Roger Meddows-Taylor
From Wikipedia, the free encyclopedia
| Roger Taylor | ||
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 Taylor in 2006.
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| Background information | ||
| Birth name | Roger Meddows-Taylor | |
| Born | July 26, 1949 (age 57) King's Lynn, Norfolk, England |
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| Genre(s) | Hard rock Heavy metal Progressive rock Pop rock |
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| Occupation(s) | Percussionist, Singer, Guitarist, Producer | |
| Instrument(s) | Drums, Guitar, Bass, Keyboards | |
| Associated acts |
Queen Queen + Paul Rodgers The Cross Smile |
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Roger Taylor BSc (born Roger Meddows-Taylor on July 26, 1949, in King's Lynn, Norfolk), is a multi-instrumentalist best known as the percussionist and backing, sometimes lead, vocalist of the English rock band Queen. As a drummer he is known for his "big" unique sound and is cited as one of the most important and influential arena rock drummers. As a songwriter he contributed songs to the band's albums from the very beginning, composing at least one track on every album, and (in the early days) usually sang lead vocals on his own compositions. He also wrote five of the bands hits, "Radio Ga Ga", "A Kind of Magic", "The Invisible Man", "Breakthru" and "These Are the Days of Our Lives". He was also capable of playing mutable instruments, including guitar, bass and keyboards, as heard on his debut album in which he played all instruments and sang all vocals. He has played with such artists as Eric Clapton, Phil Collins, Genesis, Roger Daltrey, Elton John, Gary Numan, Al Stewart, Steve Vai, Yoshiki Hayashi and Bon Jovi. And produced the debut album for John Bonham's son, Jason Bonham's band Virginia Wolf.
In 2005 Taylor was voted the 8th greatest drummer in music history in a poll conducted by Planet Rock Radio.[1]
Contents |
[edit] Biography
Roger Meddows-Taylor was born on July 26, 1949, to parents Winifred and Michael Taylor, in Norfolk, England. Several years later he and his family (along with younger Clare, born 1953) moved to Cornwall. At age 8, he was inspired by his older cousin (who played guitar) to start learning the guitar. He started by teaching himself ukulele, and later taught himself to play the guitar. In his pre-teens, Taylor formed a school skiffle band known as "The Bubblingover Boys", which lasted but two school performances. In 1960, Taylor joined Truro Cathedral School on a musical scholarship - meaning he had to join their choir. He didn't enjoy life as a choirboy as they had to sing three times every Sunday and at special events such as weddings and at midnight mass every Christmas. By 1961, he had learned to play the guitar, but found his interest in drums. In 1963, Taylor joined "Beat Unlimited" which later became "The Cousin Jacks" and "The Falcons", playing a mixture of guitars and drums. The big change came in 1965, when he joined "Johnny Quale and the Reaction" as drummer playing Shadows, Rolling Stones and pre-Soul covers, especially James Brown and Otis Redding. In 1965, "Johnny Quale" left and the band reshuffled. It became known simply as "The Reaction" with Taylor on lead vocals as well as drums. In 1966, they won the local battle of the bands, the Rock and Rhythm Championship, which they had failed to do the year before.
While maintaining his keen interest in music, Taylor decided his professional career lay in dentistry, and in 1967 moved to London to enroll at the London Hospital Medical College, but quickly grew bored and moved to a London Polytechnic where he studied biology, obtaining a BSc in the subject. In 1968 Taylor met Brian May and Tim Staffell at University and formed Smile, answering an ad for a "Ginger Baker/Mitch Mitchell-type drummer". Smile were signed to a record label and released a promotional single in America. Two seemingly official releases by the band were made in 1982 and 1997. The first was released only in Japan; the second was released only in the Netherlands. Both contain the same tracks. Later, Tim Stafell left the band thinking it wasn't going anywhere. By then their good friend Farrokh 'Freddie' Bulsara jumped eagerly into the slot of vocalist, leaving the band to look for a new bass player. After trying several unsuccessful bassists, John Deacon stepped forward in 1971 and Queen was born.
[edit] As a performer
| “ | Let's just say that the product of drummer Roger Meddows Taylor and bassist Deacon John[1] is explosive, a colossal sonic volcano whose eruption maketh the earth tremble. — Gordon Fletcher - Rolling Stone 149[2] | ” |
As a drummer Taylor possesses a sound which involves several trademarks including an involuntary opening of the hi-hat on every back beat for a rhythm emphasis. He has played styles such as speed ("Stone Cold Crazy"), thrash ("Ogre Battle"), and rockabilly ("Crazy Little Thing Called Love") among others. He has also played a great deal of percussion along with his standard drum kit, the most famous being the timpani solos during live shows(sample ), he is also one of the earliest drummers to use electronic trigger pads.
In addition to his drum work, he routinely played the guitars and bass on his own songs, and, during the 1980s, he formed a parallel band known as The Cross in which he was the singer and rhythm guitarist. According to Brian May, the guitar break and feedback outro to the Queen song "Calling All Girls" was played by Taylor.
As one of the band's three vocalists, Taylor's voice is notable for its raspiness, which has been compared to Rod Stewart's. He is famous within the Queen fandom for his ability to reach very high notes (e.g. the high B-flat at the end of "Bohemian Rhapsody"'s operatic section). His solo career demonstrates he was very good at the low range as well; for instance, in his cover of "I Wanna Testify" in which he sang all four choir parts (soprano, alto, tenor and bass). In some Queen tracks he recorded his voice in octaves, and in "I'm In Love With My Car" he arranged and sang all the cascading harmonies. Another fine example of his vocal talents is in the music hall-esque 'Seaside Rendezvous' where he and Freddie Mercury imitate tubas, clarinets and kazoos through mere voice manipulation. One of Taylor's other talents was his ability to play fairly complicated drum parts while singing, as can be seen in numerous Queen performances.
His compositions include the hits "Radio Ga Ga", "Heaven for Everyone" and "A Kind of Magic", as well as other tunes that did not receive as much airplay, such as "Modern Times Rock 'n' Roll" (Queen), "Tenement Funster" (Sheer Heart Attack), and "I'm in Love With My Car" (A Night at the Opera), all of which were sung by him. An interesting situation occurred after "I'm in Love With My Car" was written. Taylor desperately wanted to include it as the B-side of Bohemian Rhapsody, but Freddie Mercury didn't agree. Taylor locked himself in a cupboard until Mercury changed his mind. Taylor being the composer of the B-side acquired the same amount of royalties as Mercury himself (which apparently led to argument later on in their careers). The UK #1 hit These Are the Days of Our Lives, though credited to all the band, was actually written by Taylor, as well as Invisible Man, Breakthru (except the intro), and You Don't Fool Me (with lyrics by Mercury). A big part of the lyrics in Queen's epic "Innuendo" are by Taylor, too, although the music was Mercury's.
His first solo album, Fun In Space, was released in 1981 and did quite well. He appeared on various European TV shows to promote the single Future Management. A few years later he would perform various tracks of the album with The Cross. After Queen finished their The Works album in 1984, Taylor worked on his second solo album Strange Frontier. Released in July 1984, it included guest appearances by bandmates Freddie Mercury and John Deacon.
After Queen finished their 1986 Magic Tour, Taylor wanted to start a new band, by putting an anonymous advertisement in the newspaper hinting that he was from a famous rock band and that he was seeking other musicians. This side project, The Cross did not turn out to be very successful. They released three albums over the six years that they existed, only having some minor success in the UK and Germany. In 1993 they split up, after performing one final gig at the Gosport Festival.
In 1994 he worked together with Yoshiki Hayashi, drummer and pianist of X Japan and released the song "Foreign Sand" and a reworking of The Cross' "Final Destination" which was a minor hit in the UK. The album Happiness? - dedicated to Freddie Mercury - got positive reviews around the world and Taylor promoted it with his first solo-tour through Europe, mainly performing in the UK and Italy. A single from the album, "Nazis 1994," was banned by BBC Radio 1 and several stores as it for its controversial lyrics. Nonetheless, "Nazis 1994" became Taylor's first hit single in England and was followed by two other Top 40 U.K. hits, "Happiness" and "Foreign Sand."
In 1998 he released his most recent offering, Electric Fire. To promote it he did one of the first Internet-gigs - for which he got a mention in the Guinness Book of World Records. The album spawned two singles: Pressure On and a remix of Surrender, though none of them set the charts alight.
[edit] Solo career
By far the most prolific of his fellow bandmates in the solo department, he released no fewer than seven albums away from the Queen bandwagon. The first effort was his 1977 cover of The Parliaments "I Wanna Testify". He recorded it during Queen's sessions for the News Of The World album. The A-side, although a cover, was completely different from the original. The B-side was a self-penned song "Turn On The TV".
His first album came in 1981 in the form of Fun In Space. Taylor played all the instruments and sang everything on the album, apart from about 50% of the keyboards, which were done by engineer David Richards. Some words of wisdom from the liner notes, "P.S. Hello listeners. I hope you enjoy and have fun with this, my very own, album. I like it. If you don't, sod you! P.P.S. 157 synthesizers"
With Queen still touring heavily and recording at the time of release, it was impossible for Taylor to promote the album to its fullest extent. So Taylor appeared on some European TV shows to promote the single, "Future Management", including Top Of The Pops. The only other single to come from the album was "My Country". The only single released from the album in the U.S. was "Let's Get Crazy".
His next venture came in 1984 when after Mercury rejected a lot of his songs for the Queen album, The Works, he realized he had more than enough for an album. The album became Strange Frontier. The three singles from the album were, the title track, "Strange Frontier", "Beautiful Dreams" (in Portugal only) and "Man On Fire", the latter becoming a live favorite for him in later years. No attempts to promote the singles were made, Queen toured to promote 1984's The Works album which made a tour impossible, and Taylor didn't perform on any TV shows. The cover of the album is a 'pixeled' version of his portrait photo that appeared in the liner notes of the Works album.
Freddie Mercury sang backing vocals on "Killing Time", John Deacon remixed the B-side "I Cry For You" and Rick Parfitt co-wrote and played on "It's An Illusion". David Richards the engineer and producer also co-wrote two of the tracks. The album includes covers of Bruce Springsteen's "Racing In The Streets" and Bob Dylan's "Masters Of War".
[edit] The Cross
[edit] Shove It
After Queen's 1986 Magic Tour, the band went their own separate ways to do various solo work. Taylor decided to form a new band with whom he could tour. He had already written and recorded the album himself before finding a band to play them with. He eventually placed an ad for band members in a national newspaper hinting he was a famous rock musician. The position of keyboard player was duly offered to Spike Edney after two successful Queen tours with him handling the keys. When the auditions were over the line-up was completed by Peter Noone on Bass, Clayton Moss on Guitar and Josh (ua J.) Macrae on Drums. Taylor himself would take the responsibility on lead vocalist and rhythm guitarist.
The first album, Shove It, was released in 1988. In Europe, Heaven for Everyone (later a Queen song) contained Freddie Mercury on lead vocals and Taylor on backing vocals. However on the single version and the American album version the roles were reversed. The European CD contained an extra track (compared to cassette and LP) in The 2nd Shelf Mix, the US version having Feel The Force as its extra track. The band promoted hard in Germany especially, with many TV performances of singles including an appearance at the Montreux Golden Rose festival in 1988. The tour took in dates in the UK and Germany. Three singles were released from the album in, "Cowboys and Indians", "Heaven for Everyone" and "Shove It". Another single was released in 1988, "Manipulator", but it wasn't included on any album. It was also the only song from the time that had joint writing credits, Taylor sharing them with Spike Edney and Steve Strange.
[edit] Mad: Bad: And Dangerous To Know
After finishing Queen's 1989 album The Miracle, Taylor went into the studio with the rest of The Cross for the first time. The band together composed the opening track "On Top Of The World Ma" with a riff bearing a resemblance to the Led Zeppelin track Whole Lotta Love. The rest of the album consisted mainly of individually written songs, except for "Power To Love" which was a joint venture by Macrae, Noone and Moss. Clayton Moss sang lead vocals on his own track "Better Things", and Spike Edney played mandolin on "Final Destination", which was written by Taylor. "Final Destination" was released as a single, as were "Liar" and "Power To Love", the latter being the last single to be released in the UK by the group. "Final Destination" came with a live rendition of Taylor's song "Man On Fire" as a B-side, and "Liar" (Noone) had a brand new track, "In Charge Of My Heart", which was also penned by Taylor. "Closer To You" (Edney) had been planned to be released in America, but the idea was never discussed again. The group having seemingly given up on the UK market, the accompanying tour only included dates in Germany, Austria, Switzerland and Ibiza. Unusually for such tours, every song from the new album was played live.
[edit] Blue Rock
Made at a time when Taylor's efforts were concentrated on Queen and Mercury himself, Blue Rock gave the other members of the band a chance to take control of the upcoming album. It was in fact mostly written by Edney with him contributing three of his own tracks and contributing to four more. Once again the opening track was penned by the entire band, "Bad Attitude" was written (although not complete) by the Christmas fan club party of 1990. The album itself contained a lot of vocals not from Taylor, but mainly of Edney and Noone. Examples of this can be heard in "Put It All Down To Love" (Edney) "Life Changes" (Moss, Noone, Edney and Macrae) and "Heartland" (The B-side to Life Changes, penned by Noone). Blue Rock itself was only released in Germany (although promo copies were released in Italy and Japan), so it is pretty rare to find on the market, yet is widely accepted to be their best album. "New Dark Ages" (Taylor) was released in Germany with another live version of "Man On Fire", whilst "Life Changes" was released with the B-side "Heartland". It was however immediately withdrawn, due to the death of Freddie Mercury. The tour was in support of Magnum, so the concert lengths were short (45 mins.) and very few bootlegs survived. The tour was rapid, covering 20 dates in one month.
[edit] Kit
The kit Taylor used on the latest Queen + Paul Rodgers tour is mainly a Ludwig kit (classic maple shells), with a Sleishman bass drum. Taylor used Yamaha drums for the Magic Tour. He uses Vic Firth 5B wooden tipped sticks. Taylor is known to use the butt end of the stick in his left hand for a louder, more powerful snare sound. Taylor used Premier CC Drumsticks up until recently. His hardware comprises all new Ludwig (in the Magic Tour, he also used Yamaha hardware), with a DW 9002 double bass drum pedal (previously used a Ludwig Speed King Pedal).
- 24" x 20" bass drum with Remo Powerstroke 3 head
- 10" x 9" hanging tom with Remo Coated Emperor head
- 14" x 13" hanging tom with Remo Coated Emperor head
- 16" x 16" floor tom with Remo Ambassador head
- 18" x 16" floor tom with Remo Ambassador head
- 14" x 6.5" or 14"x8" (depending on the venue) maple snare drum with Remo Powerstroke 3 head
- 12", 14" & 16" Remo Rototoms
- LP Double Row Studio Wind chimes
- Ludwig Cowbell size 6,7/8
- Ludwig Tambourine
[edit] Cymbals
The cymbals are all by Zildjian. Taylor used Paiste with Zildjian from 1973-82 then for 1988 and 1989.
- 15" A New Beat Hi-Hats
- 17" K Dark Crash Medium Thin in Brilliant Finish
- 18" K Dark Crash Medium Thin
- 19" K Dark Crash Medium Thin
- 20" K Crash Ride
- 22" A Ping Ride
- 20" Oriental China Trash in Brilliant Finish
[edit] Discography
- See also: Queen discography
[edit] Trivia
- According to Circus magazine, upon Peter Gabriel leaving Genesis, Taylor was offered the job of percussionist in the band.[3]
- Taylor, along with Mercury, was one of the party animals of the group. A heavy smoker until mid 80s, he has been known for his love for fast cars, drinks, and women. Throughout Queen's career he earned a reputation as a ladies' man.
- He has also been known to be one of the most politically inclined members of Queen, having in 1994 released a single condemning neo-Nazism. Interestingly, 10 years earlier, the music video for his song "Radio Ga Ga", in which a uniformed crowd numbering several hundred raise both fists and clap in unison, was attacked by one critic for looking "like a Nuremberg rally".
- Whenever he played live, Taylor would always drink two shots of Scotch before going on stage, "no more, no less".
- Taylor, a natural blonde, was fond of using bleach to lighten his hair. One day in 1979 while doing so he accidentally dyed his hair green. Since it was just before a show, Taylor had to go on with green hair, much to Mercury's amusement. Only a few pictures of this unfortunate accident have survived, as Taylor has got hold of most of them. One fine example can, however, be seen in Jacky Gunn's and Jim Jenkins' 'Queen: As It Began'.
- According to the official Queen website, Taylor, during a gig in the 1970s, was angry about something and thrashed his kit, which almost hit Mercury in the process.
- In his first solo effort, his 1981 album "Fun In Space," he poked fun at Queen's "No synthesisers" disclaimer from their 70's records by stating that he had used 157 synthesisers on his album.[2]
- Taylor also temporarily grew a beard shortly before Queen was formed, because he did not appreciate being mistaken for a woman.
- His favorite movie is 2001: A Space Odyssey, and his favorite drink is vodka.
- In 1999 Taylor appeared in the background of a Royal Mail stamp commemorating the life of Freddie Mercury. This caused controversy as it was an understood rule that the only living people allowed to appear on British stamps could be members of the Royal family.
- In 2002, Taylor appeared on the "Twelve Drummers Drumming" Christmas card in the "Twelve Days of Christmas" set sold at Woolworths to raise money for the NSPCC – alongside the other Roger Taylor, the drummer for Duran Duran.
- There were no less than seven versions of Taylor's "Nazis 1994" song, one of which was virtually identical to the album version, aside from its strong language.
- Taylor has five children, two with his wife Dominique Beyrand (they are currently separated): Felix Luther (born 1980) and Rory Eleanor (born 1986) and three with Deborah Leng: Rufus Tiger (born 1991), Tiger Lily (born 1994) and Lola Daisy May (born 2000).
- Taylor's height is 5' 10.5" (1.79m).
- Taylor's son Felix has recorded a song called "Woman, You're so Beautiful (but a pain in the ass)" that features Taylor on backing vocals and drums.
[edit] References
- ^ John Deacon was credited as Deacon John on Queen.
- ^ Rolling Stone - Issue 149 - 12-06-1973
- ^ "Sheer Heart Attack." Circus, March 1975. (Queen Archives)
[edit] External links
- Taylor at Sleishman.com
- Taylor Interviews
- http://roger-taylor.net Roger-Taylor.Net
- Taylor at drummerworld.com
- Roger Taylor's drumpage
| Persondata | |
|---|---|
| NAME | Taylor, Roger |
| ALTERNATIVE NAMES | Meddows-Taylor, Roger |
| SHORT DESCRIPTION | Musician |
| DATE OF BIRTH | July 26, 1949 |
| PLACE OF BIRTH | Norfolk, England |
| DATE OF DEATH | |
| PLACE OF DEATH | |
