The Posies

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The Posies
The Posies circa 2006.
The Posies circa 2006.
Background information
Origin Bellingham, Washington, USA
Genre(s) Alternative rock
Power pop
Years active 1986–Present
Label(s) DGC Records
Rykodisc
PopLlama Records
Houston Party Records
Not Lame Records
Casa Recording Co.
Associated
acts		 The Fastbacks
Flop
Fountains Of Wayne
Love Battery
The Minus 5
Sky Cries Mary
Sunny Day Real Estate
Website Official Website
Members
Jon Auer
Ken Stringfellow
Matt Harris
Darius Minwalla
Former members
Rick Roberts
Dave Fox
Mike Musburger
Joe Skyward
Brian Young

The Posies are an American alternative rock group. The band was formed in 1986 in Bellingham, Washington by primary songwriters Jon Auer and Ken Stringfellow. They are best known for their radio hits "Golden Blunders" (from Dear 23), as well as "Dream All Day" and "Flavor of the Month" (from Frosting On The Beater). The band is currently signed to Rykodisc.

Contents

[edit] History

Core members Jon Auer and Ken Stringfellow (also known as "Power Pop Ken") began writing songs together in late 1986 while Ken was in school at the University Of Washington. Their first public performance came as an acoustic duo that next summer while Ken was home in Bellingham. During the last part of 1987 and the first two months of 1988, Ken drove home on weekends to join Jon as they recorded twelve songs in Jon's family's home studio. Though intended as demos to attract other members and form a full band, the recordings turned out so well that they became the Posies' first self-released album, Failure. Interest in the Posies rose out of the numerous home-copied cassettes that began to spread around Seattle and Bellingham.

Mike Musberger and Rick Roberts joined soon after, allowing the band to play its first live shows in Seattle and Bellingham. The four members moved in to a house in the University district of Seattle, where they developed many of the songs that would appear on later albums. Failure was released on vinyl near the end of 1988 on local indie label PopLlama.

Several major labels noticed the band early on and in late 1989 they signed to new Geffen Records imprint DGC Records. They chose John Leckie to produce their first album for the label and Dear 23 was released in August 1990. "Golden Blunders" reached #17 on the US Modern Rock charts. Ringo Starr covered the song for his 1992 album Time Takes Time.

Upon returning from an extensive U.S. tour, the Posies thought they were ready to record their third album. They headed to Robert Lang Studio in Shoreline, Washington in late 1991 and recorded many of the songs they had been working on over the past two years. Among the recordings were three songs written (and two songs sung) by bassist Rick Roberts. Jon and Ken later decided that Rick's songs didn't fit with the band and asked him to leave. The entire recording session was then scrapped and is referred to by fans as "the Lost Sessions".

The remaining members spent the next few months developing new songs, then in early 1992 began recording their third album with Don Fleming. After completing what they thought was their new album with the title Eclipse, Geffen sent them back to the studio in the latter part of the year to record a few "hits". The name then changed and Frosting On The Beater was released in April of 1993. Lead-off track "Dream All Day" enjoyed some success on U.S. MTV and alternative radio, leading the band to an extensive tour of the U.S., Europe, and Japan. Though Jon and Ken played bass on the album, Dave Fox joined to play bass in subsequent live shows. During the European tour, a fight between Ken and Mike prompted Mike to later leave the band. Dave was also asked to leave later in 1994.

In late 1994, Brian Young took over on drums and Joe Howard (AKA Joe Skyward, Joe Bass) played bass. Joe had earlier filled in on bass for a few shows after Rick left in 1992. It wasn't long before the band again entered the studio to begin work on a fourth album. Originally using the working title "What Color Is A Red Light?", the bulk of Amazing Disgrace was finished in the first few months of 1995. Once again, the label wanted more hit material so they sent the band back to the studio near the end of the year where they recorded "Ontario". Amazing Disgrace was eventually released in May of 1996.

Faced with a changing radio climate and fans who longed for the smoother sounds of Frosting On The Beater, the Posies found less success with Amazing Disgrace in the U.S. than with their previous album. The album fared better in Europe though, and led to it selling better worldwide than any of their previous efforts.

After spending most of 1996 and the early part of 1997 on tour in the U.S. and Europe, the band returned home and shifted focus to other projects outside the Posies. Ken played a new batch of solo songs around the U.S. and released his self-recorded first solo album, This Sounds Like Goodbye. Jon joined Seattle band Lucky Me as lead guitarist, Brian began drumming with Fountains Of Wayne, while Joe began work on an album under the name "Skyward". All of this solo work caused many to wonder if the Posies were finished as a band.

In late 1997, they came back together to play a small number of live shows, many accompanied by rumors of being the "final show". Instead, the band returned to the studio with the intent of writing their last chapter by rerecording a dozen unused older songs. Success was released in February 1998, again on the local PopLlama label. A tour followed, including a return to Europe. It was on this tour that the live album Alive Before The Iceburg was recorded. Upon returning, they played their real "final" shows in September, one in Seattle at the yearly Bumbershoot Festival and another in San Francisco.

In 1999 the Posies played a low-profile benefit show in honor of their longtime roadie and friend Joe Norcio. Jon and Ken spent the rest of the year focusing on their solo work. Ken formed a band called "Saltine" with Blake Wescott where Ken's quiet solo songs were transformed into loud and powerful rock. The band recorded an album together late that year, but Ken later decided to break up the band and re-recorded the album with the help of studio musicians. Touched was given the unfortunate release date of September 11, 2001. Meanwhile, Jon formed a band of his own, known as the Jon Auer Band or the Jon Auer Experience. He released a pair of EPs and began work on a full-length album, which would be released in 2006 as Songs From The Year Of Our Demise.

Jon and Ken came back together in early 2000 for a one-off acoustic show in Seattle, which was recorded and released as In Case You Didn't Feel Like Plugging In. The show went so well that they decided later that year to put together a large tour of the U.S., Europe, and Japan. Upon returning from the tour, they filled 2001 with a mix of solo work and a handful of live Posies shows played in support of the Nice Cheekbones and A Ph.D. EP, which was recorded the previous year.

Also released in 2000 was a four-CD box set comprised almost entiredly of unreleased demos, outtakes, and live tracks from throughout the Posies' career. Created mostly to satisfy fans, At Least, At Last showed many previously unseen facets of the band.

After playing drums in Jon's band, Darius Minwalla took over on drums for the Posies in early 2001. That summer, Matt Harris of Oranger replaced Joe on bass. The new rhythm section quickly learned the band's back catalog in time for a US tour that summer. The band played together sporadically over the next two years. Though comments in interviews suggested a desire to write new songs with the new lineup, new material didn't show up in live performances until 2004. They wrote and recorded a new batch of songs relatively quickly and Every Kind Of Light was released in June of 2005. A tour of the US and Europe lasted through the end of the year. A brief Japanese tour is scheduled for the summer of 2006.

Ken remarried and now lives in France with his wife and child, though he travels often to play with the Posies, Big Star, R.E.M., as well as playing in support of his solo albums.

The band has frequently been compared to The Hollies due to their vocal harmonies and Big Star due to the quality of their songwriting. Ken's solo albums have been the more experimental of the band's side projects, while Jon's solo releases reside more in the power pop tradition. Auer has also had some success as a producer.

[edit] Trivia

The songs Love Comes and I Guess You're Right from the album Every Kind of Light are included as sample music tracks in the release of Microsoft Windows Vista.

[edit] Members

[edit] Current

[edit] Past

[edit] Discography

[edit] Albums/Box Sets

[edit] Singles/EPs

[edit] Compilation/Soundtrack contributions

  • "Smash it Up" on Another Damned Seattle Compilation (Dashboard Hula Girl Records, 1990).
  • "Going Going Gone" on the Reality Bites Original Motion Picture Soundtrack (1993).
  • "Open Every Window" on DGC Rarities, Vol. 1 (DGC Records, 1994).
  • "Coming Right Along" on Basketball Diaries Original Motion Picture Soundtrack (Island, 1995).
  • "Throwaway (Live)" on Hype! The Motion Picture Soundtrack (Sub Pop Records, 1996).
  • "Richie Dagger's Crime" on A Small Circle Of Friends: A Germs Tribute Album (1996)
  • "Christmas" on Just Say Noël

[edit] Singles

Year Title Chart positions Album
US Hot 100 US Modern Rock US Mainstream Rock UK
1990 "Golden Blunders" - #17 - - Dear 23

[edit] External links

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