Teotihuacan Spider Woman
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- For other senses of this word, see Spider Woman (disambiguation).
The Teotihuacan Spider Woman or Great Goddess of Teotihuacan is a proposed goddess of the pre-Columbian Teotihuacan civilization, in what is now Mexico.
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[edit] Discovery
In 1942, a series of murals were found in the Tepantitla compound in Teotihuacan. While many of these murals simply depicted scenes of everyday life in ancient Teotihuacan and some simple Mesoamerican figures, a few contained paintings of a previously-unknown deity or supernatural. Although often referred to as the "Great Goddess", Karl Taube christened her the "Teotihuacan Spider Woman" in an article in The Journal of Latin American Lore.
The Tepantitla compound was a housing complex for what appears to have been high status citizens. The walls are adorned with brightly painted frescoes. There are two nearly identical murals at this site, separated by a doorway, that illustrate the Spider Woman. In them, she stands with outstretched arms between two smaller female attendants and in front of two tall, interwoven vines filled with both spiders and butterflies. At her base is a mirror bowl spilling what appears to be a mixture of water and seeds. These murals were painted in vibrant colors and have been relatively well preserved.
Due to the highly stylized quality of Mesoamerican art and its often poor preservation, it can be difficult to determine the gender of a painted or sculpted figure. The heavily layered clothing often added to the confusion. Archaeologist Alfonso Caso had earlier identified the central figure in the Tepantitla murals as Tlaloc, the Mesoamerican god of rain and warfare. Further examination however revealed that the wardrobe worn by the two female attendants was also visible on the main figure. This belated discovery finally established the Spider Woman’s femininity.
The Teotihuacan Spider Woman has since been found at several other sites, sometimes in murals, and sometimes in sculpture or figure form.
[edit] Description
The Great Goddess wears a frame headdress that often includes the face of a jaguar and has a medallion in the center on which an owl is usually depicted. She will also be shown among several spiders and is frequently seen with a yellow body coloration, further distinguishing her from other Mesoamerican deities. Her single most recognizable feature, however, is a very distinguishable nosepiece. This bar is large enough to conceal her whole mouth, and is equipped with what appears to be arachnid-like fangs. The rectangle-shaped bar hangs from directly under her nose and usually has three circles on it. Immediately below these circles hang three fangs. The two outer fangs curl to point away from the center, while the middle fang just comes straight down looking like the letter U. The overall affect, then, is an otherwise plain Mesoamerican goddess with a frighteningly spider-like appearance.
[edit] Domain
This Spider Woman is now thought to have been a goddess of the underworld, darkness, the earth, water, war, and possibly even creation itself. To the ancient civilizations of Mesoamerica, the jaguar, the owl, and especially the spider were considered creatures of darkness, often found in caves and during the night. The fact that the Teotihuacan Spider Woman is frequently depicted with all of these creatures further supports the idea of her underworld connections.
As mentioned above, the Great Goddess is connected to darkness and caves, water, and war. One reason to accept these associations is simply because of the jaguar commonly found in her headdress. The jaguar was arguably the most important animal to the Mesoamericans when it came to mythology. The fact, then, that the Spider Woman was associated with the jaguar suggests her greatness. The largest species of cat in the new world, the jaguar can be active at any time during the day, but is most often seen on the prowl at night, and especially at dusk or dawn. It is no wonder, then, that these ancient people related the big cats to darkness, for they are truly the rulers of the night. Jaguars are also surprisingly good swimmers and are often found near ponds and small lakes, providing the idea that the “great goddess” is also related to water. It was also very common amongst the ancient Mesoamericans to associate jaguars with warfare. This is probably the most obvious symbolism suggested for the big cats, provided their predatory nature, mighty jaws, powerful musculature, and huge claws.
The other animal commonly seen in the goddess's headdress is the owl, providing another reason the Spider Woman is thought to have been a goddess of darkness. The owl is one of the most recognizable nocturnal creatures, and was believed to be a messenger for the lords of the underworld. Burrowing owls were also common in the area, living in old prairie dog burrows and other holes in the ground, further suggesting their relationship to caves and the underworld. In numerous cultures throughout the world, the owl is a symbol of darkness, evil, sorcery, and death, but also revered as magical and wise. To also have been associated with this bird of the night, the Teotihuacan Spider Woman must have indeed been related to the underworld.
The Great Goddess has an unusual relationship with spiders. In many murals, the Spider Woman is shown with many of the scurrying arachnids in the background, on her clothing, or hanging from her arms. She is often seen with shields decorated with spider webs, further suggesting her relationship with warfare. Her nosepiece is the single most recognizable adornment of the deity, finalizing her transformation into the arachnid-like goddess.
[edit] Dissenting viewpoint
In a 2006 article in Ancient Mesoamerica, Zoltán Paulinyi argues that the Great Goddess or Spider Woman is "highly speculative" and is a result of fusing up to six unrelated gods and goddesses.
[edit] Similar deities
Some American Indians, such as the Pueblo and Navajo, revered what seems to be a similar deity. Referred to as the Spider Grandmother, she shares many traits with the Teotihuacan Spider Woman.
[edit] See also
[edit] References
- Paulinyi, Zoltán (2006) "The 'Great Goddess' of Teotihuacan: Fiction or Reality?", Ancient Mesoamerica, Vol. 17 No. 1, pp. 1-15, Cambridge University Press.
- Taube, Karl (1983) "The Teotihuacan Spider Woman", Journal of Latin American Lore, Vol 9, No 2, pp. 107-89, Los Angeles.
