To His Coy Mistress

From Wikipedia, the free encyclopedia

To His Coy Mistress

Had we but world enough, and time,
This coyness, Lady, were no crime
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, Lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave's a fine and private place,
But none, I think, do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

To His Coy Mistress is a poem written by the British author and Puritan statesman Andrew Marvell (1621 – 1678) either during or just before the Interregnum. The poem is often considered one of the finest and most concise carpe diem arguments ever put in verse.

Marvell probably wrote the poem prior to serving in Oliver Cromwell's government as a minister, and the poem was not published in his lifetime.

[edit] Synopsis

^{[verification needed]} The argument of the poem is straightforward. The speaker of the poem is arguing with his mistress and attempting to persuade her to have sex with him. He begins with a metaphysical conceit stating that, if he had eternity and wealth, he would spend lavish amounts of time courting her and praising her. However, he says that time is forever chasing the lovers. Were the lovers not to consummate their love, they would only grow old and die, and then instead of being penetrated by her lover (and hence losing her virginity), she would instead be penetrated and devoured by worms in a lonely tomb where there is no love. Therefore, the speaker says, the lovers should combine all of their strength into a single act of violent lovemaking, and then, even if they could not escape time, they could at least make the most of the time they had. The poem, which encompasses the male desire for sex, uses several leitmotifs and imagery to build a very emotional persuasion.

The poetry is notable for its playful, explicit treatment of sex, its total control of tone and pacing, as well as its conciseness and precision in wording. Marvell was himself a Puritan, and a friend of John Milton, and yet this poem may owe its form and content to the courtier poetry of the late Jacobean period. Literary historians will often place this poem thematically with the Metaphysicals (John Donne, George Herbert, Richard Lovelace and others), rather than with the Puritan poets. Certainly, the poem itself is a lyric, an argument poem, and full of conceits (radical metaphors that hinge on paradox). At the same time, the poem shows as well that Puritanism and romantic love were not antonyms. Marvell's "Damon the Mower" poems, probably written later, are also concerned with romantic love, though in a more pastoral form. Since the poem was not published by the author, dating its composition is difficult, and locating it precisely is speculative.

One possible explanation of the striking phrase "vegetable love" lies in the observation that a vegetable comes from the vegetative part of a plant, as opposed to a fruit, which comes from the reproductive part. Another explanation is that Marvell is alluding to the Latin vegere ("to be alive"), which is cognate with both vegetable and vigor.

"To His Coy Mistress" is also alluded to in Marvell's later poem, "The Garden".

[edit] Echoes elsewhere

Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book titles. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-1800s Kentucky. With variations, it has also been used for books on the history of physics ("World Enough and Space-Time: Absolute versus Rational Theories of Space and Time"), geopolitics ("World Enough and Time: Successful Strategies for Resource Management"), a science-fiction collection ("Worlds Enough & Time: Five Tales of Speculative Fiction"), and, of course, a biography ("World Enough and Time: The Life of Andrew Marvell"). Also in the field of science fiction, Ursula K. Le Guin wrote a Hugo-nominated short story with the title, "Vaster than Empires and More Slow".

The phrase "there will be time" occurs repeatedly in a section of T. S. Eliot's "The Love Song of J. Alfred Prufrock", and is often said to be an allusion to Marvell's poem.^{[citation needed]} Prufrock says that there will be time "for the yellow smoke that slides along the street", time "to murder and create", and time "for a hundred indecisions ... Before the taking of a toast and tea". As Eliot's hero is, in fact, putting off romance and consummation, he is (falsely) answering Marvell's narrator. Eliot also alludes to the lines near the end of Marvell's poem, "Let us roll all our strength and all / Our sweetness up into one ball," with his lines, "To have squeezed the universe into a ball / To roll it toward some overwhelming question," as Prufrock questions whether or not such an act of daring would have been worth it. Eliot returns to Marvell in "The Waste Land" with the line "But at my back from time to time I hear / The sound of horns and motors" (Part III, line 196).

Most recently, Audrey Niffenegger's fiction novel The Time Traveler's Wife borrows heavily from Andrew Marvell's poem. The novel focuses on the main character Henry DeTamble, a reluctant time-traveler who often proclaims his love for his lover Clare Abshire through the use of the phrase "World enough and time".^{[citation needed]}

Archibald MacLeish's poem You, Andrew Marvell, alludes to the passage of time and to the growth and decline of empires. In his poem, the speaker, lying on the ground at sunset, feels "the rising of the night". He visualizes sunset, moving from east to west geographically, overtaking the great civilizations of the past, and feels "how swift how secretly/The shadow of the night comes on."

Peter S. Beagle has a novel titled A Fine and Private Place. Ellery Queen used Fine and Private Place for one of his novels.