The London Prodigal
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The London Prodigal is a play in English Renaissance theatre, a city comedy set in London, in which a prodigal son learns the error of his ways. The play was published in quarto in 1605 by the stationer Nathalniel Butter, and printed by Thomas Cotes—the only edition in the 17th century.
The play is attributed to William Shakespeare on the title page; but this is widely and generally rejected by scholars. The title page also identifies the play as a King's Men's play. (One clever critic has observed that it is questionable to reject the former assertion while accepting the latter; but that is what most scholars have done.)
The London Prodigal as been dated as early as ca. 1591, and as late as 1603-4. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precendent; but it is also an example of the evolving Elizabethian genre of domestic dramas, and "one of the first naturalistic dramas in English".[1]
Individual scholars have attributed the play to Ben Jonson, Thomas Dekker, John Marston, and Michael Drayton;[2] others have suggested Thomas Heywood and George Wilkins.[3] None of these attributions, however, has been accepted by a significant porportion of the critical community.
[edit] Synopsis
Matthew Flowerdale, the prodigal son of a merchant, Flowerdale Senior, is a libertine, gambler, swearer, brawler, drinker and thief. Flowerdale Senior's brother, Flowerdale Junior, warns him about Matthew's dissolute behaviour but Flowerdale Senior dismisses his fear, believing that "youth must have its course" and that his son will soon make amends. In order to spy on his son, Flowerdale Senior feigns death and appears disguised as a servant. He is soon appalled by the sum of his son's vices. Matthew Flowerdale forges a will in which he pretends to be a wealthy man bequeathing all his fortune to Sir Lancelot Spurcock. When the later discovers the will, he decides to marry his daughter Luce with Matthew. They are quickly married but Matthew is arrested for debt on his wedding day. He becomes poorer and poorer and robs one of Luce's sisters. Although she is abominably treated by her husband (he even asks her to become a whore), Luce remains loyal to him and finally moves her dissolute husband to repentance and reform. Flowerdale Senior reveals his true identity and congratulates his son for his new resolutions.
[edit] Notes
- ^ Willard Thorp, quoted in Logan and Smith, The Popular School, p. 222.
- ^ Logan and Smith, The New Intellectuals, p. 92.
- ^ Logan and Smith, The Popular School, p. 221.
[edit] References
- C. F. Tucker Brooke, The Shakespeare Apocrypha, Oxford, Clarendon Press, 1908.
- Terence P. Logan and Denzell S. Smith, The Popular School: A Survey and Bibliography of Recent Studies in English Renaissance Drama, Lincoln, Nebraska, University of Nebraska Press, 1975.
- Terence P. Logan and Denzell S. Smith, The New Intellectuals: A Survey and Bibliography of Recent Studies in English Renaissance Drama, Lincoln, Nebraska, University of Nebraska Press, 1977.
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