Talk:The Silmarillion
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From "Comprise" entry at dictionary.com: Usage Note: The traditional rule states that the whole comprises the parts and the parts compose the whole. In strict usage: The Union comprises 50 states. Fifty states compose (or constitute or make up) the Union. Even though careful writers often maintain this distinction, comprise is increasingly used in place of compose, especially in the passive: The Union is comprised of 50 states. Our surveys show that opposition to this usage is abating. In the 1960s, 53 percent of the Usage Panel found this usage unacceptable; in 1996, only 35 percent objected. -- User:Alcarillo 19:20 14 Apr 2004 UTC
- How about ". . .comprises five parts"? Otherwise some (other) nitpicker will just change it again. —No-One Jones 18:26, 14 Apr 2004 (UTC)
I think that Iluvatar's name is not borrowed from Norse Mythology, but from Finnish Mythology. It is akin to Ilmatar. User:Matti 22:14 7 Mar 2005 EST
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Teleri Sindar Nandor Laiquendi [edit] Etymology QueryI would like to question the text entry: Ilúvatar (Father of All) is clearly borrowed from Norse mythology. Comparing vatar with Norwegian fader may be okay (although vatar has commonalities - to a greater or lesser extent - with just about all the Indo European languages), but Ilu seems to come from a semetic root; compare Hebrew El, Aramaic Elou and Arabic Allahu. Can anyone provide justification of the text entry? If not, I may change it.. --Philopedia 21:58, 29 December 2005 (UTC) Helge Fauskanger, who is probably the world's foremost expert on Quenya (after Christopher Tolkien), suggests that the Elven languages draw upon root words from many languages, including Hebrew, Finnish, Germanic, Norse, reconstructed Indo-European, Arabic, and others. The original meaning of the name, 'Sky-father', was devised for the first mythology, The Book of Lost Tales, which was set in pre-Anglo-Saxon England. The concept of a "sky-father" is common to many mythologies throughout the world. Tolkien undoubtedly knew as much. This would be an early indication of his extensive (later) practice of utilizing words in very generic forms. There is no authoritative reference for declaring the derivation of Iluvatar from any one language or mythology. Michael Martinez 05:03, 16 February 2006 (UTC) [edit] Guy Gavriel KaySomeone keeps indicating that Guy Kay had a significant hand in developing the published Silmarillion. That is simply not true. He worked with Christopher Tolkien through one summer and is credited by Christopher with discussing ideas on how to handle the chapter "The Ruin of Doriath".Michael Martinez 21:42, 27 February 2006 (UTC)
"The Silmarillion is a collection of J. R. R. Tolkien's works, edited and published posthumously by his son Christopher R. Tolkien, with some minor assistance from fantasy fiction writer Guy Gavriel Kay."
Well, let's document Guy Kay's exact contributions to The Silmarillion as mentioned by Christopher Tolkien and Guy Kay himself. I'm unable to find anything but this citation. "In the story that appears in THE SILMARILLION the outlaws who went with Hurin to Nargothrond were removed, as also was the curse of Mim; and the only treasure that Hurin took from Nargothrond was the Nauglamir -- which was here supposed to have been made by the Dwarves for Finrod Felagund, and to have been the most prized by him of all the hoard of Nargothrond. Hurin was represented as being at last freed from the delusions inspired by Morgoth in his encounter with Melian in Menegroth. The Dwarves who set the Silmaril in the Nauglamir were already in Menegroth engaged on other works, and it was they who slew Thingol; at that time Melian's power was withdrawn from Neldoreth and Region, and she vanished out of Middle-earth, leaving Doriath unprotected. The ambush and destruction of the Dwarves at Sarn Athrad was given again to Beren and the Green Elves (following my father's letter of 1963 quoted on p. 353, where however he said that 'Beren had no army'), and from the same source the Ents, 'Shepherds of the Trees', were introduced. "This story was not lightly or easily conceived, but was the outcome of long experimentation among alternative conceptions. In this work Guy Kay took a major part, and the chapter that I finally wrote owes much to my discussions with him. It is, and was, obvious that a step was being taken of a different order from any other 'manipulation' of my father's own writing in the course of the book: even in the case of the story of The Fall of Gondolin, to which my father had never returned, something could be contrived without introducing radical changes in the narrative. It seemed at that time that there were elemets inherent in the story of the Ruin of Doriath as it stood that were radically incompatible with 'The Silmarillion' as projected, and that there was here an inescapable choice: either to abandon that conception, or else to alter the story. I think now that this was a mistaken view, and that the undoubted difficulties could have been, and should have been, surmounted without so far overstepping the bounds of the editorial function." Source: The War of the Jewels, pages 346-7. If you have anything else, please share it before vandalising the article any further.Michael Martinez 23:53, 27 February 2006 (UTC)
Michael, I'll wait until your block for 3RR (which you broke here too) expires before changing it, but I can't agree with your changes to this article. Christopher Tolkien says he was "very greatly assisted" by Kay and that Kay "took a major part" in the Ruin of Doriath chapter. Frankly, I think that evidence would make the wording, 'with a great deal of assistance' accurate... but I'm willing to forego that level of detail and just use the neutral, 'with assistance'. On what grounds do you insist on 'with some minor assistance'? It contradicts the available evidence and presents a point of view which cannot be verified. Ditto on 'mythologies'. I think Tolkien's repeated statements that all his 'Middle-earth' texts belong to a single mythology would make 'mythology' the correct wording here... but again I'm willing to forego that level of detail and use the neutral term 'writings'... allowing the reader to assume that these writings belonged to either one mythology or several as they choose. Why do you insist on 'mythologies'? Again, there are no instances where Tolkien says the stories should be so divided... making it impossible to ever verify that 'mythologies' was his intent. Even if we assume you are right, despite what seems to me overwhelming evidence to the contrary, there is no way you can ever direct someone to a passage proving your position... because no such passage exists. Your view can never be verified, so it can't be stated as 'fact' in an encyclopedia. At best, it could be included as an opinion, but even that is a stretch as there aren't even any citations from established sources expressing that opinion. I'd prefer to be precise, and I don't think you have any viable grounds for objecting to 'great assistance' or 'mythology', but these details are not essential to this article so I'm willing to compromise. Your 'some minor' and 'mythologies' forms seem to me to be simply false, but are at best POV and unverifiable. The forms 'with assistance' and 'writings' are clearly accurate (if imprecise) and thus should be uncontroversial. You can't provide any citations for the forms you prefer (nor refute the citations disproving them), so why are you fighting against neutral wording? --CBDunkerson 14:03, 28 February 2006 (UTC) [edit] What Does This Have to Do With the Silmarillion?I cut out the following, which is long, rambling (apparently original research) and related to the Lord of the Rings and not Silmarillion. Seriously, what on Earth is this doing here: Elijahmeeks 09:39, 5 March 2006 (UTC)
Having just read portions of Flieger's "Splintered Light", I have come up with some areas of interest, which seem not to be present in this article. Coleridgian terms? Primary Imagination? Owen Barfield? Primary Light? The Cosmogonic account? The Silmarillion is labelled High Fantasy, yet it was an archetype, and really lacked the "sword of sorcery" that is invoked in that description. Shall not The Silmarillion be Cosmogonic Fantasy, in light of Barfield's theory of the fragmentation of meaning? [edit] LinguisticsHaving just read portions of Flieger's "Splintered Light", I have come up with some areas of interest, which seem not to be present in this article. Coleridgian terms? Primary Imagination? Owen Barfield? Primary Light? The Cosmogonic account? The Silmarillion is labelled High Fantasy, yet it was an archetype, and really lacked the "sword of sorcery" that is invoked in that description. Shall not The Silmarillion be Cosmogonic Fantasy, in light of Barfield's theory of the fragmentation of meaning? [edit] SynopsisShouldn't we have one. After all, i'm sure that's why come on here for Jammi568 11:17, 14 March 2007 (UTC) |