The Headhunters

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The Headhunters are a popular jazz-funk fusion band, best known for their albums they recorded as a backing band of jazz keyboard player Herbie Hancock during the 1970s. Hancock's debut album with the group, Head Hunters, is one of the best-selling jazz/fusion records of all time.

[edit] History

The Headhunters pictured on the cover of their eponymous debut LP.

Herbie Hancock originally assembled the band for his 1973 album Head Hunters. The Headhunters' new lineup and instrumentation, retaining only wind player Bennie Maupin from Hancock's previous sextet, reflected his new musical direction. Bassist Paul Jackson was really the only other member who maintained a continuous presence in the lineup in subsequent recordings and concerts. On the original Head Hunters album the other band members were percussionist Bill Summers and drummer Harvey Mason.

The Headhunters continued to work with Hancock throughout the seventies, although the precise line-up varied from album to album. For the next Headhunters album, 1974's Thrust, Mike Clark took over drumming duties.

Both Mason and Clark contributed drums to the Hancock's 1975's solo album Man-Child, which featured guest appearances from Stevie Wonder on harmonica and Wayne Shorter on soprano sax in its greatly expanded line-up. (The release notes for Man-Child credit 18 musicians, in contrast to the simple quintet of their debut.)

1975 also saw Headhunters first album without Hancock, Survival of the Fittest, featuring the hit "God Made Me Funky". This song was sampled by The Fugees for their track "Ready or Not," and has been covered by Jamiroquai as a live track.

As the 1970s turned to the 1980s, Herbie Hancock drifted away from the band as he moved into his electro-oriented phase, and they ceased operation as a visible unit. The band reunited with Hancock for the 1998 album Return of the Headhunters.

Clark, Jackson and Summers have since continued recording and performing as The Headhunters, based in New Orleans, with Victor Atkins or Robert Walter filling in for Hancock on keyboards. They released an album, Evolution Revolution, for Basin Street Records in 2003, and backed up the saxophonist Rebecca Barry on her 2005 album Rebecca Barry and the Headhunters. In 2005 Hancock assembled a new group called Headhunters 2005. The group included guitarists John Mayer and Lionel Loueke, bassist Marcus Miller, drummer Terri Lynne Carrington, trumpeter Roy Hargrove and percussionist Munyungo Jackson.

[edit] Musical style and influences

The Headhunters' music is a complex blend of many styles and genres, including jazz, funk, African and Afro-Caribbean music. The group is also notable for its pioneering use of electronic instruments and effects.

In the sleeve notes to Head Hunters, Herbie Hancock confirms that track 3, "Sly," is named in tribute to Sly Stone, leader of Sly & the Family Stone. This band, along with James Brown are the key influences from funk music. As in funk music, the band often built a groove around a bassline; Paul Jackson's deceptively simple licks are frequently the bedrock of Headhunters material. ("Chameleon," the famous opening track of Head Hunters, provides a fine example of this, although in this case the main bassline is played by Hancock.) Also taken from funk music is the technique of building a complex groove by combining many small but carefully interlocking, syncopated contributions.

While straightforward funk depending on a snappy, danceable backbeat from the drummer, the various drummers in the Headhunters tended to use the stability of Paul Jackson's basslines as an anchor, allowing them to play in and around his motif, creating more advanced and complex rhythmic patterns, drawing on the jazz drumming tradition. This is probably best exemplified by the music on Thrust.

Early editions of the Headhunters were notable for the absence of a guitarist; All guitar-like parts were handled by Herbie Hancock on the Headhunters' first two albums. Electric guitars were introduced into from Survival of the Fittest onwards.

Although the Headhunters' albums were often belitted as "pop" by purist jazz critics at the time, it is now widely accepted that they were significantly influenced by, and made a significant contribution to, the "serious jazz" canon. Their music featured extensive solo and group improvisation over chord progressions, just as in the jazz mainstream. Most of the overtly jazz-influenced material comes in the form of solos from Herbie Hancock and Bennie Maupin.

A strong connection to African music is evident, with the role of percussion hugely enhanced compared to mainstream jazz, and more extensive exploration of complex polyrhythms compared to most funk.

The Headhunters are also notable for the unusually wide range of instruments they use. Hancock used myriad keyboards, from the staple Fender Rhodes electric piano to the Hohner clavinet, as well as being an early adopter of synthesizers, particularly instruments from ARP. Maupin used bass, tenor, alto and soprano saxophones, bass clarinet and bass flute, and oddities such as the Saxello and Lyricon. Unusual choices like beer bottles and the Voice Bag also featured in their instrumentation.