The Confession of Isobel Gowdie
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The Confession of Isobel Gowdie is a work for large symphony orchestra by the Scottish composer James MacMillan.
It is, according to the composer, a Requiem for one Isobel Gowdie, who was burnt as a witch in post-Reformation Scotland.
It was written in 1990 and premiered at that year's Proms concerts in London. It was an instant success, receiving, according to the critic Stephen Johnson, "an ovation the like of which had rarely been seen at a British premiere since the death of Benjamin Britten".[1]
The work falls into three major sections: an opening, elegaic string section, followed by a violent middle part (according to Johnson, redolent of "trial, torture or mass hysteria"[2]) followed by a return to the more subdued atmosphere of the opening for strings, but this time punctuated by violent outbursts from the full orchestra. It resolves on one note, in a massive crescendo to fffff which bears the hallmark of a similar motif in Alban Berg's Wozzeck.
The work was premiered by the BBC Scottish Symphony Orchestra, under Jerzy Maksymiuk, who later recorded it. It has been performed and recorded many times since.
