Roman Polanski

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Roman Polański

Polański (right) and Adrien Brody at the Cannes Film Festival, 2002
Birth name Roman Liebling
Born August 18, 1933 (age 73)
Flag of France Paris, France
Spouse(s) Barbara Lass (19 September 1959 - 1962) (divorced)
Sharon Tate (20 January 1968 - 9 August 1969) (her death)
Emmanuelle Seigner (30 August 1989 - present) 2 children
Academy Awards
Best Director
Won:
2002 The Pianist
Nominated:
1974 Chinatown
1980 Tess
Best Picture
Nominated:
2002 The Pianist
Golden Globe Awards
Best Director - Motion Picture
1975 Chinatown
BAFTA Awards
Best Direction
1974 Chinatown
2002 The Pianist
Best Film
2002 The Pianist
César Awards
Best Director
2002 The Pianist

Roman Raymond Polański (born August 18, 1933 in Paris) is an Academy Award-winning Polish film director, writer, actor and producer. A celebrated arthouse filmmaker, and Hollywood director of such films as Rosemary's Baby (1968) and Chinatown (1974), he is also known for his tumultuous personal life. In 1969, his wife, Sharon Tate, was murdered by the Manson Family. In 1978, after pleading guilty to having unlawful sexual intercourse with a thirteen year old girl, Polanski fled to France, where he now resides.

Unwilling to return to the United States and face arrest, he has continued to direct films in Europe, including Frantic (1988), the Academy Award-winning and Cannes Film Festival Palme d'Or-winning The Pianist (2002), and Oliver Twist (2005).

Contents

[edit] Biography

Polanski was born in Paris, France as Rajmund Roman Liebling to Ryszard Liebling (aka Ryszard Polański), a Polish Jew, and Bula Polanska (née Katz), who was born in Russia to a Jewish father and Roman Catholic mother.

The family moved back to Poland in 1937, which was then occupied by German and Soviet troops in 1939.

On November 13, 1939, the Polish city of Kraków became the seat of office of Hans Frank. The General Government surrounded parts of the Polish state, which had not been annexed to Germany. The declared goal of the German occupiers was to make the General Government judenfrei, and expel the Poles so Germans could settle there.

The Polański family was the target of Nazi persecution and forced into the Kraków Ghetto, along with thousands of other Polish Jews. Roman Polanski's mother subsequently died in Auschwitz concentration camp. His father barely survived the Austrian concentration camp Mauthausen-Gusen. Polanski himself escaped the Kraków Ghetto, surviving the war with the help of a Polish farmer, on whose farm he had to sleep in a cow stall. After the war he found out from his sister that his mother had died.

He was educated at the film school in Łódź, Poland, from which he graduated in 1959. Polański speaks six languages: Polish, Russian, English, French, Spanish, and Italian.

Several short films made during the study gained considerable recognition. His first major film Knife in the Water (1962) was the first significant Polish film after the war that did not have a war theme. It was Polanski's first nomination for the Oscar.

Polanski then made films in the United Kingdom; Repulsion (1965), a tale of madness and alienation; Cul-de-Sac (1966) tells the story of a couple (Donald Pleasence and Françoise Dorleac) living on a remote island, who are visited by two gangsters (Lionel Stander and Jack MacGowran).

Polanski and Tate photographed in 1968.
Polanski and Tate photographed in 1968.

The Fearless Vampire Killers (1967) is the American title for Dance of the Vampires, a combination of comedy and horror.

[edit] Relationship with Sharon Tate

Polanski met rising star Sharon Tate while filming The Fearless Vampire Killers and during the production began dating. In 1968 Polanski went to Hollywood, where his reputation was enhanced by the success of the thriller Rosemary's Baby (1968). On January 25, 1968, he married Tate in London, England.

On August 9, 1969, Tate, who was eight months pregnant, and four others (Abigail Folger, Jay Sebring, Wojciech Frykowski, and Steven Parent) were brutally murdered by members of Charles Manson's "Family", who entered the Polanski home on Cielo Drive in the Hollywood Hills with the intent to "kill everyone there". They knew that the previous owner of the house, record producer Terry Melcher, had moved out. He had failed to help Charles Manson's fledgling music career, which was thought to be a possible motive, but the murderers testified that they knew he no longer lived there. When Manson told them to go to the property and kill everyone, they obeyed. After Parent, Sebring, Frykowski, and Folger had been killed, Tate pleaded for the life of her unborn son. Susan Atkins replied that she had no mercy for her, and then killed her. She soaked up some of Tate's blood and wrote "PIG" on the front door using a towel.

The murders were unmotivated, and at first there were no suspects. Polanski, who was away on business, was initially considered a suspect by both the authorities and the press. As the days passed, Polanski became more and more the target of investigation by the Los Angeles County Sheriff's Office, until Manson and his "family" were arrested on unrelated charges, which revealed evidence of what came to be known as the Tate-La Bianca murders. Distraught and heartbroken, and seriously rattled over his near-arrest, Polanski returned to Europe shortly after the killers were arrested.

Also in 1969 Polanski lost friend and collaborator Krzysztof Komeda (1931—1969). Komeda had been a popular jazz artist in Poland when the director first approached him to score a short film. He went on to score almost all of Polanski's feature films until a head injury resulted in the composer's death. He is probably best known in the US for the haunting soundtrack to the movie Rosemary's Baby.

[edit] The 1970s

Polanski's next feature was a film version of Macbeth (1971). This was followed by What? (1972), a surreal comedy about a young woman (Sydne Rome) and her adventures in a remote villa.

Chinatown (1974), from a screenplay by Robert Towne and starring Jack Nicholson, is a tale of corruption in pre-war Los Angeles. Polanski has a cameo as a hoodlum who slits Jake's nose open.

Polanski took the lead in his next film, The Tenant (1976), the story of a Polish immigrant living in Paris.

[edit] Indictment on charge of rape and other sex offenses

In 1977 Polanski, 43, became embroiled in a scandal involving 13-year-old Samantha Geimer. It ultimately led to Polanski's guilty plea to the charge of unlawful sexual intercourse with a minor.[1]

According to Geimer, Polanski asked Geimer's mother if he could photograph the girl for the French edition of Vogue. Her mother allowed a private photo shoot. According to transcripts of testimony, Polanski photographed Geimer on February 20, 1977, in the Hollywood Hills. This photo shoot took place without incident, except for the fact that Polanski asked Geimer to pose topless for some of the photographs.[2] According to Geimer in a 2003 interview, "Everything was going fine; then he asked me to change, well, in front of him." She added, "It didn't feel right, and I didn't want to go back to the second shoot."

However, subsequent to the first photo shoot, she agreed to a second session, which took place on March 10, 1977, in the Mulholland area of Los Angeles, near Jack Nicholson's estate. "We did photos with me drinking champagne," Geimer says. "Toward the end it got a little scary, and I realized he had other intentions and I knew I was not where I should be. I just didn't quite know how to get myself out of there." Geimer alleged that Polanski sexually assaulted her after giving her a combination of champagne and quaaludes. In the 2003 interview, Geimer says she resisted. "I said no several times, and then, well, gave up on that," she says.[3]

Her 1977 sworn deposition shows Geimer did not object to drinking champagne, replying "I don't care"[4] in the company of Polanski and another woman. Geimer also says her drinking continued for a sustained period—as she was posing for Polanski's pictures with a champagne glass—to the extent that she became intoxicated.[5]. Subsequently, Polanski allegedly produced a quaalude, divided it into three and asked, "Is this a quaalude?" After Geimer's affirmation he asked, "Do you think I will be able to drive if I take it?" and "Should I take it?", to which Geimer replied, "I don't know."[6]. He then took a piece of the quaalude and offered one to Geimer, who accepted. Of taking the quaalude, Geimer says, "I must have been pretty drunk otherwise I wouldn't have."[7]

The testimony indicates that prior to the use of quaalude, Geimer had a telephone conversation with her mother at Polanski's instruction. Immediately before this, Polanski had told Geimer, "I want to take some pictures of you in the jacuzzi".[8] During the conversation, Geimer's mother asked her if she wished to be picked up, to which Geimer replied "No". Polanski then spoke to Geimer's mother and told her that they would be shooting until late.[9] The photograph session then continued, ultimately culminating in the alleged assault.

Polanski was initially charged[10] with rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance (methaqualone) to a minor, but these charges were dismissed under the terms of his plea bargain, and he pleaded guilty to the lesser charge of engaging in unlawful sexual intercourse with a minor.[11]

The grand jury transcript describes the alcohol that Polanski allegedly supplied before engaging in oral, vaginal and anal sex with the girl.[12] (In Roman by Polanski, Polanski alleged that the mother had set up the daughter as part of a casting couch and blackmail scheme against him.) After spending 45 days in psychiatric evaluation, Polanski fled the United States for Paris when it seemed that the judge would not approve his plea bargain deal for no prison sentence[citation needed].

[edit] A fugitive

On February 1, 1978, Polanski fled to France, where he retained citizenship. He believed that the judge was going to disregard the plea bargain, in which case he could be sentenced to a prison term (albeit much less than the 50 years he faced under the original indictment). Like many countries, France refuses to extradite its own citizens, which is consistent with the extradition treaty between France and the United States. As a consequence, the American extradition request was not granted. The United States government could have requested that Polanski be prosecuted on the California charges by the French authorities[13], but this option was not pursued.

The United States could still request the arrest and extradition of Polanski from other countries should he visit them. As a consequence, Polanski has since avoided visits to countries that were likely to extradite him, such as the United Kingdom, mostly travelling between France and Poland.

In a 2003 interview[14], Samantha Geimer said, "Straight up, what he did to me was wrong. But I wish he would return to America so the whole ordeal can be put to rest for both of us." Furthermore, "I'm sure if he could go back, he wouldn't do it again. He made a terrible mistake but he's paid for it."

Film critic Richard Roeper has said on E!'s 100 Biggest Hollywood Scandals that he is convinced that most of the people in the American motion picture industry do not care about Polanski's rape conviction and that they still want to work with him.

Much has been made of the fact that Polanski "cannot return" to the United States since the events of 1977/78, but he makes it very clear in his autobiography (Roman, by Polanski; 1984) that he never actually lived in the U.S. to begin with. It is generally overlooked that at the time of his 1977 arrest, he was visiting the U.S. and the arrest actually took place in the lobby of the Beverly Wilshire Hotel, where he was staying. At that time, he had directed nine films, but only two were shot in the U.S. A regular visitor to the U.S., Polanski once rented a Los Angeles house—where the infamous Manson Murders took place (he, however, was at home in London at the time)—but by his own account, Polanski had resided in Britain (apart from a short time in Italy) for many years when he fled Los Angeles for Paris in 1978. Some critics have argued that Polanski has done much of his best work since settling in Paris, an opinion supported by his Oscar for Best Director in 2002.

[edit] Vanity Fair libel case

In 2004 Polanski sued Vanity Fair magazine in London for libel. A 2002 article in the magazine written by A. E. Hotchner recounted a claim by Lewis Lapham, editor of Harper's, that Polanski had made sexual advances towards a young model as he was travelling to Sharon Tate's funeral, claiming that he could make her "the next Sharon Tate". The court permitted Polanski to testify via a video link, after he expressed fears that he might be extradited were he to enter the United Kingdom.[15][16]

The trial started on July 18, 2005, and Polanski made English legal history as the first claimant to give evidence by video link. During the trial, which included the testimony of Mia Farrow and others, it was proved that the alleged scene at the famous New York restaurant Elaine's could not have taken place on the date given, because Polanski only dined at this restaurant three weeks later. Also, the Norwegian model disputed accounts that he had claimed to be able to make her "the next Sharon Tate".

Polanski was awarded £50,000 damages by the High Court in London. Edward Graydon Carter, editor of Vanity Fair, responded, "I find it amazing that a man who lives in France can sue a magazine that is published in America in a British courtroom." Samantha Geimer commented, "Surely a man like this hasn't got a reputation to tarnish?"

[edit] Later career

He received another Academy Award nomination for Tess (1979). Pirates (1986), a lavish period piece, was a commercial and critical failure. This was followed by Frantic (1988), which features actress and model Emmanuelle Seigner, whom the director married in 1989. She starred in several of his films including Bitter Moon, in 1992, and The Ninth Gate (1999). They have two children, Morgane and Elvis, the latter named after his favourite singer, Elvis Presley.

In 1997 he directed a stage version of The Fearless Vampire Killers, a musical, which debuted on October 4, 1997 in Vienna as Tanz der Vampire, the German title of the film version. After closing in Vienna, the show had successful runs in Stuttgart and Hamburg, Germany.

On March 11, 1998 Polanski was elected a member of the prestigious Académie des Beaux-Arts. [1][2]

In May 2002, Polanski won the Palme d'Or (Golden Palm) award at the Cannes Film Festival for The Pianist, for which he also later won the 2002 Academy Award for Directing. He did not attend the Academy Awards ceremony in Hollywood, as he faces possible prison time if he enters the United States. After the announcement of the "Best Director Award", Polanski received a standing ovation from most of those present in the theater. In 2004 he received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival.

During the summer and autumn of 2004, Polanski shot a new film adaptation of Charles Dickens' novel Oliver Twist. The shooting took place at the Barrandov Studios in Prague, Czech Republic, based on Ronald Harwood's screenplay. The actors included Barney Clark (Oliver Twist), Jamie Foreman (Bill Sykes), Harry Eden (the Artful Dodger), Ben Kingsley (Fagin), Lee-anne Rix (Nancy), and Edward Hardwicke (Mr Brownlow). Besides the cast, the director gathered some collaborators from his previous movies: Ronald Harwood (screenplay), as noted, Allan Starski (production designer), Pawel Edelman (director of photography), and Anna Sheppard (costume designer).

Polanski's next film will be Pompeii about the eruption of Mount Vesuvius. It is based on the bestselling book of the same name by Robert Harris, who is also writing the screenplay. The budget is set at $130 million and filming is expected to begin in Italy this summer.

[edit] Style

Most of Polanski's films are intelligent psychological thrillers. A recurring theme in his work is the relationship between victim and predator (Death and The Maiden, Bitter Moon, Cul-de-Sac, Rosemary's Baby). His films depict a world that is cruel, grotesque and filled with brutal sex and dark humour. Polanski likes to shoot his films from the position of a voyeur. Death and the Maiden star Stuart Wilson said of Polanski, "Roman is very deep water pretending shallow water."

[edit] Trivia

  • Polanski has said that the greatest regret he has about his life was not being at his home on Cielo Drive when Sharon Tate and the others were murdered.
  • Polanski dedicated the movie Tess to Sharon Tate because, after spending time with Polanski in London, Tate left a copy of the book, along with a note saying it would make a good film, on Polanski's nightstand. She returned to the United States and was murdered soon after.

[edit] Filmography

[edit] Film Director

Preceded by
Ron Howard
for A Beautiful Mind
Academy Award for Best Director
2002
for The Pianist
Succeeded by
Peter Jackson
for The Lord of the Rings: The Return of the King

[edit] Actor

[edit] Writer

[edit] Footnotes and references

[edit] Footnotes

[edit] Other works of interest

  • Cronin, Paul. (2005). "Roman Polanski: Interviews". Mississippi: University Press of Mississippi. 200p
  • Farrow, Mia. (1997). "What Falls Away: A Memoir". New York: Bantam.
  • Leaming, Barbara (1981). Polanski, The Filmmaker as Voyeur: A Biography. New York: Simon & Schuster. ISBN 0671249851. 
  • Parker, John (1994). Polanski. London: Victor Gollancz Ltd. ISBN 0575056150. 
  • Polanski, Roman. (1975). "Three film scripts: Knife in the water [original screenplay by Jerzy Skolimowski, Jakub Goldberg and Roman Polanski ; translated by Boleslaw Sulik]; Repulsion [original screenplay by Roman Polanski and Gerard Brach]. Cul-de-sac [original screenplay by Roman Polanski and Gerard Brach] ; introduction by Boleslaw Sulik". New York: Fitzhenry and Whiteside. 275p. ISBN 0064300625
  • Polanski, Roman. (1984). "Knife in the water, Repulsion and Cul-de-sac: three filmscripts by Roman Polanski". London: Lorrimer. 214p. ISBN 0856470511 (hbk) ISBN 0856470929 (pbk)
  • Polanski, Roman. (2003). "Le pianiste". Paris: Avant-Scene. 126p. ISBN 2847250166
  • Polanski, Roman. (1985). "Roman". London: Heinemann. London: Pan. 456p. ISBN 0434591807 (hbk) ISBN 0330285971 (pbk)
  • Polanski, Roman. (1984). "Roman". New York: Morrow. ISBN 0688026214
  • Polanski, Roman. (1973). "Roman Polanski's What? From the original screenplay". London: Lorrimer. 91p. ISBN 0856470333
  • Polanski, Roman. (1973). "What?". New York: Third press. 91p. ISBN 089388121X

[edit] External links

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