The Volpini Exhibition, 1889
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The Exhibition at the Café Volpini in summer 1889 was arranged by Paul Gauguin and his circle, on the walls of a café just outside the gates of the Exposition universelle, and run by a certain Monsieur Volpini. Though Gauguin and his companions had an illustrated catalogue printed, this show of Paintings by the Impressionist and Synthetist Group (Peintures du Groupe Impressioniste et Synthétiste) went almost unappreciated and finally proved to be a disaster: "Nothing sold", was the bitter summary for the participants.
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[edit] Background
Admission to expose at the official art exhibition accompanying the Exposition universelle was by invitation only; furthermore, the works to be exhibited had to pass official juries. Neither Gauguin nor his friends could hope to enter this exhibiton at the Palais des Beaux Arts. But accidentally, Emile Schuffenecker found a sideway: Monsieur Volpini, the owner of the Grand Café des Beaux-Arts, had to face the fact that the mirrors he had ordered in Italy to decorate the interior, would not arrive in time for the opening of the Exposition universelle, and he was happy with the proposal to fill the gap with a display of paintings by Schuffenecker and his friends. Gauguin received this news in Brittany: "Bravo! You have succeeded", he answered and added: "Remember that it is we who are inviting the others, therefore ... (!)" Gauguin proposed to include
- 10 paintings each, by Schuffenecker, Guillaumin, Gauguin and Bernard
- 2 paintings each, by Roy and Fauché, "the man from Nancy"
- 6 paintings, by Vincent
Guillaumin as well as Theo van Gogh, acting for his brother Vincent, refused to participate, while Anquetin, Laval and Monfreid joined the group - and finally, Bernard split his contribution: two of his paintings were shown under the pseudonym Ludovic Nemo and described as peintures pètroles.
The artists had been denied space in the Palais des Beaux Arts at the Exposition.[1]
Émile Bernard was represented twice in the exhibition, once under his own name and once under the pseudonym Ludovic Nemo, whose works were described as peintures pétroles as the pigments had been mixed with petrol instead of the usual turpentine.[1]
[edit] Artists participating
- Paul Gauguin - 17 items
- Charles Laval - 10 items
- Léon Fauché - 5 items
- E. Schuffenecker - 20 items
- Louis Anquetin - 7 items
- Georges Daniel - 3 items
- Émile Bernard - 23 items
- Louis Roy - 7 items
- Ludovic Nemo - 2 items
[edit] Layout and Illustrations
The catalogue of this exhibition has a somewhat irritating layout. The title page is followed by a list of contributing artists (Exposants), accompanied by a reproduction of Gauguin's "Aux Rochers noires". The next double-page lists Gauguin's contribution (nos. 31-47) and reproduces Gauguin's Les Faneuses, and the one following Schuffenecker's list (nos. 55-67, 78, 69-73, 83) together with Ramasseuses de varech (Yport). Émile Bernard continues (nos. 7-19bis, 75-88), illustrated by Reverie. Now, Louis Anquetin (Nos. 1-6bis) precedes Louis Roy (nos. 49-54bis) and an illustration of his Gardeur de cochons. Léon Fauché (nos. 22, 23, 25, 26, 28) and a reproduction of his Paysan occupies the next two pages, Charles Laval (nos. 84, 85, 89-96) and George Daniel (nos. 20-21bis) continue; Femme lisant of the latter is illustrated. The two final pages of the catalogue list two works by Ludovic Némo (nos. 74, 87) accompanied by an untitled reproduction, and note that an album of lithographs by Bernard and Gauguin can be seen on demand (Visible sur demande Album de Lithographies, par Paul Gauguin et Émile Bernard).
[edit] Catalogue
 32. Les Mangos - Martinique. Appartient à M. Van Gogh. |
 36. Ronde dans les foins. |
 44. Dans les vagues. |
[edit] Resources
[edit] Notes
- ^ a b see McWeeny, R. (ed.) Van Gogh on Art and Artists, ISBN 0-486-42727-7.
[edit] References
- Catalogue de L'Exposition de Peintures du Groupe Impressioniste et Synthétiste Faite dans le local de M. Volpini au Champ-de-Mars 1889; reprinted in Theodore Reff (ed.), Modern Art in Paris, vol. 28, New York & London 1982
- Rewald, John: Post-Impressionism: From Van Gogh to Gauguin, revised edition: Secker & Warburg, London 1978, pp. 255-265
