User:Schissel/Tmp

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[edit] Scratch-list

Current use - listing viola sonatas for inclusion in an eventual page on the subject

  1. Now mostly added to Viola sonata, so erased to make room for other material.
  2. New things to consider for this page - individual Mozart works; list of Joseph Haydn works by Hoboken number. Some are listed already, of course.
  3. Write an article on Dvorak quartet 11 in C (find its Burghauser #) B.121.

[edit] New things...

  1. Add list of most liked pieces to main user page (is this appropriate?) (Prob only to this page, and to direct towards pages to write.)
  2. Similar ideas?

[edit] List of string sextets

Article on string sextets already exists. Between m:de:Streichsextett etc. list of string sextets can be expanded for a good list of sextets though...

[edit] Repertoire works for string sextet

These works for string sextet have entered the repertoire of performing ensembles.

(others yes! but they are not coming to mind just-at-the-moment. I am lacking imagination, and the others listed at e.g. m:de:Streichsextett do not seem repertoire works. Doesn't mean I don't like them - the d'Indy op. 92 is a fine work, e.g., with a memorable finale; and I like the Korngold, too - just that they're not the typical take-on-tour pieces. That by Antonín Dvořák in A (op 48, 1878) is -nearly- so, though! (Arguably so's the Strauss prelude. The Spohr's receiving more recordings; I've skimmed the Rubinstein score, but don't know it; I -do- know the Reger F major sextet, enjoy it but would not call it one of his best late chamber works. In any case these judgments do not bear on repertoire status.) Martinu, Schulhoff and Milhaud sextets not presently on that page either. The Milhaud I don't know, but the Martinu and Schulhoff ones, anyway, I rate.

[edit] Robert Simpson (composer) : section on quartets

The first three quartets (1951–4) received their premiere recordings from the Element Quartet, the later quartets from the Delmé Quartet.

Quartets four through six (1973–5) are glosses on the Razumovsky quartets of Beethoven in Simpson's own style.

Quartet seven (1977)

(writing this because the section on his quartets presently goes ===

=== unlike, say, the very full section on his symphonies.


[edit] Improving the Stephen Heller page in various ways

Sonatas are opp 9, 65, 88 in C, 143 in B minor (pub 1839? by Kistner in Leipzig, by

Variations on themes by Schumann (op 12/3), Beethoven vars op 130 (already recorded once or twice), early Paganini-variations (some of these mentioned in m:de:Stephen Heller.) ...

Many sets of études (opp 45-47, op 16, op 139) and at least two of preludes (op 81, op 119 - ah, another set of twenty, op 150 also.) Op. 47 repub by Universal Edition, 2002.

Many sets of tarantelles, characteristic pieces, etc. Good to compile a more complete worklist. What music not for solo piano? Deutsche Lieder, for example, according to the NYPL catalog (catnyp.nypl.org). And 4-hand waltzes op. 152.

Actually, opp 45-47 all recorded on a 2-CD set on Brilliant Classics, it turns out. cpo, Marco Polo have released other works. Arcobaleno the 4th sonata and the op 47 etudes. And Etcetera, a CD of the 3 Spaziergänge eines Einsamen suites.

Also acted as an editor for works by eg Hector Berlioz, Franz Schubert among others.

References - http://catnyp.nypl.org , http://melvyl.cdlib.org, http://catalog.bl.uk, http://catalog.loc.gov


[edit] To rescue a non-discussion from deletion, this may become a case.

I am getting upset.

Anyhow, this is what I wrote on Aint's talk page before he replaced it with {{delete}}:

Apologies for running over your article, so to speak (created an article on Leopold Koželuh, itself mostly but not entirely a translation of m:de:Leopold Koželuh... and then found you'd created one on the same composer the day before and I'd forgotten to look. Mine had had a week-long gestation and I was not at all expecting one to also pop up so fast but that was all the more reason for me to check!) Which to merge to? I present an argument in yours that yours is the proper one to merge to, but it's become habit to use Czech spelling (e.g. in Jan Antonín Koželuh and m:de:Leopold Koželuh, and many many similar articles, even for other composers who changed their names on moving to other countries- even though Leopold Koželuh was but his second name of three he used at various points- Jan A Koželuh, Leopold Koželuh and Leopold Kozeluch!...) and I'm not convinced the reasons are very good here especially. Also, I'm not sure what the source is for your birth-year for him?

Thanks much (hope you don't mind my semi-mirroring/expanding on my comment there, here, also. It's about time, spelled however, that Kozeluch has an article, and the two should, no matter the resolution, be combined and then improved on.)

(Very parenthetically: A piano sonata of his will be on a radio station (Musiq3, out of Belgium) tomorrow, from Diane Andersen's recording on Talent. I don't have the CD and look forward to increasing my acquaintance with his music.) Schissel | Sound the Note! 01:46, 15 June 2006 (UTC)


[edit] Later to add to Antonín Vranický

Adding to worklist-

using google search Antonín Vranický site:rozhlas.cz and other sources like worldcat.org-- have come up with so far (and saving here, in case) (also wranitzky site:br-online.de and similar searches)- eg Musiq3 Belgium played A Vranicky's D minor cello concerto on June 3 2006, Sadlo Milos - Musiciens De Prague dir. Klemens Mario (PANTON - 811307-2)

also

  • Op. 1 String quartets. Published by Hoffmeister around 1803. (These dates not necessarily those of their first editions- more likely republications.)
  • Op. 2 Three string quartets. (in C, F and B♭) Published in Vienna by Magazin du Musique around 1790. (Duke University Library has a copy.)
  • Op. 4 Three string quartets.
  • Op. 5 String quartets. Published by André, around 1800. (Three quartets, in G, D and F.)
  • Op. 11. Concerto (no. 7?) for violin in C major. Published by Duhan in 1804. Republished in a more recent edition in 1958 by Český hudební fond in Prague.
  • Op. 20 Three duos for two violins (republished by Walhall in Magdeburg, in 2002)'
  • Twenty variations for two violins. (published in 1791 in Vienna by Magazin de musique)
  • Cassatio in F major for five violas (Rarities for Strings Publications in Bristol, Conn., 1979.)
  • Duet for violin and cello in C minor. (Medici Music Press in Bellingham, Washington, c1985.)
  • Duet for violin and cello in G minor. (Medici Music Press in Bellingham, Washington, c1985.)
  • Symphonies including
    • Symphony in C minor, C4, edited by edited by Eva Hennigov�-Dubov� and published in "The Symphony in Hungary", The Symphony, 1720-1840. Series B ; v. 12. New York : Garland Publishing, Inc., 1984.
    • Symphony in D, also edited by Eva Hennigová, released in the series Maestri antichi boemi in 1976.
    • Symphony in C major from 1796 Aphrodite recorded by Vladimír Válek and the Dvorak Chamber Orchestra (and according to an article
  • Trio for two oboes and english horn in C major. Modern publisher: Basel, Switzerland : Edition Kneusslin, c1982. (Has been recorded.)
  • Echo-Sonate : D-Dur : für 4 Flöten (in C) = for 4 flutes (in C) (modern publisher: Zimmermann in Frankfurt, 2000)
  • Trio in E flat nos. 1-3, for violino, viola and horn (Hanz Pizka Edition in Kirchheim, 1997)
  • Quintets, Violin, Violas, Violoncellos, Op. 8. No. 2. Modern publisher: Mainz ; London : Schott, c2005. (with quintets by Krommer, Zannetti, Cambini, Hoffmeister, Brandl, Pleyel and others.)
  • Concertos in A and in B♭ for violin and orchestra. (The latter published in piano reduction in 1944 by Artia, the former, in an edition edited by Jindrich Feld, was published in 1933 by Z. Vlk in Prague as "concerto no. 14" suggesting that there may be at least 12 others still.)
  • Concerto in D minor for violoncello and orchestra.
  • Concerto in C major for two violas and orchestra. Recorded several times, score released in 1958 by Praha : Český hudenbní fond, 1958 edited by E. Hradecký.
  • Concerto for violin and cello with orchestra. Recorded by Musica Bohemica. [1]
  • A sextet for flute, oboe, violin, two violas and cello
  • At least six concertante string quartets which may not have an opus number ("concertante" quartets) (played by the Martinu quartet) to add to the above. (Recorded.)
  • Mass in E♭ (recorded in 1985.)

Add:

[edit] Further reading

  • Trojanova, Jaromira. Pavel a Antonín Vraničtí : personální bibliografie. Series: Universita J. E. Purkyne v Brne. bKnihovna. tV�berovy seznam ; 194. Brno : Universitn� knihovna, 1975.

[edit] Another to work on - adding to Harald Genzmer

Harald Genzmer (b. Blumenthal, near Bremen, Germany, February 9, 1909) is a German composer of contemporary classical music.

He studied with Paul Hindemith beginning in 1928. From 1957 to 1974 he taught at the Munich Hochschule für Musik.

Among his notable students was the Egyptian composer Gamal Abdel-Rahim.

[edit] Selected worklist

  • Five symphonies (the first written 1957, revised 1970; the second for strings; the fifth written 1999 - [2])
  • Concertos
    • Symphonisches Konzert für Orgel (published 1974)
    • Symphonisches Konzert für Orgel (no. 2) (1996/7)
    • Concerto for Contrabass and strings 1996
    • Concerto for Three Trumpets and Strings 1998
    • Concerto for Organ (1952/2000)
    • Concerto for Cello and large Orchestra
    • Konzert für Trautonium und Orchester (no. 1 from 1939. Recorded on Wergo)
    • Concerto for Flute, Harp and Strings
    • Concerto for Violin and Orchestra (1959)
    • Concerto for Flute and Orchestra (1954)
    • Chamber concerto for Oboe and Strings (1957)
    • Two concertinos for piano and strings (Carnegie Library Pittsburgh)
    • Three concertos for piano and orchestra
    • Weihnachtskonzert : für Orgel (pub about 1975) (Carnegie Library)
  • Prolog: for Orchestra (1959)
  • Pachelbel-Suite
  • Festliches Vorspiel for orchestra
  • Choral Works
    • Mistral-Kantate (Kantate nach Worten von Gabriela Mistral, für Sopran und Orchester. Deutsche Übertragung von Albert Theile unter Mitwirkung von Heinz Müller.) (Carnegie Library)
    • Ostermesse (Schott listing)
    • Mass in E (Schott listing)
    • cantata pour soprano et sons électroniques (1969)
  • Chamber works
    • String quartet number 1 (1949)
    • Piano Trio number 1 in F (revised 1994)
    • Trio for Clarinet, Cello and Piano (1988)
    • Sonatina for Violoncello and Piano (1967)
    • Second Sonatina for Violoncello and Piano (1982)
    • Sonatina for Clarinet and Piano (1997)
    • Sonata for Flute and Harp (1990)
    • Sonata for Flute Solo (pub. 1973) (Carnegie Library)
    • Sonata for Flute and Piano no. 2 in E minor (pub. about 1952) (Carnegie Library)
    • Sonate in fis-moll für zwei Flöten oder andere Melodie-Instrumente (pub. about 1956) (Carnegie Library)
    • Zweite Sonate für zwei Flöten (pub. about 1984) (Carnegie Library)
    • Divertimento: for Cello and Bassoon (1981)
    • Sonata for B-flat Clarinet and Piano (1997) (same as sonatina?)
    • Pan : für QuerfloÌöte solo oder Altquerflöte in G solo (1992)
    • Miniatures: for 3 Recorders (2000)
    • Fantasy for Organ (1981)
    • Fantasy for Flute and Guitar (1999)
    • Finale : Fantasie über den Choral Hinunter ist der Sonnenschein : für Orgel (1999)
    • Fantasy for Clarinet solo (pub. 1973) (Carnegie Library)
    • Fantasy for Harp Solo (Carnegie Library)
    • Neuzeitliche Etüden, für Flöte. Modern studies. (pub 1958) (Carnegie Library)
    • Introduktion und Allegro für Fagott und Klavier (pub. 1966)
    • Improvisationen für Altblockflöte solo = for treble recorder (2002)
    • Five piano sonatas? (third from 1959)
    • Eleven duets for soprano- and alto-recorder (Carnegie Library)
    • Quartett für Klarinette, Violine, Violoncello und Klavier (1974) (Carnegie Library)
    • Quintett für Klarinette in B und Streichquartett (Carnegie Library)
    • Musik für vier Bläser, 2 Trompeten/2 Posaunen. (Pub. 1968, from Carnegie Library)
    • Three sonatas for organ solo (second from 1956, third published about 1964) (Carnegie Library)
    • Sonata for two pianos (pub about 1952) (Carnegie Library)
    • Zweite Sonate, für Altblockflöte und Klavier. (pub about 1973) (Carnegie Library)
    • Sonata for Trumpet and Organ (pub about 1971) (Carnegie Library)
    • Sonata for Viola Solo (pub about 1958) (Carnegie Library)
    • Sonata for Cello and Organ (Allegro moderato/Libero, ma lento/Finale: Allegro)
    • Sonata for Cello Solo
    • 2. Sonate für Bratsche und Klavier (1955) = for viola and piano (Carnegie Library)
    • Sonatine, für Horn in F und Klavier. (pub about 1969) (Carnegie Library)
    • Sonatine, für Viola und Klavier. (pub about 1973) (Carnegie Library)
    • Tanzstücke : für zwei Altblockflöten (pub about 1973) (")
    • Trio für zwei Querflöten und Violoncell (")

[edit] External links


[edit] Also David Stanley Smith

Translating m:de:David Stanley Smith is simple this time, I think. (Mostly.)

There's also the Yale site. And a few works can be found in unusual places, like "Wind-swept wheat" op 20 in the Canadian National Library Catalog (pub Schirmer 1907), and a 1938 Caprice for Bassoon and Piano.

[edit] Piano Concerto No. 14 (Mozart)

The Piano Concerto No. 14 by Wolfgang Amadeus Mozart, written in 1784 is a piano concerto in E♭ major catalogued with KV 449.

It is the first composition he entered into a notebook of his music he then kept for the next seven years, marking down main themes, dates of completion, and other important information. From this notebook we have the information that he finished the concerto on February 9.

In the same year in succession he wrote several concertos, and in a letter to his father that May, wrote of the 15th and 16th concertos (in B♭ and in D, KV. 450 and 451) that he "could not choose between them" but that "the one in E♭ does not belong at all to the same category. It is one of a quite peculiar kind..."


It has three movements:

Works written in 1784 include besides this concerto the six piano concertos 14-19, the Quintet in E flat for Piano and Winds, along with several piano works - the Sonata in C Minor noteworthy, one string quartet (the "Hunt"), and several sets of orchestral dances also. Works by other composers known to Mozart from just around this time include the 80th symphony (in D minor) and the second cello concerto of Joseph Haydn; Michael Haydn had published two sets of quartets the year before (also the year of the two Mozart violin-viola duos which legend has it were produced to help that composer fulfil a commission, which Alfred Einstein regards as a dubious tale), and Carl Stamitz and Ignaz Pleyel each another set of six (Pleyel released a further set in 1784.) A Pleyel cello concerto (in C) was also released at some point between 1782-4 (Pleyel being a composer whose quartets, at least, Mozart rated highly.)

[edit] Allegro vivace

A 3/4 time signature was unusual for the opening movement of a piano concerto - of Mozart's piano concertos, for example, concertos 11, 24 and this one open with a movement in 3/4, but no others. It is also traditional, in the tutti of a classical concerto, for there to be little key adventuring. There are several reasons for this, but the upshot is that, the less this is true, the harder it becomes to distinguish the tutti from the opening of a classical-era symphony.

In this concerto, in the first movement, after the first phrase - which begins ambiguously, a unison E♭followed by a unison C, winding down and back up to a B♭ - comes to a full cadence, there is an immediate modulation, through C minor, into B flat major (over the chord of F major for a few bars to calm the nerves.) Here a possible second theme is heard, played by strings, winds not coming in until its later strain (near the modulation back into E♭).

[edit] Allegro ma non troppo

Girdlestone (p 187, Mozart and his Piano Concertos) writes that the gait of this finale is "neither that of a gallop, nor of a race, nor even of a dance, but just of a swinging walk, swift and regular, and the virtue of its refrain, with its sketchy outline and its 'sillabato' diction... rests in its rhythm rather than in its melody." Further he notes that while this rondo can be divided into contrasting sections, the appearance on the page is very different from what falls on the ear, which is almost monothematic: "When, score in hand, one notes each return of the first subject... it is possible to pick out the four expositions of the [rondo] refrain and the three couplets... but on hearing it one's impression is that the refrain never leaves the stage"

[edit] References

[edit] Dimitrie Cuclin editing

Dimitrie Cuclin (April 5 [O.S. March 24] 1885, Galaţi-February 7, 1978) was a Romanian classical music composer, who wrote pieces for orchestra, as well as chamber and vocal music.

[edit] Partial worklist

  • Twenty symphonies (numbers 11 in A flat minor (ECE 0257 Electrecord), 13 in F major (Electrecord ST-ECE 02326) and 16 in G major (on Electrecord ECE 0736) recorded), number 12 lasts 6 hours according to m:ro:Dimitrie Cuclin
  • Piano sonata in G minor (published in 1986)
  • At least three string quartets (the third published by Ed. Muzicală in Bucharest, 1976. Available in a Munich library.)

[edit] Bibliography

  • Cuclin, Dimitrie. Le rôle du chant grégorien dans le passé jusqu'a nos jours et du chant byzantin dans l'avenir. Bucharest : Institutul de Arte Grafice "Bucovina", 1936.
  • Moldovan, Nicolae. Dimitrie Cuclin : omul, gânditorul şi compozitorul Galaţi : Ed. Alma Galaţi , 2001. ISBN 973-929084-1.

[edit] References

[edit] Karl Anton Rickenbacher

Karl Anton Rickenbacher (born 1940 in Basel, Switzerland) is a Swiss conductor of classical music. He studied at the Berlin Conservatory with Herbert Ahlendorf, and studied privately with Pierre Boulez and with Herbert von Karajan.

[edit] External links


[edit] Was to go on Talk:Ferdinand Hiller

A list of a few references, some important, some less so. The first I'm fairly sure is, the rest are miscellany. I will try to sort them out.I'm reasonably sure that the symphony that Liszt conducted on January 14 1852 in Weimar (p 287, Cornell U Press edition, Alan Walker, Franz Liszt: The Weimar Years, 1848-1861.) (Es muss doch Frühling werden) is neither symphony described in the article. I think he may have written some five or six symphonies, at any rate.

Before Hiller and Liszt's relationship soured and ended, before the incident at the Aachen festival (a lot isn't in this article yet- is Walker's book regarded as that biased or even debatable? Inquiring minds do want to know.) Looking at some other information available about Hiller one sees a 125th Psalm dedicated to MacFarren (will replace with a cite journal, but the link is The Musical Times and Singing Class Circular > Vol. 5, No. 116 (Jan., 1854), pp. 322-324, [3])
(Much praised [4] for his conducting of the Beethoven Missa Solemnis - even more difficult at the time, a 1855 Cologne performance.)

(also note and use this particular review of concerts he gave in London in 1871 "Dr. Ferdinand Hiller's Recitals",
The Musical Times and Singing Class Circular -- Vol. 15, No. 338 (Apr., 1871), p. 45 -- no author specified.

[edit] Possible citation to source Symphony No. 60 (Haydn)'s relation to Le Distrait

this article by Elaine R. Sisman, Haydn's Theater Symphonies in the Summer 1990 issue of the Journal of the American Musicological Society, Vol. 43 No. 2 pp 292-352. Read later using access to JSTOR, see if it contains evidence, or seek elsewhere perhaps.

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