The Scapegoat (painting)
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 |
| The Scapegoat |
| William Holman Hunt, 1856 |
| Oil on canvas |
| , 34 × 55 inches |
| Lady Lever Art Gallery, Port Sunlight |
The Scapegoat (1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus, which must be ritually expelled from the flocks of the Israelite tribes as part of a sacrifical ritual of cleansing. In line with with traditional Christian theology, Hunt believed that the scapegoat was a prototype for the redemptive sacrifice of Jesus, and that the goat represented that aspect of the Messiah described in Isaiah as a "suffering servant" of God. Hunt had the picture framed with the quotations "Surely he hath borne our Griefs and carried our Sorrows; Yet we did esteem him stricken, smitten of GOD and afflicted." (Isaiah 53:4) and "And the Goat shall bear upon him all their iniquities unto a Land not inhabited." (Leviticus 16:22)
In the Royal Academy exhibition catalogue Hunt wrote that "the scene was painted at Oosdoom, on the margin of the salt-encrusted shallows of the Dead Sea. The mountains beyond are those of Edom."[1]
[edit] Meaning
The painting was the only major work completed by Hunt during his first trip to the Holy Land, to which he had travelled after a crisis of religious faith. Hunt intended to experience the actual locations of the Biblical narratives as a means to confront the relationship between faith and truth. While in Jerusalem Hunt had met Henry Wentworth Monk a millenarian prophet who had distinctive theories about the meaning of the scapegoat and the proximity of the Last Judgement. Monk was particularly preoccupied with Christian Zionism.
Hunt chose a subject derived from the Torah as part of a project to convert Jews to Christianity. He believed that Judiac views of the scapegoat were consistent with Christian conception of the Messiah as a suffering figure. He wrote to his friend Millais, "I am sanguine that that [the Scapegoat] may be a means of leading any reflecting Jew to see a reference to the Messiah as he was, and not as they understand, a temporal King."[2]
[edit] Notes
- ^ Bronkhurst, Judith, Wiliam Holman Hunt, A Catalogue Raisonné, vol. 1, p.180.
- ^ Fleming, G.H., John Everett Millais: A Biography, 1998, Constable, p.158
