The Wedding (1901 play)

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"Wesele" redirects here. For Polish films with the same title, see The Wedding (1972 film) and The Wedding (2004 film).

The Wedding (Polish: Wesele) is a defining work of Polish drama written at the turn of the 20th century. It describes the perils of the national drive toward self-determination after the Polish uprisings of November 1830 and January 1863, the result of the Partitions of Poland. The plot is set at the wedding of a member of Kraków intelligentsia (the Bridegroom), and his peasant Bride. Their class-blurring union follows a fashionable trend among friends of the playwright from the modernist Young Poland movement.

The play by Wyspiański was based on a real-life event: the wedding of Lucjan Rydel at the St. Mary's Basilica in Kraków and his wedding reception in the vilage of Bronowice. It was inspired in part also by the modernist painting of Jacek Malczewski and Maksymilian Gierymski.

[edit] Plot summary

A poet marries a peasant girl. Their wedding reception follows.

The celebration of the new marriage moves on from the church to the villager's house. In the rooms adjoining that of the wedding party, guests continually burst into arguments, make love, or simply rest from their merriment, dancing and feasting. Interspersed with the real guests are the well-known figures of Polish history and culture, who represent the guilty consciences of the characters. The two groups gradually begin a series of dialogues. The "Poet" is visited successively by the "Black Knight" (a symbol of the nation's past military glory), the "Journalist", then by the court jester and conservative political sage "Stańczyk"; and the "Ghost of Wernyhora" (a paradigm of leadership for Poland). Wernyhora presents the Host with a golden horn symbolizing the national mission, and calls the Polish people to a revolt. One of the farm hands is dispatched to sound the horn at each corner of Poland, but he loses the horn soon after.

[edit] Influences

A defining work of Polish drama written at the turn of the 20th century, shown multiplie times on stage, this drama has had much influence on the Polish culture. It was made into a movie with the same title by the award-winning Polish film director, Andrzej Wajda, in 1972.