Szabla

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Szablas in Muzeum Wojska Polskiego, Warsaw.
Szablas in Muzeum Wojska Polskiego, Warsaw.

Szabla['ʂabla] is the general Polish word for sabre. In particular, it is used to describe a specifically-Polish one-edged sabre-like mêlée weapon with a curved blade and, in most cases, a two-bladed tip called a feather (pióro). Initially used by light cavalry, with time it also evolved into a variety of arms used both for martial and ceremonial purposes. Until 19th century it also served as one of the symbols of the Polish gentry (szlachta), who considered it to be one of the most important pieces of men's traditional attire.

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[edit] History

Szabla's in monastery museum in Szczyrzyc.
Szabla's in monastery museum in Szczyrzyc.

Various types of sabre-like arms were first brought to Poland by the Tatars and Mongols as early as 13th century. However, it was not until 14th and 15th centuries that a curved sword was adopted in European warfare. Initially the sabres used in Hungary and Kievan Ruthenia were but local copies of their eastern predecessors used by the Turkic and Arabic peoples: the Kilij, Pulwar, Talwar, Saif, Shamshir or Scimitar. It is often assumed that all of these were in turn descendants of the ubiquitous parent sword, the Turko-Mongol saber used by the nomadic tribes of Asia and then brought to the Middle East during their migration out of Central Asia.

Typical 19th-century cavalry sabre, closely related to szabla.
Typical 19th-century cavalry sabre, closely related to szabla.

Although by early 16th century such weapons were used both in Poland and in Hungary, in most cases these were but exemplaries of captured weapons issued to peasants and serfs in case of a dire need. As such, they were considered plebeian weapons unworthy of the nobility. The higher classes and the knights at that time still preferred heavy swords, much like their western European counterparts. However, with time the advent of firearms and artillery, as well as constant pressure from the Ottoman Empire and the Tatars, who used light cavalry in large numbers, made the mediaeval swords and knights obsolete. It was in 15th century that much lighter, curved swords were adopted in Lithuania and Hungary, both countries being the most endangered by the Mongols, Turks and Tatars.

The following century, after the election of Transylvanian-Hungarian noble Stefan Batory as king of Poland, the entire Polish army was reformed to suit the new needs. The series of Polish-Lithuanian Union, as well as extensive contacts with Hungary and Transylvania, made the sabre one of the basic arms used by the nobility, formerly using the swords. With time the sabre evolved in the Polish-Lithuanian Commonwealth and gave birth to a variety of sabre-like weapons, fit for various tasks. In the following centuries, the ideas of Sarmatism as well as the Polish fascination with Eastern attire, customs, cuisine and warfare resulted in the szabla becoming an indispensable part of attire of the szlachta, as well as one of the symbols of noblety -- and its alleged ancient roots.

The Polish word szabla "sword, saber", is thought to originate from German sabel, which probably derives from the Hungarian word szablya "saber," literally "tool to cut with," from szabni "to cut." [1]

[edit] Construction

As has been said, the main feature of a szabla is a curved one-edged blade, often with a yelmen (called feather in Poland).

Scheme
Scheme

As most of swords, the Polish sabres were composed of a variety of parts, each bearing a different name (Polish terms in parenteses):

  • Hilt (rękojeść) (A)
  • Blade (głownia) (B)
    • forte (zastawa) (C) - the upper part of the blade, usually used for blocking (hence the Polish name) of strong pushes (hence the English term); usually it covered roughly the 3rd part of the blade.
    • (moc) (D)
    • foible (sztych) (E) - the tip of the blade, often double-edged

The forte and foible could be visually separated by two claws on the non-sharp side of the blade, the threshold (próg) and the martle (młotek). Both sides of the blade could be shaped in a variety of ways and were often decorated with ornaments or inscriptions. Other signs featured on the flats include producer's marks and coats of arms.

Elements:

  1. Pommel (głowica)
  2. grip (trzon)
  3. chappe (wąsy)
  4. cross-guard composed of two quillions (jelce)
  5. edge (ostrze)
  6. (tylec)
  7. flat (płaz)
  8. ridge (strudzina)
  9. martle (młotek)
  10. yelmen (pióro)

The greatest diversity is found in various types of the hilt, which define the purpose of the sabre. The Polish sabres could usually be divided onto:

  • open hilt - a classical sabre with cross-guards
  • half-open hilt - with a knuckle-guard bent vertically and not joined to the pommel
  • closed hilt - with one or more knuckle-guards forming a guard around bearer's palm
Typical blade cross-sections
Typical blade cross-sections

[edit] Types

Stanisław Antoni Szczuka in a representative national Polish outfit. A red kontusz tied with a pas kontuszowy. Szabla on his left side. Underneath a żupan with a low collar. Left hand holds a fur cap with a low band. Characteristic hair and moustache. A portrait by an unknown artist. Wilanów
Stanisław Antoni Szczuka in a representative national Polish outfit. A red kontusz tied with a pas kontuszowy. Szabla on his left side. Underneath a żupan with a low collar. Left hand holds a fur cap with a low band. Characteristic hair and moustache. A portrait by an unknown artist. Wilanów

[edit] Hungarian-Polish szabla

The first type of szabla, the Hungarian-Polish (węgiersko-polska), was popularized among the szlachta during the reign of the Transylvanian-Hungarian King of Poland Stefan Batory in the late 16th century. It featured a large, open hilt with a cross-shaped cross-guard and a heavy blade, either uncurved at all or curved only slightly. To protect the hand, at times a chain was attached to the cross-guard and the pommel. Since a number of such weapons were made by order of the king himself during his reform of the army and were engraved with his portrait, this kind of sabre is also referred to as batorówka - after Batory's name.

[edit] Armenian-style szabla

In late 17th century the first notable modification of the sabre appeared. Unlike the early "Hungarian-Polish" type, it featured a protected hilt and resembled the curved sabres of the East. It was hence called the Armenian sabre, possibly after Armenian merchants and master swordsmiths who formed a large part of arms makers of the Commonwealth at those times. In fact the Armenian sabre developed into three almost completely distinct types of swords, each used for a different purpose. Their popularity and efficiency made the Polish nobles abandon the broadswords used in Western Europe.

  • Czeczuga was a curved sabre with a small cross-guard with an ornamented open hilt and a hood offering partial protection to the hand.
  • Ordynka was a heavier weapon used by the cavalry. It resembled a mixture of all the features of the Czeczuga with a heavier and more durable hilt and blade of the short sword.
  • Armenian Karabela was the first example of a ceremonial sword used by the szlachta. It had both its blade and cross-guard curved, and had a short grip. It was engraved and decorated with precious stones and ivory. Used throughout the ages, in 18th century it evolved into a standard Karabela, used both as a part of attire and in combat (see below).

[edit] Hussar szabla

The hussar sabre was perhaps the best-known type of szabla of its times and became a precursor to many other such European weapons. Introduced around 1630, it served as a cavalry mêlée weapon, mostly used by heavy cavalry, or Hussars. Much less curved than its Armenian predecessors, it was ideal for horseback fighting and allowed for much faster and stronger pushes. The heavier, almost fully closed hilt offered both good protection of the hand and much better control over the sabre during a skirmish. Two feather-shaped pieces of metal on both sides of the blade called moustache (wąsy) offered greater durability of the weapon by strengthening its weakest point: the joint between the blade and the hilt. The soldier fighting with such sabre could use it with his thumb extended for even greater control. The finger was shielded by a small ring of steel, protecting it from enemy weapon going along the sabre's blade. A typical hussar szabla was relatively long, with the average blade of 85 centimetres in total. The tip of the blade, usually some 15 to 18 centimetres long, was in most cases double-edged. Such sabres were extremely durable yet stable, and were used in combat well into 19th century. Its design influenced a number of other designs in other parts of Europe and led to the introduction of sabre in Western Europe.

[edit] Karabela

Main article: Karabela
Eagle's head shaped hilt of a karabela
Eagle's head shaped hilt of a karabela

Perhaps one of the most famous types of a Polish sabre was the classical Karabela which entered service around 1670. According to some scholars the name was coined after the Italian terms caro (expensive) and bello (beautiful), though the exact etymology remains obscure. The type of the sabre was modelled after the swords of the Turkish footmen formations of Janissaries and Spahis, which used it in close quarters. Much lighter than the hussar szabla, the karabela had an open hilt with the pommel modelled after eagle's head. Such an anatomic grip allowed for easier handling of circular cuts while fighting on foot and for swinging cuts from horseback.

Initially the karabela sabres were used mostly for decoration or as a ceremonial weapon worn on special occasions. Popularized during the reign of king Jan III Sobieski, the sabre became one of the most popular Polish cold steel weapons. Though in theory the type could be subdivided onto ornamented ceremonial type and a simple battle weapon, in reality both more expensive and the cheaper designs were often used in combat. Most of the szlachta could afford only one expensive karabela and, in case of a dire need, simply replaced the ebony or ivory-made scabbard with a leather-made and removed some of the precious stones from the hilt in order to convert it into a fully-reliable weapon.

[edit] Other types

[edit] Reference

Notes
  1. ^ Harper, Douglas (2001). "Online Etymology Dictionary". 

[edit] External link

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