Romeo and Juliet (1968 film)
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| Romeo and Juliet | |
|---|---|
 original movie poster |
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| Directed by | Franco Zeffirelli |
| Produced by | John Brabourne Richard B. Goodwin Anthony Havelock-Allen |
| Written by | William Shakespeare (play) Franco Zeffirelli Franco Brusati Masolino D'Amico |
| Starring | Leonard Whiting Olivia Hussey John McEnery Michael York |
| Music by | Nino Rota |
| Cinematography | Pasqualino De Santis |
| Distributed by | Paramount Pictures |
| Release date(s) | October 8, 1968 (USA) |
| Running time | 138 min. |
| Country | United Kingdom/Italy |
| Language | English |
| All Movie Guide profile | |
| IMDb profile | |
Romeo and Juliet (1968) is an Oscar-winning film adaptation of the William Shakespeare play Romeo and Juliet. The original music score was composed by Nino Rota. The film is marketed with the tagline "No ordinary love story…"
The film was directed by Franco Zeffirelli, and won Academy Awards for Best Cinematography and Best Costume Design. It was also nominated for Best Director and Best Picture.
The film is notable for being one of the first filmed versions of the play in which the main actors are near to the ages of the characters in the play; Leonard Whiting was seventeen during filming, and Olivia Hussey was fifteen. The film garnered some controversy at the time in Italy as the two leads appear nude in a bedroom scene[1].
Contents |
[edit] Main Cast
- Leonard Whiting - Romeo
- Olivia Hussey - Juliet
- John McEnery - Mercutio
- Milo O'Shea - Friar Lawrence
- Pat Heywood - Nurse
- Michael York - Tybalt
- Bruce Robinson - Benvolio
[edit] Synopsis
Note: While based on the original play, numerous changes were made to the film's storyline (see Differences from the original play below). However, this is also true of Laurence Olivier's versions of Henry V, Hamlet and Richard III, and especially true of the Orson Welles Macbeth, which was widely criticized for its changes.
“Fair Verona, where we lay our scene”, is the hometown of the Capulets (their house colors being a bright orange, red and yellow) and the Montagues (with more subdued colors of blue, violet and black), the two highest society households in the city, each with a long-standing blood feud against one another, which has cost both houses numerous lives over the years, though it is never disclosed why, much less what started the feud in the first place.
In recent days, the feud between the two houses has again flared up in its fury. The story opens in the town’s Market Square, where a small fracas breaks out between men of both houses, until Benvolio, a cousin to the Montagues, steps in to attempt to stop it. But he is soon taunted by Tybalt, an egotistical and short-tempered cousin to the Capulets, who draws on Benvolio, and once again a small tiff quickly escalates into a full-blown street brawl, which soon includes both house lords themselves, swords in hand.
The frenzied fighting continues until Verona’s ruler Prince Escalus (Robert Stephens) and his men in full battle array, arrive on horseback and order all involved to throw their weapons to the ground. He berates both lords for disturbing the peace for the third time, and threatens them with death should it ever happen again. The Prince then orders all to return to their homes and then departs himself.
While tending to the wounded, Lady Montague asks about Romeo, who was not involved in the melee. Benvolio tells her of his being awake before sunrise and walking on the edge of town, where he briefly saw Romeo, who ran in the opposite direction when he saw Benvolio.
Later that day, Capulet, fresh from his dressing down at the Prince’s castle, briefly discusses with Count Paris (Roberto Bisacco) about being a suitor for Juliet, Capulet’s only daughter. But while Capulet reminds Paris that Juliet is still a young girl (nearly fourteen according to the storyline), he suggests that Paris take steps to win her affections at a party Capulet was throwing at his house that night.
At nightfall Romeo, Benvolio and a jokester named Mercutio, a cousin to the Prince and Romeo’s closest friend, lead a group of Montague men all wearing masks to crash the party at Capulet House. En route, Romeo confides in himself that he has a strong feeling that something is going to happen that can only result in his untimely death. But putting his faith in God (“He that hath the steerage of my course, direct my sail...”), he joins the rest in crashing the party.
It is during the party that Romeo lays eyes on Juliet for the first time, and vice versa. Almost immediately they are attracted to one another, but Tybalt recognizes Romeo and angrily protests to Lord Capulet, his uncle. Conversely, Lord Capulet, knowing of Romeo’s behavior (and also wanting to avoid more trouble with the Prince) orders a seething and defiant Tybalt to ignore him. Later, as the party winds down, both Romeo and Juliet each learn separately that each is the others’ enemy, but the information is too little and too late as the love they have for each other is already too strong.
After the party, Romeo climbs over a wall ditching Mercutio and the others, not knowing until he sees Juliet on her balcony that he has ventured stealthily into Capulet’s yard. The two solidify their love for one another, and Juliet tells Romeo that if his intentions are good, to send word through her contact the following morning, but she’s quick to add that if his intentions are anything less, he was to forget the whole thing and leave her alone.
The two part ways at daybreak, with a jubilant Romeo running directly to the cell of Friar Laurence to tell him of his intentions. At first the Friar storms away in disbelief, but soon has a change of heart - he becomes convinced that marrying the two will ultimately bring a permanent end to the long years of bloodshed between the Capulets and the Montagues. So the Friar agrees to perform the ceremony. Later that morning, Romeo meets with Juliet’s contact, whom we know to be her Nurse, who relays the news to Juliet. Juliet then makes her way to the Friar’s cell and, just like that, the two become man and wife.
Later that afternoon Benvolio, reeling from the heat and fearing another fight with the Capulets, begs Mercutio to leave with him from Market Square. But Mercutio, the heat getting to him as well, ignores Benvolio’s pleas and opts instead to jump into a nearby fountain to cool off. Moments later the two are accosted by a group of Capulets led by Tybalt, who is still angry over Romeo’s intrusion at Capulet’s party the night before.
During the parlay Romeo, fresh from his clandestine wedding to Juliet, arrives in the Square to meet up with his friends, only to be intercepted by Tybalt who calls him out. But Romeo, to Mercutio’s delight, turns Tybalt down with a handshake instead. Tybalt, feigning disgust at Romeo’s touching his hand, walks over to the fountain Mercutio is swimming in and washes his hand, deliberately splashing Mercutio and Benvolio before walking away laughing. For reasons known only to himself, an offended Mercutio jumps out of the fountain and despite Romeo’s protesting, calls Tybalt out, and the two whip out their swords and start fighting. Though it’s more of a friendly duel at first, Tybalt’s anger gradually begins to get the better of him.
As Romeo tries to get between the two of them Tybalt, albeit accidentally, stabs Mercutio in his chest. Seeing blood on the end of his blade, Tybalt panics, and his men convince him to run. The Montagues loudly cheer Mercutio’s “victory” while he futilely tells those nearby that he’s hurt. But while hiding the dueling wound with his trademark handkerchief, Mercutio loudly proclaims “a plague on both your houses” before falling dead. Everyone - save for Romeo and Benvolio - thinks Mercutio is still joking until Romeo removes the lifeless Mercutio’s kerchief exposing the fatal wound. It is only at this painfully shocking moment that they all realize that Mercutio, in his very final moments, was totally serious.
In a sudden fit of vengeful rage Romeo, grabbing Mercutio’s blood-stained kerchief, takes off after the retreating Tybalt, with Benvolio and everyone else on his tail in a vain effort to stop him. Romeo catches up with Tybalt and, after telling of Mercutio’s death, angrily returns Tybalt’s original challenge to draw. The two renewed enemies fight furiously, with punches as well as swords flying as the fight finds its way back to Market Square. At first the once-pacifistic Romeo seems in over his head against Tybalt’s fighting prowess. Nevertheless, it is Romeo’s blade that finds its intended target first and Tybalt falls dead. Romeo stands over Tybalt’s body in anguished disbelief as Benvolio screams at Romeo to run, reminding him the Prince will have his life if caught. The Montague men all grab Romeo and frantically drag him out of Market Square.
News of Tybalt’s death spreads rapidly. Juliet and her Nurse fall over each other in grief upon hearing the news, but Juliet quickly and viciously turns on the Nurse when she curses Romeo.
Meanwhile, groups from both houses make their way to the steps of Verona Castle to summon the Prince’s judgment. A disheveled and naturally enraged Lady Capulet leads her group, who approach the castle carrying the corpse of Tybalt while the Montagues, led by Benvolio and Lord and Lady Montague, head toward the castle from a different passage carrying Mercutio’s body. The Prince asks Benvolio who started the deadly fight, but his explanation is somewhat drowned out by the laughs from the Capulets. Lady Capulet demands Romeo’s execution, but the Prince, reminding them all that it was Tybalt that killed Mercutio, asks who should answer for Mercutio’s death. Lord Montague pleads for mercy for Romeo, saying that by taking Tybalt’s life, Romeo only did what the law eventually would have done. Angered but barely maintaining his temper, the Prince ordered that Romeo be allowed to flee from Verona, but if found inside the city, he would indeed be put to death. The Prince goes back inside the castle, but not before glaring at the gloating Lady Capulet for Tybalt’s killing of Mercutio.
Romeo, grieving over his banishment, takes temporary refuge at Friar Laurence’s cell when the Nurse comes with news of Juliet’s grieving, more for Romeo than Tybalt. The Friar sends the nurse back to hasten everyone else in the house to an early sleep, and then gives Romeo instructions: To go and comfort Juliet, but leave at daybreak for the nearby town of Mantua, and wait for instructions there.
The two secret newlyweds share a night of bliss in Juliet’s bedchamber before Romeo begins his exile. Immediately after Romeo leaves, Lady Capulet arrives and tells Juliet of the plans she and Lord Capulet have made - to give Juliet over to Count Paris in marriage, but Juliet, still in tears, angrily refuses the arrangement. When Lady Capulet complains to Lord Capulet, he explodes into Juliet’s bedroom and violently gives her an ultimatum: Either marry Count Paris or be disowned. Juliet turns to the Nurse for comfort, but even she has a change of heart about Romeo now that he is gone from Verona. Incredulous, Juliet coldly orders the nurse to inform her parents that she is going to Friar Laurence for counseling and absolution.
Count Paris is consulting with the Friar as Juliet, in black veil and dress, makes her way up the steps to his cell. After the Count leaves, Juliet tearfully begs the Friar to help her, swearing she will kill herself rather than be forced to marry Count Paris. The Friar devises a plan: When Juliet returns home, she is to ask forgiveness from her parents and consent to the arranged marriage. The following night, when she is alone in bed, she is to take a potion (made by the Friar himself, who we learn is a skilled apothecary) that simulates death for forty-two hours.
While Juliet is under the potion’s spell, the Friar would send word to Romeo telling him of his plan, having him come back to meet him in the tomb, wait until Juliet wakes up, and then the two lovers would once again be together, this time for good.
Juliet carries out her end of the plan perfectly. The Friar dispatches an apprentice via donkey to Mantua with a letter for Romeo detailing the Friar’s plans. Meanwhile, the Capulets, having found Juliet’s “body”, are once again faced with burying one of their own with The Friar himself officiating over the “funeral”. As Juliet’s “body” is being interred into the Capulet family tomb Romeo’s servant Balthasar (Keith Skinner), who knows nothing about the Friar’s plan, witnesses the proceedings from close by and, on horseback, beats the Friar’s apprentice to Mantua and tells Romeo what he saw. Angrily challenging the fates to do their worst, Romeo and Balthasar race back to Verona, passing Friar Laurence’s apprentice, who doesn’t even see them. At nightfall, Romeo and Balthasar arrive at the entrance to Capulet’s Tomb. Romeo ventures inside alone, and after pining over Juliet’s “corpse”, drinks a vial of strong poison, which quickly kills him.
Moments later, Friar Laurence makes his way to the tomb, only to be intercepted by Balthasar, who informs the Friar that Romeo is already there. Suddenly afraid, the Friar enters the tomb and, finding Romeo dead, finds his worst fears have been realized. Juliet wakes from her deep sleep with the Friar at her side, who informs her that something went wrong and begs her to come away with him. But when Juliet sees Romeo’s body, she refuses to leave, and the Friar runs out of the tomb in terror. Now alone, Juliet cries over Romeo’s body and, hearing the Prince’s watchmen approach, grabs Romeo’s dagger and plunges it into her own heart, falling across Romeo’s body.
At daybreak, a double funeral as the bodies of the two lovers side by side, with both Lords and Ladies right behind, are carried up the steps of Verona's Temple, where the Prince awaits the twin processions. Prince Escalus implores the two Lords to see the results of their rank hatred and, after making mention of his own loss (meaning Mercutio), declared that everyone has been punished. At this sobering point the two warring families make their long-overdue peace.
[edit] Differences from the original play
Script: Tybalt deliberately stabs Mercutio in the chest and retreats, and after Mercutio's off-stage death, Tybalt returns intending to kill Romeo.
Screen: The stab wound is accidental (known only to Tybalt and a few of his men), and Romeo chases the retreating Tybalt.
Script: Immediately following the fight between Romeo and Tybalt (and Romeo's quick exit), both house lords and ladies and the Prince arrive on the fight scene.
Screen: Following Juliet and her Nurse's grieving, the scene is instead shifted to the steps of Verona Castle.
Script: Juliet's arranged marriage to Count Paris is scheduled for a Thursday, but after Juliet's "repentance", an overjoyed (and overzealous) Lord Capulet moves the wedding day up to Wednesday.
Screen: That is not mentioned in the film.
Script: At Capulet's tomb following Juliet's internment, Romeo is intercepted by Count Paris who tries to arrest the fugitive Romeo, but Romeo draws on Paris and kills him.
Screen: That scene was eliminated altogether.
Script: Near the end, following Romeo & Juliet's respective suicides, Friar Lawrence, arrested and brought back to the tomb by the Prince's Watchmen, reveals to the Prince, both Lords and Lady Capulet the truth of Romeo & Juliet's clandestine wedding and his other plans. (His story is confirmed by a letter intended for Lord Montague that Romeo had given to Balthasar.)
Screen: The Friar is not seen or heard from again after fleeing in terror from the tomb.
Script: In the tomb, we learn through Lord Montague that his wife died of a broken heart upon learning of her son Romeo's banishment.
Screen: Lady Montague is still alive in the final scene at the temple.
Script: The play ends in Capulet's Tomb.
Screen: The final scene (the double funeral) unfolds at the steps to the Temple.
Script: After hearing of Juliet's "death", Romeo buys poison from a Mantuan apothecary before riding back to Verona.
Screen: The scene was eliminated and was replaced by Balthasar and Romeo riding to Capulet's tomb.
Script: Friar John (the unnamed donkey-riding messenger in the film) cannot get Friar Lawrence's message to Romeo because he found himself involved in a quarantine, and instead returned the letter to Friar Lawrence.
Screen: Balthasar, galloping on horseback to tell Romeo of Juliet's "death", passes the unhurried messenger on the road.
[edit] Trivia
- In order to show the underage Olivia Hussey topless in one scene, director Franco Zeffirelli had to get special permission from the Italian censors.[citation needed]
- Later in life, Hussey would recount with some amusement that she was unable to attend the premiere of the film in London because the film was given an A-rating (the equivalent 18 certificate today); the irony of the situation being that the film's A rating was based on her own brief nude scene.[citation needed]
- Bruce Robinson, who played Benvolio, claims that he was sexually abused by Zeffirelli during the making of this film. He later became a writer and used his experiences with Zeffirelli as the basis for the character of Monty in his semi-autobiographical film Withnail and I.
- The film's "love theme", written by Nino Rota, is widely recognized in the UK because of its use by the disc jockey Simon Bates in his "Our Tune" feature. Henry Mancini's instrumental rendition of the "love theme" became a number one hit in the United States in 1969, and has also been recorded by Andy Williams, Johnny Mathis and many others in a vocal version titled "A Time for Us" (using a different set of lyrics from those sung in the film).
- This, and the version by Baz Luhrmann known as Romeo + Juliet, are often played in High Schools and Colleges studying Romeo and Juliet.[citation needed]
- Laurence Olivier spoke the film's prologue and epilogue, but was never credited in the film.
- Rosaline (Romeo's unrequited love) is unseen in the play yet can be found at the ball. (She also appears in the 1954 film version.)
