The Electric Kool-Aid Acid Test

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The Electric Kool-Aid Acid Test is a literary journalism novel written by Tom Wolfe early in his career in 1968. Using techniques from the genre of hysterical realism and pioneering new journalism, he tells the story of Ken Kesey and his band of Merry Pranksters as they drive across the country in a DayGlo painted school bus dubbed Furthur, reaching personal and collective revelations through the use of LSD and other psychedelic drugs. It covers their cross country road trip, as well as the acid tests, early performances by The Grateful Dead, and Kesey's exile to Mexico. Wolfe is primarily concerned not with narrative, but with relating the Pranksters' intellectual and quasi-religious breakthroughs.

[edit] Tom Wolfe's influences

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Though Wolfe did not indulge in the same frequent drug use as the subjects in his work, he was intrigued by their experience and attempted to capture their state of mind and frequent revelations. To do so, he used extensive interviews and primary texts including many interviews, letters, and recordings from Ken Kesey, Norman Hartweg, Hunter S. Thompson and Robert Stone (among many others) to re-create not only the story of the Merry Pranksters, but the "subjective reality" of their experience, which relates obviously to Kesey's philosophizing of intersubjectivity. Wolfe seems to write just as maniacally as someone who would have been “on the bus", while his "[recreation] of" his subject's "subjective reality" is occasionally interrupted by his "impersonal and objective" narrator's self-inclusion. Wolfe's infrequent first-person recounting creates the underpinning dynamic between subject and journalist in the novel, which establishes Wolfe as a medium of the acid culture to what he calls "the outside world," in a form which he was concurrently establishing as a medium of journalism within a greater medium of literature.