Symphony No. 6 (Bruckner)
From Wikipedia, the free encyclopedia
Anton Bruckner's Symphony No. 6 in A major (WAB 106) was completed in 1881, and revised in preparation for publication around 1894. Despite its short length relative to his other popular works, it is the least often performed of Bruckner's mature symphonies. The symphony was dedicated to Bruckner's landlords Dr. and Mrs. Anton von Oelzelt-Newein and is occasionally nicknamed The Philosophical or The Philosophic, although this nickname was not given by the composer. Bruckner did remark that "die Sechste ist die Keckste" (the Sixth is the sauciest).
The middle two movements were premiered in 1883 by Wilhelm Jahn with the Vienna Philharmonic. All four movements were first performed in a heavily-cut version by Gustav Mahler in 1899, after the composer's death. Bruckner's original four movements were premiered by Carl Pohlig in Stuttgart in 1901.
Contents |
[edit] Description
The symphony has has four movements:
- Majestoso (A major)
- Adagio: Sehr feierlich (F major)
- Scherzo: Nicht schnell (A minor)
- Finale: Bewegt, doch nicht zu schnell (A major, starting A minor)
Majestoso begins with a rhythmic pattern on the violins (rather than a tremolo) using the Bruckner rhythm. The 'j' in Majestoso is possibly a misspelling of the Italian Maestoso, as the German word is majestätisch.
Of all the explanations given for the neglect of this work, the most often given is that the rhythmic complexities of the Bruckner rhythm in the first movement (often set against other instances of the rhythm in different note values) make it difficult to maintain good ensemble.
[edit] Versions
[edit] 1881 Version
This version, based on Bruckner's autograph score, is available in editions by Robert Haas (published 1935) and Leopold Nowak (published 1952), which have very few differences.
[edit] First published version (1899)
The version prepared for the first publication was edited by Cyrill Hynais. It is mostly similar to the 1881 version: the most noticeable change is a repeat in the second half of the trio. It is available in a recording by F. Charles Adler; all other available recordings use the Nowak or Haas editions of the 1881 version.
[edit] Mahler arrangement
The version heard at the work's full premiere in 1899 contained substantial cuts and changes by Gustav Mahler. This version does not seem to have been recorded.
[edit] Instrumentation
The symphony requires an instrumentation of one pair each flutes, oboes, clarinets, bassoons, with four horns, three trumpets, three trombones and one tuba along with timpani and strings.
[edit] Discography
The oldest performance of this symphony surviving on record by Wilhelm Furtwängler from 1943. It is missing the first movement. The oldest complete performance is by Georg-Ludwig Jochum with the Bruckner Orchestra of Linz from 1944.
The first commercial recording was made by Henry Swoboda with the Vienna Symphony Orchestra for the Westminster label in 1950.
[edit] Notable Recordings
- Wilhelm Furtwängler conducting the Berlin Philharmonic Orchestra, live performance, 1943 (multiple labels) (missing the first movement)
- Joseph Keilberth conducting the Berlin Philharmonic Orchestra, studio recording, 1960 (Teldec)
- Otto Klemperer conducting the New Philharmonia Orchestra, studio recording, 1964 (EMI)
- Eugen Jochum conducting the Dresden Staatskapelle, studio recording, 1978 (EMI)
- Herbert Blomstedt conducting the San Francisco Symphony Orchestra, studio recording, 1990 (Decca/London)
- Sergiu Celibidache conducting the Munich Philharmonic Orchestra, live performance, 1991 (EMI)
- Wolfgang Sawallisch conducting the Bayerisches Staatsorchester München, studio recording, 1992 (Orfeo)
- Stanisław Skrowaczewski conducting the Saarbrücken Radio Symphony Orchestra, studio recording, 1997 (Arte Nova/Oehms Classics)
