Takarazuka Revue
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The Takarazuka Revue (宝塚歌劇団 Takarazuka Kagekidan) began in Takarazuka, Hyogo Prefecture, Japan in 1913 founded by Ichizo Kobayashi, the president of Hankyu Railways, who had the idea to boost sales by staging Western-style musical shows using only young, unmarried women. The name of the troupe comes from the Hankyu Takarazuka Line in suburban Osaka. The Revue had their first performance in 1914, and by 1924 the company had become popular and obtained their own theatre, the Dai Gekijō. Currently Takarazuka performs for 2.5 million people per year. The majority of the fans are women.
Part of the novelty of Takarazuka is that all the parts are played by women, based on the original model of Kabuki, before women were banned from the theatre in Japan. The women who play male parts are referred to as otokoyaku (literally "male role") and those who play female parts are called musumeyaku (literally "daughter role"). The costume and set designs are incredibly lavish, and the performances are melodramatically emotional.
Before becoming a member of the troupe, a young woman must train for two years in the Takarazuka School, one of the most competetive of its kind in the world. Each year, thousands from all over Japan audition and 38 are accepted. These shall become the actors in the troupe in the years to come. They are trained in music, dance, and acting. The first year, all women are trained together, but at the end of the first year, women are divided by the faculty and the current troupe members, determining who shall play otokoyaku and who shall play musumeyaku. Those playing otokoyaku take on a more masculine role in the classroom, cut their hair short, and speak in the masculine form from then on.
The company has five main troupes: Hana, Tsuki, Hoshi, Yuki, and Sora (Flower, Moon, Star, Snow, and Cosmos), and one extra troupe, Senka (Superior Members, which also consist of three members of the directors' board of the group) that supplies performers for particular roles to the other troupes as necessary. The Flower and the Moon troupes are the original troupes, founded in 1921. Snow troupe began in 1924. Star troupe was founded in 1931, disbanded in 1939, and reestablished in 1948. The newest troupe, Cosmos, was founded in 1998.
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[edit] The troupes
The five troupes of the Takarazuka Revue Base have certain differences of style and material which make each troupe unique.
[edit] Flower Troupe (Hana)
The Flower Troupe is considered the "treasure chest" of otokoyaku. In 2003, 3 out of 5 of the top otokoyaku stars (Sumire Haruno of Flower, Hikaru Asami of Snow and Jun Shibuki of Moon) were from Flower Troupe. Their performances tend to have larger budgets, with lavish stage and custom design, and tend towards operatic material.
[edit] Moon Troupe (Tsuki)
While it tends to be a home for young performers (with Yūki Amami, who hadn't reached her seventh year, reaching her top in the 90's), the members of Moon Troupe are also strong singers. The term "Musical Research Department" is occasionally used in articles about the troupe, portraying the troupe's focus on music. Their material tends towards drama and modern musicals.
[edit] Snow Troupe (Yuki)
Snow Troupe is considered the upholder of traditional dance and opera for the whole company, being the vanguard of traditional Japanese drama in a company that tends towards Western material. However, they were the first troupe to perform Elisabeth for the company. Recently the troupe has been moving towards the opera and drama style that Moon and Flower perform in.
[edit] Star Troupe (Hoshi)
Star Troupe tends to be the home of the stars of Takarazuka. They, along with Flower Troupe, have very strong otokoyaku players, which is not usually seen in the other troupes.
[edit] Cosmos Troupe (Sora)
Cosmos, the newest troupe of the company, does not have the burden of tradition, and therefore tends to be more experimental. When it was formed it pulled talents from all the different troupes of the time. The troupe's style is influenced by performers Asato Shizuki, the founding otokoyaku top star; Yōka Wao and Mari Hanafusa, the "Golden Combi" who headed the troupe for six out of its first eight years of existence. Cosmos were the first troupe to perform Phantom, and to have a Broadway composer (Frank Wildhorn) to write their musical score.
[edit] Categories of musicals they perform
Takarazuka works are usually adapted from Western classic musicals, operas, novels or even films:
- Novel:
- Edith Wharton's The Age of Innocence
- Leo Tolstoy's Anna Karenina and War and Peace
- Erich Maria Remarque's Arch of Triumph
- John Steinbeck's East of Eden
- Ernest Hemingway's For Whom the Bell Tolls
- Margaret Mitchell's Gone with the Wind
- Charles Dickens's A Tale of Two Cities
- Emily Brontë's Wuthering Heights
- Films:
- Farewell My Concubine/The Phantom Lover (Both are films starring the late Leslie Cheung)
- JFK
- Somewhere in Time
- Musicals:
- Aida (Under the name Song of the Kingdom)
- Manon
- Carmen
- Copacabana
- Elisabeth
- Ernest in Love (an adaptation of The Importance of Being Ernest)
- Flower Drum Song
- Grand Hotel
- Guys and Dolls
- How to Succeed in Business Without Really Trying
- Me and My Girl
- Oklahoma!
- Phantom
- Singin' in the Rain
- The Sound of Music
- West Side Story
They also adopt popular Japanese manga for their shows, such as Riyoko Ikeda's The Rose of Versailles, about a young woman named Oscar de Jarjayes who dresses as a man and is a bodyguard for Marie Antoinette, and Osamu Tezuka's Black Jack and Phoenix. Historical stories based on Japanese and Chinese history are popular, like their rendition of the Beijing opera Farewell My Concubine detailing a romance between General Xiang Yu and his lover Madam Yu, as are biographical adaptations like Last Party: S. Fitzgerald's last day, about F. Scott Fitzgerald, and Dean, about James Dean. Finally, they occasionally create their own stories, seen in Boxman: I can crack any kind of safe by Cosmos Troupe and Silver Wolf performed by Moon and Snow Troupes.
[edit] Personnel
[edit] Star personnel
The current top stars of each group are:
Group | otokoyaku | musumeyaku |
---|---|---|
Special Course | Yū Todoroki 1 | |
Flower | Sumire Haruno | Ayane Sakurano |
Moon | Jun Sena | Kanami Ayano |
Snow | Natsuki Mizu | Yuri Shirahane2 |
Star | Kei Aran | Asuka Tōno |
Cosmos | Yūga Yamato | Hana Hizuki |
Note 1: The youngest member to ever serve on the board of directors
Note 2: Former Top musumeyaku for Star Troupe, the only musumeyaku that has been in top for two troupe in the current generation
[edit] Other notable stars of the company
Group | Flower | Moon | Snow | Star | Cosmo |
---|---|---|---|---|---|
Otokoyaku | Sei Matobu, Kazuho Sou, Harei Aine, Aki Misuzu, Sugata Mano | Hiromu Kiriya, Yūhi Ōzora, Haruhi Ryoga, Ayato Moeki, Izumi Aoki, Sonoka Kiryū, Masaki Ryū | Mao Ayabuki, Kei Otozuki, Oto Ayana7, Kaname Ouki, Tooma Ozuki | You Tatsuki, Shio Suzumi, Reon Yuzuki, Ryouka Kazu, Shun Mahiro | Maya Misato9, Tomu Ranju, Hiro Yuumi10, Kairi Hokushou, Hikaru Nanaho, Irisu Toki |
Musumeyaku | Ichika Sakura, Moeri Aizumi, Sumika Nono | Ai Shirosaki, Aya Izumo6, Remi Shirahana | Ai Yamashina, Izuru Amase11 | Marie Koto, Seara Hisaki | Asahi Miwa, Izumi Otono, Arisu Hanakage, Miou Kazune |
Note 6: The current troupe president of the Troupe, former vice-president and president of Cosmo troupe
Note 7: The younger sister of Nao Ayaki, the former top star (otokoyaku) of Moon Troupe
Note 9: The current troupe president of the Troupe, after Aya Izumo
Note 10: The tallest actress in the company
Note 11: Former otokoyaku, switched to musumeyaku in 2004
[edit] Upper and lower classes
The terms upperclassmen (上級生) and lowerclassmen (下級生) are used to distinguish senior and junior members of Takarazuka. Lowerclassmen are the actresses who have been performers in Takarazuka for less than seven years. They are employees of the company, and usually work as background dancers and participate the New Actor Show. After the seventh year they become upperclassmen, and negotiate contracts with the company instead of being employed by it.
[edit] Former Takarasiennes
Takarazuka roster members who went on to work in stage, movies and television include:
otokoyaku | musumeyaku |
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[edit] Influence
Takarazuka has supplied influence for quite a few anime series. The Takarazuka Revue inspired the plot of the original Sakura Wars video game, along with additional inspiration from Takarazuka's one time competitor the Shochiku Kagekidan (Shochiku Revue). The Zuka Club in Ouran High School Host Club is based on the Takarazuka Revue. Revolutionary Girl Utena often borrows the visual style of Takarazuka, and Haruka Tenoh and Michiru Kaioh of Sailor Moon were loosely based on the actors of the Takarazuka Revue.[1]
[edit] See also
[edit] References
- ^ Takeuchi, Naoko [October 1, 1999]. Materials Collection, Translated by Alex Glover (in English), Japan: Kodansha. Retrieved during 2006. “"[Haruka] plays a male role in Takarazuka."”
- Robertson, Jennifer Ellen (1998). Takarazuka: Sexual Politics and Popular Culture in Modern Japan. Berkeley and Los Angeles, Calif.: University of California Press. ISBN 0-520-21150-2 (hardcover); ISBN 0-520-21151-0 (paperback).
[edit] External links
- The official Takarazuka Revue website—A brief history and information on their shows
- The Takarazuka Wikipedia—An English-language resource for fans of the Revue, featuring the history of Takarazuka, a Takarasiennes database, and performance reviews
- Japanese tradition meets Western musicals — Article on the Takarazuka Revue from the Travel section of The Christian Science Monitor] (April 20, 2005).
- Takarazuka - Modern Japan—A travel article on Takarazuka
- Revue Sphere—A very nice fan site
- Avila, K. "Welcome to Romance Theatre". Jade Magazine. March 2004.
- Avila, K. Takarazuka Revue Outdoor and indoor photos of their theaters in the City of Takarazuka and in Tokyo (no performance photos)