jailer at Newgate
- Lynn Redgrave - Susan
- Redmond Phillips - Lawyer Dowling
- Julian Glover - Northerton
- Micheál MacLiammóir - Narrator
[edit] Footnotes
[edit] External links
- Tom Jones at the Internet Movie Database
1961: West Side Story | 1962: Lawrence of Arabia | 1963: Tom Jones | 1964: My Fair Lady | 1965: The Sound of Music | 1966: A Man for All Seasons | 1967: In the Heat of the Night | 1968: Oliver! | 1969: Midnight Cowboy | 1970: Patton | 1971: The French Connection | 1972: The Godfather | 1973: The Sting | 1974: The Godfather Part II | 1975: One Flew Over the Cuckoo's Nest | 1976: Rocky | 1977: Annie Hall | 1978: The Deer Hunter | 1979: Kramer vs. Kramer | 1980: Ordinary People |
Preceded by Lawrence of Arabia |
BAFTA Award for Best Film from any Source 1963 |
Succeeded by Dr Strangelove |
Preceded by Lawrence of Arabia |
BAFTA Award for Best British Film 1963 |
Succeeded by Dr Strangelove |