Stereolab

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Stereolab

Background information
Origin London, England
Genre(s) Post-rock, Indie rock, Indietronic
Years active 1990 – Present
Label(s) Elektra records
Duophonic
Too Pure
Beggars Banquet Records
Members
Tim Gane
Lætitia Sadier
Simon Johns
Andy Ramsay
Dominic Jeffrey
Joseph Watson
Joseph Walters

Stereolab are an English-based band whose style, mixing 1950s-1960s pop and lounge music with the "motorik" beat of krautrock, was one of the first to which the term "post-rock" was applied. They are noted for their use of vintage keyboard instruments such as Moog synthesizers and Vox & Farfisa organs. Stereolab are also notable for founding their own record labels - Duophonic UHF Disks and Duophonic Super 45. The band are often referred to as "The Groop" by their fans (and in the title of their song "The Groop Play Chord X" on the album Space Age Batchelor Pad Music).

They were founded in 1990 by songwriters Tim Gane (guitar, keyboards), formerly of the band McCarthy, and Lætitia Sadier (sometimes credited as Seaya Sadier; vocals, keyboards, trombone, guitar), who is from France and sings in both English and French.

Contents

[edit] Line-up

Over the years, Gane and Sadier have enlisted a large number of other musicians to accompany them on stage and on record. The initial line-up featured Martin Kean, formerly of The Chills, on bass, and Joe Dilworth (from their Too Pure label-mates Th' Faith Healers) on drums, with Russell Yates (of Moose) and Mick Conroy (ex-Modern English) also appearing at early live shows. In 1993 they recruited Andy Ramsay (drums), who has remained in the group line-up ever since, and Mary Hansen (vocals, guitar, keyboards, percussion). Hansen's distinctive backing vocals became an important aspect of the Stereolab sound, and she remained a regular feature of the line-up until her death in a cycling accident on December 9, 2002. Multi-instrumentalist Sean O'Hagan of The High Llamas has also been a frequent contributor, particularly with string, brass and keyboard arrangements to the band's studio albums. Other members have come and (in some cases) gone over the years, including Duncan Brown, David Pajo (from Slint, Tortoise and Billy Corgan's Zwan), Richard Harrison and Simon Johns (all bass); Gina Morris (vocals); and Katharine Gifford and Morgane Lhote (both on keyboards).

The present lineup (as of August 2006) consists of: Tim Gane, Lætitia Sadier, Andy Ramsay, Simon Johns, Dominic Jeffrey, Joseph Watson, and Joseph Walters.

[edit] Sound

Early Stereolab material displayed a heavy influence of krautrock sounds, particularly Neu! and Faust, characteristically relying on droning, repetitive guitar or keyboard riffs, with or without vocals. Early heavy use of distorted Farfisa combo-organ sounds were also reminiscent of early recordings by the Modern Lovers. As the band developed, they incorporated new instrumentation, and an increasingly complex sense of rhythm and structure, frequently making use of asymmetric time signatures as well as unorthodox chord progressions and melodic intervals, and increasingly displayed an MPB influence. The band has often made copious use of female backing vocal lines.

[edit] Lyrics and song titles

Lyrically, Stereolab's songs are quirky, but also politically and philosophically charged, sometimes with a decidedly Surrealist or Situationist bent. (Sadier notes the libertarian Marxist theoretician Cornelius Castoriadis as a particular inspiration.[1][2]) Sadier's lyrics, in both French and English, often read like highly condensed sociological texts, standing in deliberate and distinct counterpoint to the lush hedonic pop sound of the band. A prime example would be "Ping Pong" from Mars Audiac Quintet, which is an explicit restating of Marxist theory concerning the relationship between economic cycles and war cycles.[3][4] Song titles evoke memories of 1950s science fiction stories, and are often borrowed directly from old films and records of the period, but have nothing to do with the song's content. Many songs have more conventional alternate titles which the group uses for internal communication such as setlists.

Other philosophers who Sadier quotes in her role as song writer in Stereolab are Gilles Deleuze, Félix Guattari, Michel Foucault, Jean Baudrillard, Jacques Lacan, Jean-François Lyotard and Guy Debord.[citation needed] She quotes their work as well as reference the work of other experimental artists like John Cage, Lucia Pamela, Carolee Schneemann, the Dadaists and Surrealists and literary figures of the European vanguards. She repeatedly uses poetic structures, notions and concepts from the 'narrative context' associated with the experimental film tendencies of the early, mid and mid-to-late 20th century (European and American), specifically the work of filmmaker Stan Brakhage.

[edit] Reception and influence

Stereolab earned a minor place in the Britpop movement, with their sound proving influential to bands like Blur: occasional keyboard-driven b-sides and singer Damon Albarn's love of retro keyboards showed the influence, and in recognition Lætitia Sadier was invited to provide vocals on "To The End" from Blur's Parklife album. Pavement, with whom the group had toured, also acknowledged the group's sound in the instrumental coda of their song "Half A Canyon", a fact picked up swiftly by critics and fans alike [1][2].

Despite the band's fan base and critical acclaim, Stereolab have never achieved high levels of commercial success. This is partly due to their independent status; when the re-recorded French Disko began to receive extensive radio play, the group simply lacked the funds to repress the record in the numbers required[3]. When the Warner Music label announced that they were closing their Elektra Records subsidiary, they dropped most of its artists, including Stereolab. Lætitia Sadier is now also a member of Monade, which is essentially expressive of her own singular musical goals.

[edit] Discography

[edit] Albums

Peng!
Release Date:

  • May 1992

Space Age Batchelor Pad Music
Release Date:

  • March 1993

Transient Random-Noise Bursts with Announcements
Release Date:

Mars Audiac Quintet
Release Date:

Music for the Amorphous Body Study Center
Release Date:

  • April 1995

Emperor Tomato Ketchup
Release Date:

Dots and Loops
Release Date:

Peak Chart Position:

Cobra and Phases Group Play Voltage in the Milky Night
Release Date:

Peak Chart Position:

The First of the Microbe Hunters
Release Date:

Sound-Dust
Release Date:

Peak Chart Position:

Margerine Eclipse
Release Date:

Peak Chart Position:

[edit] Compilations

[edit] EPs

[edit] Singles

  • Stunning Debut Album (1991)
  • Spacewatch magazine flexi (1992, with Submariner)
  • Tea Time magazine flexi (1992, with Guitare Boy)
  • The Light That Will Cease to Fail (1992 - US 7")
  • Harmonium (1992)
  • Mountain 1993 tour single (with Unrest)
  • John Cage Bubblegum (1993)
  • Jenny Ondioline (1993)
  • Jenny Ondioline, Pt. 1 (1993) - US promo only
  • Lo Boob Oscillator (1993)
  • French Disko / Jenny Ondioline (1993) - re-recorded versions of both tracks.
  • Inside Dave's Garage, Vol. 2 (1994, alternate version of I'm Going Out Of My Way, backed with Breaker, Breaker by Scrawl)
  • Ping Pong (1994)
  • ''Klang Tone / Ulan Bator - bonus disc issued with limited copies of Mars Audiac Quintet (1994)
  • Wow and Flutter (1994)
  • French Disko/Super-Electric (1995) - promo only
  • John Cage Bubblegum/Revox (1995) - promo only
  • The Long Hair Of Death - 1995 tour single (backed with Evanescent Psychic Pez Drop by Yo La Tengo)
  • Noises (1996)
  • The Noise of Carpet (1996) - US promo only
  • Laminations (1996) - promo only
  • Speedy Car - 1996 tour single (backed with Yaus by Tortoise)
  • Cybele's Reverie (1996)
  • Fluorescences (1996)
  • You Used To Call Me Sadness (1996, backed with Skyhigh by Füxa)
  • Iron Man - 1997 tour single
  • Cadriopo (1997, backed with f30 and f24 by Fugu)
  • Miss Modular (1997)
  • Symbolic Logic Of Now! (1998, backed with Glitterati by Soi-Disant)
  • The In Sound (1998)
  • Miss Modular tour single (1998)
  • ABC (The Multitude) / Freestyle Dumping Aluminum Tunes bonus disc, Japan only (1998)
  • Caliméro (1999, with Brigitte Fontaine and Monade)
  • The Free Design (1999)
  • The Underground Is Coming tour single (2000)
  • Household Names (2000) - promo only
  • Free Witch and No-Bra Queen tour single (2001)
  • Rose, My Rocket-Brain! (2004)
  • Kybernetická Babička (2005)
  • Plastic Mile (2005)
  • Interlock (2005)
  • Solar Throw-Away tour single (2006)
  • Whisper Pitch (2006)
  • Excursions into "oh, ah-oh" (2006)
  • Eye of the Volcano (2006)

[edit] Related bands

[edit] References

  1. ^ http://web.archive.org/web/20041105181052/http://www.vanguardonline.f9.co.uk/decint.htm
  2. ^ http://www.magnetmagazine.com/interviews/stereolab.html
  3. ^ http://stereolab.koly.com/songs/lyrics.php?lid=105
  4. ^ http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:ple67uq0201h

[edit] External links

Retrieved from "http://en.wikipedia.org../../../s/t/e/Stereolab.html"