Software rendering
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In the context of rendering (computer graphics), software rendering refers to a rendering process that is unaided by any specialized hardware, such as a graphics card. The rendering takes place entirely on the CPU.
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[edit] Introduction
Rendering everything with the (general-purpose) CPU has the main advantage that it is not restricted to the (limited) capabilities of graphics hardware. Software rendering can be split into two main categories: real-time rendering, and offline rendering. Real-time rendering is used to interactively render a scene, like in 3D computer games. Offline rendering is used to create realistic images and movies.
[edit] Real-time software rendering
For real-time rendering the focus is on performance. The earliest real-time software renderers for PCs used many tricks to create the illusion of 3D vision. Wolfenstein 3D was restricted to one height of floor and ceiling, Doom introduced stairs and elevators, and Duke Nukem 3D allowed a limited form of looking up and down. The technology used in these games is currently categorized as 2.5D. The first 'real' 3D game, allowing six degrees of freedom (three movement axes, three rotation axes), was Descent. It also featured 3D models entirely made from polygons (actually just triangles) instead of sprites. Voxel based graphics also gained popularity for fast and relatively detailed terrain rendering but later polygons took over completely. The 3D game revolution started with Quake, which features a technically superior software renderer by Michael Abrash and John Carmack (founder of id Software). With its popularity, Quake (which later got extensions for hardware acceleration) and other 3D games of that time helped the sales of graphics cards, and more games started using hardware APIs like DirectX and OpenGL. Although this also announced the death of software rendering as the primary rendering technology, many games before 2000 still had a software renderer as a fallback. Most notably Unreal and Unreal Tournament feature a software renderer that is able to produce enjoyable quality and performance and made use of CPU instruction set extensions like MMX. One of the last high-end games using only a software renderer was Outcast, which featured advanced voxel technology but also texture filtering and bumpmapping as found on graphics hardware.
In the video game console market, things went a little more abrupt, because of the fixed platform specifications. Since the birth of 3D games, some hardware components were designed specifically for 3D graphics acceleration. However, some of the graphics specific hardware of consoles have more in common with a CPU than with a GPU, so the same low-level graphics programming technology for software rendering is required.
Because there are still PC systems being sold with limited graphics cards (or none at all), software rendering will always be required for some applications. Games for kids and casual gamers (who use outdated systems or systems primarily meant for office applications) can have a need for a software renderer as a fallback. For example Toy Story 2 Action Game has a choice of selecting either hardware or software rendering before playing the game while others like Half-Life default to software mode and can be adjusted to use OpenGL or DirectX in the Options menu. Some 3D modeling software also feature software renderers for visualization. And finally the emulation and verification of hardware also requires a software renderer. An example of the latter is the Direct3D reference rasterizer.
But even for high-end graphics, the 'art' of software rendering hasn't completely died out. While early graphics cards were much faster than software renderers and originally had better quality and more features, it restricted the developer to 'fixed-function' pixel processing. Quickly there came a need for diversification of the looks of games. Software rendering has no restrictions because an arbitrary program is executed. So graphics cards reintroduced this programmability, by executing small programs per vertex and per pixel/fragment, also known as shaders. High level shader languages (HLSL) are C-like programming languages for shaders and start to show some resemblance with (arbitrary function) software rendering.
Since the adoption of graphics hardware as the primary means for real-time rendering, CPU performance has grown steadily as ever. This allowed for new software rendering technologies to emerge. Although largely overshadowed by the performance of hardware rendering, some modern real-time software renderers manage to combine a broad feature set and reasonable performance (for a software renderer), by making use of specialized dynamic compilation and advanced instruction set extensions like SSE. Although nowadays the dominance of hardware rendering over software rendering is undisputed because of unparalleled performance (pun unintended), features, and continuing innovation, some believe that CPUs and GPUs will converge one way or another and the line between software and hardware rendering will fade. With multi-core CPUs and increasingly more programmable GPUs they are at least getting a few more things in common.
[edit] Offline rendering
Contrary to real-time rendering, performance is only of second priority with offline rendering. It is used mainly in the film industry to create high-quality renderings of lifelike scenes. Many special effects in today's movies are entirely or partially created by computer graphics. For example all creatures in the Peter Jackson The Lord of the Rings films, including Gollum, are computer-generated imagery (CGI). Also for animation movies, CGI is gaining popularity. Most notably Pixar has produced a series of movies such as Toy Story and Finding Nemo.
Because of the need for very high quality and diversity of effects, offline rendering requires a lot of flexibility. Even though commercial real-time graphics hardware is getting higher quality and more programmability by the day, most photorealistic CGI still requires software rendering. Pixar's RenderMan for example allows shaders of unlimited length and complexity, demanding a general-purpose processor. Techniques for high realism like raytracing and global illumination are also inherently unsuited for hardware implementation and in most cases are realized purely in software.
[edit] External links
- Perspective Texture Mapping Series by Chris Hecker about rasterization and texture mapping fundamentals.
- Real-time Software Rendering A collection of tutorials covering numerous graphics rendering techniques.
- Pixomatic A high-performance software renderer by Michael Abrash and Mike Sartain with Direct3D 7 class features. Supports games like Unreal Tournament 2004 and Medal of Honor.
- SwiftShader An advanced software renderer with Direct3D 8/9 class features, including shaders.
- Muli3D An open-source platform-independent software renderer, aimed at education and research.
- RenderMan A rendering software system for high quality, photorealistic image synthesis.
- Maya 3D modeling and animation solution.
- OpenRT Real-time Raytracing A project aimed at developing a raytracing standard for interactive 3D graphics.
- Vigilante Software Graphics One of the fastest modern software renderers in existence. Still under development.