Sword

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A sword is a long-edged cutting weapon, used in many forms by various civilizations throughout the world. The word sword comes from the Old English sweord, which cognates to Old High German swert, Middle Dutch swaert, Old Norse sverð, Swedish svärd, Old Frisian and Old Saxon swerd and Modern Dutch zwaard, from a Proto-Indo-European root *swer- "to wound, to hurt", Old Polish miecz.

A sword fundamentally consists of a blade, with one or two edges for striking and cutting, a point for thrusting, and a hilt for gripping. The basic intent and physics of swordsmanship remained fairly constant down the centuries, but the actual techniques varied among cultures and periods as a result of the differences in blade design and purpose. The names given to many swords in mythology, literature, and history reflect the high prestige of the weapon (see list of swords).

Contents 1 History 1.1 Bronze Age 1.2 Iron Age 1.3 Middle Ages 1.4 Late Middle Ages and Renaissance 1.5 Modern Age 2 Terminology 2.1 Blade 2.2 Hilt 3 Typology 3.1 Single-edged and double-edged swords 3.1.1 Single-handed 3.1.2 Two-handed 3.2 Training swords 3.3 Classification 4 Punishment devices 5 Symbolism 6 Famous Swords 6.1 Swords in History 6.2 Swords of Myth and Legend 6.3 Swords of Modern Fiction 7 See also 8 External links

[edit] History

[edit] Bronze Age

Main article: Bronze Age sword

Humans have manufactured and used bladed weapons from the Bronze Age onwards. The sword developed from the dagger when the construction of longer blades became possible, from the early 2nd millennium BCE. Swords longer than 3 feet were rare and not practical during the Bronze Age as this length exceeds the tensile strength of bronze. It was not until the development of stronger alloys such as steel that longswords became practical for combat.

The hilt at first simply allowed a firm grip, and prevented the hand from slipping onto the blade when executing a thrust. Bronze Age swords with typical leaf-shaped blades first appear near the Mediterranean and the Black Sea, and in Mesopotamia. Swords from the Nordic Bronze Age from ca. 1400 BCE show characteristic spiral patterns. Sword production in China is attested from the Bronze Age Shang Dynasty.

The Naue Type II Swords which spread from Southern Europe into the Mediterranean, have been linked by Robert Drews with the Late Bronze Age collapse. (See [1]

[edit] Iron Age

Main articles: Iron Age sword and Migration period sword

Iron swords became increasingly common from the 13th century BCE.^{[citation needed]} The Hittites, the Mycenaean Greeks,^{[citation needed]} and the Proto-Celtic Hallstatt culture (8th century BCE) figured among the early users of iron swords. Iron has the advantage of mass-production due to the wider availability of the raw material. Early iron swords were not comparable to later steel blades; being brittle, they were even inferior to well-manufactured bronze weapons, but the easier production, and the better availability of the raw material for the first time permitted the equipment of entire armies with metal weapons, though Bronze Age Egyptian armies were at times fully equipped with bronze weapons.

Eventually smiths learned that by adding an amount of carbon (added during smelting in the form of charcoal) in the iron, they could produce an improved alloy (now known as steel). Several different methods of swordmaking existed in ancient times, including, most famously, pattern welding. Over time, different methods developed all over the world.

By the time of Classical Antiquity and the Parthian and Sassanid Empires in Iran, iron swords were common. The Greek xiphos and the Roman gladius are typical examples of the type, measuring some 60 to 70 cm. The late Roman Empire introduced the longer spatha (the term for its wielder, spatharius, became a court rank in Constantinople), and from this time, the term long sword is applied to swords comparatively long for their respective periods.

Chinese steel swords make their appearance from the 3rd century BCE Qin Dynasty. The Chinese Dao (刀 pinyin dāo) is single-edged, sometimes translated as sabre or broadsword, and the Jian (劍 pinyin jiàn) double edged.

[edit] Middle Ages

The spatha type remained popular throughout the Migration period and well into the Middle Ages. Vendel Age spathas were decorated with Germanic artwork (not unlike the Germanic bracteates fashioned after Roman coins). The Viking Age saw again a more standardized production, but the basic design remained indebted to the spatha.

It is only from the 11th century that Norman swords begin to develop the quillons or crossguard. During the Crusades of the 12th to (13th) century, this cruciform type of arming sword remained essentially stable, with variations mainly concerning the shape of the pommel. These swords were designed as cutting weapons, although effective points were becoming common to counter improvements in armour. Single-edged weapons became popular throughout Asia. Derived from the Chinese dao, the Korean hwandudaedo are known from the early medieval Three Kingdoms. The Japanese katana, production of which is recorded from ca. 900 AD (see Japanese sword), is also derived from the dao.

[edit] Late Middle Ages and Renaissance

Main articles: Longsword and Zweihänder

From around 1300, in concert with improved armour, innovative sword designs evolved more and more rapidly. The main transition was the lengthening of the grip, allowing two-handed use, and a longer blade. By 1400, this type of sword, at the time called langes Schwert (longsword) or spadone, was common, and a number of 15th and 16th century Fechtbücher offering instructions on their use survive. Another variant was the specialized armour-piercing swords of the estoc type. The longsword became popular due to its extreme reach and cutting and thrusting abilities. The estoc became popular because of its ability to thrust into the gaps between plates of armor. The grip was sometimes wrapped in wire or coarse animal hide to provide a better grip and to make it harder to knock a sword out of the user's hand.

In the 16th century, the large Doppelhänder (called the Zweihänder today; both German names refer to the use of both hands) concluded the trend of ever-increasing sword sizes (mostly due to the beginning of the decline of plate armor and the advent of firearms), and the early Modern Age saw the return to lighter, one-handed weapons.

The sword in this time period was the most personal weapon, the most prestigious, and the most versatile for close combat, but it came to decline in military use as technology changed warfare. However, it maintained a key role in civilian self-defense.

[edit] Modern Age

Some think the rapier evolved from the Spanish espada ropera in the 16th century^{[citation needed]}. The rapier differed from most earlier swords in that it was not a military weapon but a primarily civilian sword. Both the rapier and the Italian schiavona developed the crossguard into a basket-shaped guard for hand protection. During the 17th and 18th centuries, the shorter smallsword became an essential fashion accessory in European countries and the New World, and most wealthy men and military officers carried one. Both the smallsword and the rapier remained popular dueling swords well into the 18th century.

As the wearing of swords fell out of fashion, canes took their place in a gentleman's wardrobe. Some examples of canes—those known as sword canes or swordsticks—incorporate a concealed blade. The French martial art la canne developed to fight with canes and swordsticks and has now evolved into a sport.

Towards the end of its useful life, the sword served more as a weapon of self-defense than for use on the battlefield, and the military importance of swords steadily decreased during the Modern Age. Even as a personal sidearm, the sword began to lose its preeminence in the early 19th century, paralleling the development of reliable handguns.

Swords continued in use, but were increasingly limited to military commissioned officers' and non-commissioned officers' ceremonial uniforms, although most armies retained heavy cavalry until well after World War I. For example, the British Army formally adopted a completely new design of cavalry sword in 1908, almost the last change in British Army weapons before the outbreak of the war. The last units of British heavy cavalry switched to using armoured vehicles as late as 1938. Swords and other dedicated melee weapons were used occasionally by various countries during World War II, but typically as a secondary weapon as they were outclassed by contemporaneous guns.

[edit] Terminology

The sword consists of the blade and the hilt. The term scabbard applies to the case that covers the sword blade when not in use.

[edit] Blade

Three types of attacks can be performed with the blade: striking, cutting, and thrusting. The blade can be double-edged or single-edged, the latter often having a secondary "false edge" near the tip. When handling the sword, the long or true edge is the one used for straight cuts or strikes, while the short or false edge is the one used for backhand strikes. Some hilt designs define which edge is the 'long' one, while more symmetrical designs allow the long and short edges to be inverted by turning the sword of one's hand on the hilt.

The blade may have grooves known as fullers for lightening and stiffening the blade while allowing it to retain its strength, similar to the structure of a steel "I" beam used in construction. The blade may taper more or less sharply towards a point, used for thrusting. The part of the blade between the Center of Percussion (CoP) and the point is called the foible (weak) of the blade, and that between the Center of Balance (CoB) and the hilt is the forte (strong). The section in between the CoP and the CoB is the middle. The ricasso or shoulder identifies a short section of blade immediately forward of the guard that is left completely unsharpened, and can be gripped with a finger to increase tip control. Many swords have no ricasso. On some large weapons, such as the German Zweihänder, a leather cover surrounded the ricasso, and a swordsman might grip it in one hand to wield the weapon more easily in close-quarter combat. The ricasso normally bears the maker's mark. On Japanese blades this mark appears on the tang (part of the blade that extends into the hilt) under the grip.

• In the case of a rat-tail tang, the maker welds a thin rod to the end of the blade at the crossguard; this rod goes through the grip (in 20th-century and later construction). This occurs most commonly in decorative replicas, or cheap sword-like objects. Traditional sword-making does not use this construction method, which does not serve for traditional sword usage as the sword can easily break at the welding point.
• In traditional construction, the swordsmith forged the tang as a part of the sword rather than welding it on. Traditional tangs go through the grip: this gives much more durability than a rat-tail tang. Swordsmiths peened such tangs over the end of the pommel, or occasionally welded the hilt furniture to the tang and threaded the end for screwing on a pommel. This style is often referred to as a "narrow" or "hidden" tang. Modern, less traditional, replicas often feature a threaded pommel or a pommel nut which holds the hilt together and allows dismantling.
• In a "full" tang (most commonly used in knives and machetes), the tang has about the same width as the blade, and is generally the same shape as the grip. In European or Asian swords sold today, many advertised "full" tangs may actually involve a forged rat-tail tang.

From the 18th century onwards, swords intended for slashing, i.e., with blades ground to a sharpened edge, have been curved with the radius of curvature equal to the distance from the swordman's body at which it was to be used. This allowed the blade to have a sawing effect rather than simply delivering a heavy cut. European swords, intended for use at arm's length, had a radius of curvature of around a meter. Middle Eastern swords, intended for use with the arm bent, had a smaller radius.

[edit] Hilt

The hilt is the collective term of the parts allowing the handling and control of the blade, consisting of the grip, the pommel, and a simple or elaborate guard, which in post-Viking Age swords could consist of only a crossguard (called cruciform hilt). The pommel, in addition to improving the sword's balance and grip, can also be used as a blunt instrument at close range. It may also have a tassel or sword knot.

The tang consists of the extension of the blade structure through the hilt.

[edit] Typology

Swords can fall into categories of varying scope. The main distinguishing characteristics include blade shape (cross-section, tapering and length), shape and size of hilt and pommel, age, and place of origin.

For any other type than listed below, and even for uses other than as a weapon, see the article Sword-like object.

[edit] Single-edged and double-edged swords

As noted above, the terms longsword, broad sword, great sword, and Gaelic claymore are used relative to the era under consideration, and each term designates a particular type of sword.

One strict definition of a sword restricts it to a straight, double-edged bladed weapon designed for both slashing and thrusting. However, general usage of the term remains inconsistent and it has important cultural overtones, so that commentators almost universally recognize the single-edged swords such as Asian weapons (dāo 刀, katana 刀) as "swords", simply because they have a prestige akin to their European counterparts.

Europeans also frequently refer to their own single-edged weapons as swords — generically backswords, including sabres. Other terms include falchion, scimitar, cutlass, dussack, messer or mortuary sword. Many of these refer to essentially identical weapons, and the different names may relate to their use in different countries at different times. A machete as a tool resembles such a single-edged sword and serves to cut through thick vegetation, and indeed many of the terms listed above describe weapons that originated as farmers' tools used on the battlefield.

[edit] Single-handed

• Bronze Age swords, length ca. 60 cm, leaf shaped blade.
• Iron Age swords like the xiphos, gladius and jian 劍, similar in shape to their Bronze Age predecessors.
• Spatha, measuring ca. 80–90 cm.
• The classical arming sword of Medieval Europe, measuring up to ca. 110 cm.
• The late medieval Swiss baselard and the Renaissance Italian cinquedea and German Katzbalger essentially re-introduce the functionality of the spatha, coinciding with the strong cultural movement to emulate the Classical world.
• The cut & thrust swords of the Renaissance, similar to the older arming sword but balanced for increased thrusting.
• Light duelling swords, like the rapier and the smallsword, in use from Early Modern times.
• The Japanese short sword, or wakizashi
• The ida of the Yoruba tribe of West Africa. It can also be regarded as a two-handed sword.
• The Arabian scimitar, the similar Persian shamshir.
• The East Indian kris, with a wavy double-edged blade.

[edit] Two-handed

• The Japanese samurai sword, or katana, tachi and nodachi
• The longsword (and bastard sword/hand-and-a-half sword) of the Middle Ages and Renaissance.
• The 16th-century Doppelhänder or Zweihänder.
• The Chinese anti-cavalry sword, zhanmadao of the Song Dynasty.

• The Scottish Highland claymore, (or claidheamh mór-gàidhlig, great sword.), in use until the 18th Century.

[edit] Training swords

In both Europe and Asia, wooden "swords" were created to practice fencing without the physical danger of a real sword. These were known as wasters in Europe and bokken in Japan. Special sparring weapons, such as the bamboo shinai, the wooden singlestick, and the steel Federschwerter, were also devised and used.

Certain martial arts styles, such as kendo, use shinai as their primary weapons, both in training and in competition.

[edit] Classification

Main article: Oakeshott typology

Jan Petersen in De Norske Vikingsverd ("The Norwegian Viking Swords", 1919) introduced the most widely used classification. Ewart Oakeshott in The Sword in The Age of Chivalry (1964, revised 1981) introduced a system of classification for Medieval sword blades into types, numbered X – XXII, as a continuation of Wheeler's system.

[edit] Punishment devices

• Real swords can be used to administer various physical punishments: to perform either capital punishment by decapitation (the use of the sword, an honourable weapon on military men, was regarded as privilege) or non-surgical amputation. In Scandinavia, where beheading has been the traditional means of capital punishment, noblemen were beheaded with sword and commoners with an axe.

• Similarly paddle-like sword-like devices for physical punishment are used in Asia, in western terms for paddling or caning, depending whether the implement is flat or round. For example, the Chinese movie Farewell to my concubine (1993 - see IMDb [2]) shows how a flat, not even very hard type of paddle, called the master's sword, is used intensively to discipline young opera trainees both on the (usually bared) buttock and on the hand (even drawing blood).
• The shinai, a practice sword, is also used in Japan as a spanking implement, more common in prized private extracurricular schools (illustrated in these 1975 and 1977 articles [3] & [4]) than the US school paddling; in fact hundreds of cases of illegal corporal punishment were reported from public schools as well.

[edit] Symbolism

• The sword can symbolise violence, combat, or military intervention. Jesus' statement, "Those who live by the sword shall die by the sword" uses the term in this sense. In Islam the Arabic expression Jihad bis saif 'struggle by the sword' means 'holy' war for Islam.

Another example of this metaphorical significance comes in the old saying The pen is mightier than the sword -- attributed to Edward Bulwer-Lytton.

In the following cases, the sword stands for arms in general, and has often been retained as a symbol even after it had in operational practice been replaced with firearms etcetera.

• Swords form a suit in Latin suited playing cards which include the Italian suited Tarot decks (replaced by spades in the French deck of modern playing cards and in modern French suited Tarot or Tarock decks.) In divinitory Tarot, the sword is often interpreted as representing air, as well as intelligence. It can also represent fire and will.

• The sword often functions as a symbol of masculinity and particularly -since its form lends itself to this, especially in erect position- as a phallic symbol of virility. For example, "sword swallowing" is used as an euphemism of fellatio.

• Swords are also used as emblem or insignia (in or on formal dress such as uniforms, badges, various objects, even coats of arms), especially:
  • as symbol of power, such as a Sword of State, Sword of Mercy, Curtana and Sword of Justice (all can be used as regalia, in England five in total during the coronation);
  • as symbol of armed force, or of a corps entitled to use force as the strong arm of the law, as in military and police insignia, or of a unit (e.g. regiment) of such a corps - as these are numerous, inevitably many variations and combinations (two crossed swords, or with a laurel wreath, crown, national or founder/patron's emblem etcetera) are used.
  • as a part of Military Officer's uniform. In the U.S., they are only worn on Navy, Coast Guard, and Air Force officers. Marine and Army Officers and NCOs wear the saber. This is excepting Chaplains of all services, who do not wear any sidearms. Their ceremonial use is stemming from the time when only gentlemen wore swords (and thus was a symbol of the nobility, which most military officers were).
  • on the flag of Saudi Arabia.
• Its symbolic meaning is also reflected in the existence of prestigious titles, linking people of valor to it, such as:
  • Sword of religion
  • sword of the faith
  • Sword of the State
  • Sword of War
• It can be awarded as an honorary attribute, like a decoration, known as sword of honour

• Crossed swords have their own particular symbolism, and are in the Miscellaneous Symbols area of Unicode at U+2694 (⚔):
  • On a map: a site of battle
  • In genealogy or biography: signifying that a person was killed in action

• It is also not unusual for swords to represent reason - as in "cutting through" a series of elements in a problem in order to leave only those with proven relevance, for example.

• Symbol for bravery for fighting a just cause; the sword of Lady Justice symbolizes the need of justice to remain neutral in legal decisions.

• The term a double-edged sword can be used as an expression for anything that can simultaneously help and hinder, as when, in swordfighting, a person can increase his leverage by putting his hand on the blade, which might win the contest but also result in a wound.

• The Japanese Daisho- A pair of two swords, Katana and Wakizashi or Tanto- was symbolic of the Samurai's strength and honour.

[edit] Famous Swords

Apart from the aforementioned types of symbolical swords, the following individually named swords are noteworthy:

[edit] Swords in History

See also: Types of swords#History and mythology

• Honjo Masamune, Sword of the Tokugawa shogunate, a feudal military dictatorship of Japan established in 1603.
• Jewelled Sword of Offering, Sword of King George IV of the United Kingdom of Great Britain and Ireland (1820-1830).
• Seven-Branched Sword, which Wa received from Baekje.
• Snake Sword, which was wielded by the great king Ashoka.^{[citation needed]}
• Sword of Boabdil, Sword of the last Moorish King in Spain.
• Sword of Gou Jian, a historical artifact from the Spring and Autumn Period.
• Tizona, El Cid's personal sword which exists to this day in Spain as a national treasure.
• A Mameluke sword was given by Prince Hamet Karamali to Presley O'Bannon, an officer in the U.S. Marine Corps, during his participation in the First Barbary War.

[edit] Swords of Myth and Legend

See also: Types of swords#History and mythology

• Arondight - Sword of Lancelot
• Attila the Hun's sword, which he claimed was the sword of Mars, the Roman god of war
• Caladbolg - Sword of Fergus mac Róich
• Chandrahas (Moon blade) - King Ravana's sword in the Indian epic Ramayana.
• Claíomh Solais - Sword of Nuada Airgeadlámh, legendary king of Ireland
• Crocea Mors - Sword of Julius Caesar
• Curtana - Sword of Ogier the Dane , a legendary Danish hero
• Durandal - Sword of Roland, one of Charlemagne's knights
• Excalibur/Caliburn/Caledflwch - Sword of King Arthur
• Zulfiqar, Sword of prophet Muhammad and imam Ali ibn Abu Talib (prophet's cousin and son-in-law)
• Fragarach - Sword of Manannan mac Lir and Lugh Lamfada
• Gram (Balmung) (Nothung) - Sword of Siegfried, hero of the Nibelungenlied
• Hauteclere - Sword of Olivier, a French hero depicted in the Song of Roland
• Hrunting - Sword of Beowulf
• Joyeuse - Sword of Charlemagne
• Kusanagi - Sword of Susanoo
• Shamshir-e Zomorrodnegar - Sword of King Solomon
• Tyrfing - Cursed sword that causes eventual death to its wielder and their kin

[edit] Swords of Modern Fiction

See also: Category:Fictional swords

See also: List of fictional swords

• The Lightsaber is a sword concept featured in the Star Wars universe. Its popularity has inspired similar laser based swords to have been used in other works of science fiction media.
• Various swords from J. R. R. Tolkien's Middle-earth, including Narsil (later Andúril), Sting, and Glamdring. Many, if not all, European fantasy swords found in literature today where inspired by these swords as Tolkien's works were unique for their time. However, similar mystical swords could be found far back into older mythology and religions.
• The Zanbatō is an incredibly large type of Japanese sword that has inspired various fictional swords found in a wide variety of media including anime television, books and video games. Most unrealistically large swords such as the Buster Sword or the Tessaiga found in Japanese media today are inspired by the zanbatō.
• The Vorpal blade is a sword from the poem Jabberwocky. It has since been adopted into modern media as a type of magic sword. Similar magical swords have become common in fantasy literature, games, and art, but this particular sword has had its name continuously mentioned and spread among many works.

[edit] See also

• Types of swords
• Swordsmanship
  • Historical European Martial Arts
    • German school of swordsmanship
    • Italian school of swordsmanship
  • Chinese martial arts
  • Eskrima (Filipino Martial Arts)
  • Fencing
  • Kenjutsu
  • Chinese sword/Jian
  • Japanese Swords
  • Korean swords
• sword-like objects
  • macuahuitl
• Oakeshott typology
• Knight
• Waster
• Sword making
• List of sword manufacturers

[edit] External links

• An Introduction to the Sword (myArmoury.com article)
• A Beginner's Glossary of Sword Terms (myArmoury.com article)
• Anatomy of the Sword (myArmoury.com article)
• Forms of European Edged Weaponry (myArmoury.com article)
• How Were Swords Really Made? by John Clements (ARMA)
• Featured articles relating to the sword
• NetSword, the oldest discussion forum on the web about swords, medieval warfare, and everything related.
• How Stuff Works: How Sword Making Works
• Swords around the World
• The Oakeshott Institute
• Japanese Sword Arts FAQ
• Technique of Katana Sword Drawing - IAI-DO
• The Association for Renaissance Martial Arts
• Medieval Sword Resource Site (vikingsword.com)
• Sword Forum International
• myArmoury.com
• Wikibooks:Sword construction