Teri DeSario

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Teri DeSario is a singer/songwriter from Miami, Florida.

DeSario worked within several music genres out of high school. She was vocalist, played recorder and harp from 1970 - 1977 with a Medieval and Renaissance music group, the Early Music Consort, headed by scholar and Pro Musica member Arnold Grayson. She began her popular career as a singer songwriter in the folk genre and later expanded her love of folk music with her passion for jazz. After marrying horn player, arranger, composer Bill Purse, they founded a pop-folk-jazz collaborative called Abacus. One night a long haired man walked into the club where she was performing, claiming to be the producer of the Bee Gees. It turned out he actually was. Barry Gibb heard her demo of original music and was so inspired by DeSario's vocals that he wrote a song for her called "Ain't Nothing Gonna Keep Me From You" and helped her obtain a recording contract.

"Ain't Nothing Gonna Keep Me From You" from 1978 was Teri DeSario's first hit single, written by the Bee Gees' lead vocalist/songwriter Barry Gibb, from her first album Pleasure Train, also released in 1978.

Even though the first single from her debut, Pleasure Train, made #43 on the U.S. pop charts, she hadn't really enjoyed the recording experience and wanted a new direction. It was then that she bumped into an old school mate she had as a teen, Harry Wayne Casey (KC) of KC and the Sunshine Band.

In the U.S. Teri DeSario is mainly known for her duet with KC, lead singer of the phenomenal R&B and funk group KC and the Sunshine Band of the popular Barbara Mason- 1965 cover, (Pop # 2 on the Billboard Hot 100 and certified gold, Adult Contemporary #1 for 2 weeks) "Yes, I'm Ready" from 1980, from her second album Moonlight Madness, released in 1979. Follow-up singles (album title track) "Moonlight Madness" and a remake of "Dancin' In The Streets" charted but didn't make Billboard Top 40.

By the end of 1980, her hit "Yes, I'm Ready," granted herself one-hit wonder status, with the disco-era making an exit, even though her duet with KC was a pop-fused remake of a famous slow-dancing ballad. She went on to record two more albums for Casablanca , "Caught", an album which reflected her situation with the record company, and "Relationships," which was shelved when the company itself changed directions. After a lot of soul searching, she recorded two contemporary Christian albums for Word records, "A Call to us All" and "Voices in the Wind," which were co-written with and produced by Bill Purse. In 1986 she was nominated for a grammy in the gospel category for Best Female Performance. She also wrote for and appeared on various artist's albums. During the same period her music was popular in Japan and the Philippines. Teri's music became more introspective and increasingly challenged conservative Christianity. Finally in 1986 she requested that she be released from her contract at Word records.

Teri DeSario took her talents to production for Emergence on 1993's Laughing Medusa Theme Series, Vol. 1 release. DeSario was creditedly challenge as executive producer, producer and vocalist and husband Bill took on the roles of synthesizer, piano, arranger, keyboards, vocals, producer, engineer, editing, executive producer, and mixing. From pop/jazz unit to production team within a decade... who would have thought? DeSario would also provide vocals on Chris Carter and Mark Snow's 1996 album Truth & Light: Music From 'The X-Files. One-hit wonder maybe, but Teri DeSario has evolved into something greater than a performer.