Tik-Tok of Oz

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Title Tik-Tok of Oz
Cover of Tik-Tok of Oz.
Cover of Tik-Tok of Oz
Author L. Frank Baum
Illustrator John R. Neill
Cover artist John R. Neill
Country United States
Language English
Series The Oz books
Genre(s) Children's novel
Publisher Reilly & Britton
Released 1914
Media type Print (Hardcover)
Preceded by The Patchwork Girl of Oz
Followed by The Scarecrow of Oz

Tik-Tok of Oz is the eighth Land of Oz book written by L. Frank Baum. Published on June 19, 1914, the book actually has little to do with Tik-Tok and is primarily the quest of the Shaggy Man (introduced in The Road to Oz) to rescue his brother, and his resulting conflict with the Nome King.

The endpapers of the first edition held maps: one of Oz itself, and one of the continent on which Oz and its neighboring countries belonged. These were the first maps printed of Oz.[1]

[edit] Plot summary

Spoiler warning: Plot and/or ending details follow.

Queen Ann Soforth of Oogaboo, a small monarchy separated from the rest of Oz's Winkie Country, sets out to raise an army to conquer Oz. Seventeen men eventually make up the Army of Oogaboo (out of eighteen men, twenty-seven women, and forty-four children) and they march out of their valley. Glinda magically rearranges the path through the mountains and Queen Ann and her army march out of Oz entirely into a low-lying, befogged country.

Betsy Bobbin, a girl who's a year older than Dorothy Gale, and her loyal mule Hank are washed ashore during a storm. They arrive at a large greenhouse that is the domain of the Rose Kingdom, where they're told by the roses that no strangers are allowed. Just as the Royal Gardener (apparently the only human allowed in this flowery kingdom) is about to pass sentence on Betsy and Hank, the Shaggy Man falls through the greenhouse's roof and, with the Love Magnet he carries, charms the Gardener into sparing all of their lives. But the flowers, not having hearts, are unaffected by the Magnet and force the travellers to leave, taking with them the newly plucked Rose Princess Ozga, a cousin of Ozma, the ruler of Oz.

The Shaggy Man relates how Ozma sent him here by means of the magic belt because he wanted to find his brother, who went digging underground in Oklahoma and disappeared. He surmised that the Nome King, ruler of the underground Nome Kingdom, captured him; now the Shaggy Man seeks to free him. They meet up with Polychrome the Rainbow's Daughter who danced off her rainbow again and come upon a water-filled well in which they see a large object bobbing. With great effort, they retrieve the object and find that it is Tik-Tok, a copper mechanical man sent by Ozma– due to his familiarity with the Nome King, whom he had confronted before– to help the Shaggy Man. The Nome King had found him first and thrown him down the well. Once Tik-Tok is wound up, he accompanies Betsy, Hank, the Shaggy Man, Ozga, and Polychrome to their chance encounter with Queen Ann and her army. In a rage, Queen Ann orders them to be seized and bound, but Private Files — the only private in this army of generals, colonels, and majors — refuses to bind innocent girls. He resigns his commission on the spot. Only when Queen Ann is told about the Shaggy Man's quest and the riches to be found in the Nome King's underground kingdom does she calm down and accept the services of Tik-Tok as her new private.

The Nome King (who has recovered from having drunk the Water of Oblivion in The Emerald City of Oz) is aghast at this group coming toward his underground kingdom and planning to plunder it (in the case of the Army of Oogaboo) and retrieve his captive (in the case of the Shaggy Man). Since he cannot kill them, in a land of immortals, the Nome King seeks to discourage them by first taking them through the Rubber Country and then disposing of them by dropping them through the Hollow Tube, a conduit leading to the other side of the world. With his magic, the Nome King makes the opening of the Tube invisible so they all fall into it.

On the other side of the world, the party enters the jurisdiction of the immortal called Great Jinjin, who vows to punish the Nome King for illegally using the Tube by taking his kingdom from him. He sends Tik-Tok and the others back with his Instrument of Vengeance, a lackadaisical dragon named Quox. Quox and his riders bound from the other end of the Tube into an army of Nomes and narrowly evade them. Queen Ann and the Army of Oogaboo fall into the Slimy Cave when they enter the Nome Kingdom, while Betsy, Files, Hank, Polychrome, the Shaggy Man, and Tik-Tok find themselves captured by the Nome King himself. Queen Ann and her army escape the cave while the Nome King amuses himself by transforming his captives into various objects. Quox arrives, bursting through the main cavern. Once the Nome King sees the ribbon around Quox's neck, he forgets all the magic he ever knew. The Nome King is driven out of his kingdom when Quox releases six eggs from the padlock around his neck. The eggs, which are poisonous to Nomes, follow the Nome King to the earth's surface and thus confine him there.

The new Nome King, the former chief steward Kaliko, vows to help the Shaggy Man find his brother, who he knows is in the Metal Forest — but only the exiled former king knows where that is. The Nomes report to King Kaliko that they found the secret passage he used to enter the forest, and Betsy and her companions follow him. The Great Jinjin sentenced the former Nome King to walk the earth forever, but he let him have as much treasure as he could carry in his pockets, which are overflowing by the time they catch up to him.

The Shaggy Man meets his brother in the center of the Metal Forest, but he was cursed with a charm of ugliness by the former Nome King, who doesn't remember how to undo it. Straining his memory, he recalls that a kiss will break a charm of ugliness. First a mortal maid, Betsy, tries to undo the spell; then a mortal maid who was once a fairy, Ozga, and finally Polychrome, a fairy whose kiss restores the Shaggy Man's brother to his former self.

There is a banquet of rejoicing in the Nome Kingdom, and the former Nome King earnestly pleads to be let back into the underground lair ("No Nome can really be happy except underground."), which Kaliko allows on condition that he behave himself. Once on the surface again, Polychrome ascends her rainbow and Ozma uses the magic belt to bring Tik-Tok back to Oz and send Queen Ann, the Army of Oogaboo, Files, and Ozga back to Oogaboo. The Shaggy Man only agrees to return when his brother, Betsy, and Hank are allowed to enter Oz too — violating a precedent against admitting mortals helter-skelter into the land of Oz.

Upon being welcomed in Oz, Hank, the Cowardly Lion, the Hungry Tiger, and the Saw-Horse debate who is the best mistress — Betsy (for Hank), Dorothy (for the Lion and the Tiger), or Ozma (for the Saw-Horse). The three girls are listening and laugh at a silly quarrel, which the animals realize is silly too. And Dorothy finally gets to hear her dog Toto speak — for all animals can in the land of Oz.

Spoilers end here.

In 1913, Baum's long-delayed and heavily-adapted stage version of Ozma of Oz, re-titled The Tik-Tok Man of Oz, was produced in Los Angeles, with moderate success. The music was composed by Louis F. Gottschalk, Baum's favorite composer, who would also be the dedicatee of the Tik-Tok novel a year later. Baum adapted some of the material from the stage production for the novel. As in Ozma of Oz, a shipwreck precipitates the heroine into her adventure, and the quest of the Shaggy Man for his brother is another attempt to rescue a prisoner of the Nome King. The picking of Ozga is a motif found in Dorothy and the Wizard in Oz.[2]

Tik-Tok of Oz was more modestly produced than earlier Oz books, with twelve color plates instead of sixteen. Its first edition sold a little over 14,000 copies — a respectable figure, but 3,000 less than The Patchwork Girl of Oz had done the year before. Baum's books were facing stiff new competition — from his own earlier books. The reprint house M. A. Donohue & Co. had purchased the rights to several early Baum works from Bobbs-Merrill, and was marketing cut-rate editions. People were less willing to pay the usual $1.25 for a new Oz book, when the original Wizard of Oz was selling for $0.35.[3]

Tik-Tok of Oz also contained the first map of Oz and its neighboring countries, which proved to be a very popular feature. Unfortunately for the principle of consistency, this initial map of Oz was drawn backwards, with the Munchkin Country in the west and the Winkie Country in the east. [See: Land of Oz.]

[edit] Footnotes

  1. ^ Michael O. Riley, Oz and Beyond: The Fantasy World of L. Frank Baum, p 186-7, ISBN 0-7006-0832-X
  2. ^ Michael O. Riley, Oz and Beyond: The Fantasy World of L. Frank Baum, p 184-5, ISBN 0-7006-0832-X
  3. ^ Katharine M. Rogers, L. Frank Baum: Creator of Oz, New York, St. Martin's Press, 2002; pp. 200-2, 207-10.

[edit] External links


The Oz books
Previous book:
The Patchwork Girl of Oz
Tik-Tok of Oz
1914
Next book:
The Scarecrow of Oz



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(1908: The Fairylogue and Radio-Plays | 1910: The Wonderful Wizard of Oz | Dorothy and the Scarecrow in Oz | The Land of Oz | 1914: The Patchwork Girl of Oz | The Magic Cloak of Oz | His Majesty, the Scarecrow of Oz | 1925: Wizard of Oz | 1933: The Wizard of Oz | 1939: The Wizard of Oz | 1961: Tales of the Wizard of Oz | 1964: Return to Oz | 1965: The Wizard of Mars | 1969: The Wonderful Land of Oz | 1971: Ayşecik ve Sihirli Cüceler Rüyalar Ülkesinde | 1972: Journey Back to Oz | 1975: The Wonderful Wizard of Oz | 1976: The Wizard of Oz | 1976: Oz | 1981: The Marvelous Land of Oz | 1982: The Wizard of Oz | 1984: Os Trapalhões e o Mágico de Oróz | 1985: Return to Oz | 1986: Oz no Mahōtsukai | 1990: Supēsu Ozu no Bōken | 1996: The Wonderful Galaxy of Oz | 2005: The Muppets' Wizard of Oz | The Patchwork Girl of Oz)

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