Solresol

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Solresol is an artificial language, devised by a Frenchman, François Sudre, beginning in 1827. He published his major book on it, Langue musicale universelle, in 1866, though he had already been publicizing it for some years. Solresol enjoyed a brief spell of popularity, reaching its pinnacle with Boleslas Gajewski's 1902 publication of Grammaire du Solresol.

1 Vocabulary
2 Additional features
3 References
4 See also
5 External links

[edit] Vocabulary

Solresol words are made up of only seven different syllables. These syllables can be represented in a number of different ways — as musical notes of different pitch, as spoken syllables (based on solfege, a way of identifying musical notes), with colours, symbols, hand gestures etc. Thus, theoretically Solresol communication can be done through speaking, singing, flags of different color, etc. — even painting.

As in Ro, the longer words are divided into categories of meaning, based on their first syllable, or note. Words beginning with 'sol' have meanings related to arts and sciences, or, if they begin with 'solsol', sickness and medicine (e.g., solresol, "language"; solsolredo, "migraine"). (Like other constructed languages with a priori vocabulary, Solresol faces considerable problems in categorizing the real world around it sensibly. For example, it's difficult to discriminate in an a priori manner between "apple" and "pear", or between "Monday" and "Tuesday.")

A unique feature of Solresol is that meanings are negated by reversing the syllables in words. For instance fala means good or tasty, and lafa means bad. It is unclear how this interacts with the way words are categorized by their first note.

The following table shows the words of up to two syllables:

First \ second syllable	(none)	-do	-re	-mi	-fa	-sol	-la	-si
Do-	no, not, neither, nor	(imperfect)	I, me	you [sg]		self, oneself	one, someone	other
Re-	and, as well as	my, mine	(past)	your, yours [sg]	his	our, ours	your, yours [pl]	their
Mi-	or, or even	for, in order to/that	who, which (rel pron), that (conj)	(future)	whose, of which	well (adv)	here/there is, behold	good evening/night
Fa-	to	what?	with, jointly	this, that	(conditional)	why, for what reason	good, tasty, delectable	much, very, extremely
Sol-	if	but	in, within	wrong, ill (adv)	because	(imperative)	perpetually, always, without end, without ceasing	thank, thanks
La-	the	nothing, no one, nobody	by	here, there	bad	never, at no time	(present participle)	of
Si-	yes, okay, gladly, agreed	the same (thing)	each, every	good morning/afternoon	little, scarcely	mister, sir*	young man, bachelor*	(passive participle)

* Feminine versions are formed by stressing the last syllable.

[edit] Additional features

Additional features of Solresol include:

highly impartial (equally easy or difficult for everyone, like other a priori constructed languages)
integrated systems (signs, colors, etc.) for most different handicapped people, immediately operative without special learning)
gives fast learning success to illiterate people (only 7 syllables or signs or 10 letters to know and to recognise)
it presents no pronunciation difficulties
very simple but effective system to differentiate the function of the words in the sentences

The teaching of sign languages to the deaf mute was forbidden between 1880 and 1991 in France, contributing to Solresol's descent into obscurity. In any case, Solresol does not perform well as a sign language.^{[citation needed]}

After a few years of popularity, it faded into obscurity in the face of more successful languages such as Volapük and Esperanto. Despite this, there is still a small community of Solresol enthusiasts scattered across the world, better able to communicate with one another through the electronic medium of the Internet than they might have in days past.

A more recent constructed language based on musical tones is Eaiea, created by Bruce Koestner, which uses the entire 12-step western chromatic scale.