Sonnet 47

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Sonnet 47 by William Shakespeare Betwixt mine eye and heart a league is took, And each doth good turns now unto the other: When that mine eye is famish'd for a look, Or heart in love with sighs himself doth smother, With my love's picture then my eye doth feast, And to the painted banquet bids my heart; Another time mine eye is my heart's guest, And in his thoughts of love doth share a part: So, either by thy picture or my love, Thy self away, art present still with me; For thou not farther than my thoughts canst move, And I am still with them, and they with thee; Or, if they sleep, thy picture in my sight Awakes my heart, to heart's and eyes' delight.

Shakespeare's "Sonnet 47" is one of the large number of the sequence addressed to a well-born young man. More locally, it is a thematic continuation of "Sonnet 46."

Contents 1 Paraphrase 2 Source and analysis 3 References 4 See also 5 External links

[edit] Paraphrase

My heart and my eyes have reached a mutually beneficial understanding. When my eye yearns for the sight of my beloved, or when my heart is pining, then my eye shares the sight of my beloved (seen in a painting) with my heart. At other times, my heart will share with my eye (in imagination) some memory or thought of the beloved. So whether in painting or in imagination, you are always present with me. It is impossible for you to move outside the sphere of my thoughts; I am always with my thoughts, and they are always with you. Or, if my thoughts are, as it were, sleeping, then your painting will delight my eyes and thus awake my heart.

[edit] Source and analysis

The sonnet thematically continues from the "verdict" delivered by the eye and heart in the previous sonnet. Kerrigan perceives an allusion to the story of Zeuxis and Parrhasius in the "painted banquet" of line 8. Comparing the same image to similar passages The Fairy Queen, Booth regards the image as symbolic of coldness and insufficience. Sidney Lee suggests that the conceit of the poem inspired a passage in John Suckling's Tragedy of Benneralt. Edmond Malone notes that the figure of line 3 appears also in The Comedy of Errors; Edward Dowden notes parallels to Sonnet 75.

[edit] References

• Alden, Raymond. The Sonnets of Shakespeare, with Variorum Reading and Commentary. Boston: Houghton-Mifflin, 1916.
• Baldwin, T. W. On the Literary Genetics of Shakspeare's Sonnets. Urbana: University of Illinois Press, 1950.
• Booth, Stephen. Shakespeare's Sonnets. New Haven: Yale University Press, 1977.
• Hubler, Edwin. The Sense of Shakespeare's Sonnets. Princeton: Princeton University Press, 1952.
• Lee, Sidney. Elizabethan Sonnets. Westminster: Constable, 1904.

[edit] See also

Shakespeare's sonnets

[edit] External links

• Analysis
• CliffsNotes