Roi nuoc

From Wikipedia, the free encyclopedia

Múa rối nước is Vietnamese water puppetry. Múa rối nước literally means "puppets that dance on water." The puppets are built out of wood and the shows are performed in a waist-deep pool. A large rod supports the puppet under the water and is used by the puppeteers to control them. The appearance is of the puppets moving the over water. The origin of múa rối nước is debated among scholars. The practice is thought to have originated in the Red River Delta in Vietnam in the Ly Dynasty (12th century). When the rice field would flood the villagers would entertain each other using this puppet form. Eventually villages would compete against each other with their puppet shows. This led puppet societies to be secretive and exclusive, including an initiation ceremony involving drinking rooster blood. Only recently were women allowed to join the puppet troupes.

1 History
2 Performance
3 Content
4 External links

[edit] History

The origins of Múa rối nước are still debated among scholars. It is considered to have come from within Vietnam, where the art is highly developed today. Nevertheless, within Vietnam, at least, this unique art has its origin in the delta of the Red river in the tenth century. In ancient Vietnam, the rural Vietnamese believed that spirits controlled all aspect of their lives, from the kitchen to the rice paddies. The Vietnamese devised water puppetry as a way to satisfy these spirits. The farmers in this region devised a form of entertainment and worship using what natural medium they could find in their environment. In ancient times, the ponds and flooded rice paddies after harvest were the stage for these impromptu shows. This art form is unique to North Vietnam and only finds its way to the world stage in recent years as a result of the normalized relation with the West. Today the Thang Long puppet troupe is the most well known in Hanoi.

[edit] Performance

Modern water puppetry is performed in a pool of water 4 meters square with the water surface being the stage. Performance today occurs on one of three venues--on traditional ponds in villages where a staging area has been set up, on portable tanks built for traveling performers, or in a specialized building where a pool stage has been constructed. Up to 8 puppeteers stand behind a split-bamboo screen, decorated to resemble a temple facade, and control the puppets using long bamboo rods and string mechanism hidden beneath the water surface. The puppets are carved out of wood and often weigh up to 15 kg. A traditional Vietnamese orchestra provides background music accompaniment. The instrumentation includes vocals, drums, wooden bells, cymbals, horns, erhu (Chinese two-stringed fiddle), and bamboo flutes. The bamboo flute's clear, simple notes may accompany royalty while the drums and cymbals may loudly announce a fire-breathing dragon's entrance. Singers of Cheo (a form of opera) with origin in north Vietnam sing songs which tell the story being acted out by the puppets. The musicians and the puppets interact during performance; the musicians may yell a word of warning to a puppet in danger or a word of encouragement to a puppet in need. The puppets enter from either side of the stage or emerge from the murky depths of the water. Spotlights and colorful flags adorn the stage and create a festive atmosphere.

[edit] Content

The theme of the skits is rural and has a strong reference to Vietnamese folklore. It tells of day-to-day living in rural Vietnam and Vietnamese folk tales that are told by grandparents to their grandchildren. Stories of the harvest, of fishing and of festivals are highlighted. Legends and national history are also told through short skits. Many of the skits, especially those involving the tales of day-to-day living, often have a humorous twist.