Robot Carnival
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| Robot Carnival | |
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| ロボット・カーニバル (Robotto Kãnibaru) |
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| Genre | |
| Movie | |
| Directed by | Various |
| Studio | Studio A.P.P.P. |
| Released | 1987 |
| Runtime | 90 minutes |
Robot Carnival is an Japanese anime film released in 1987. It is very akin to Disney's Fantasia in feeling and setup, in that it is a collection of nine shorts by several different directors, put together, and containing only music (albeit a few exceptions). The difference, as the title suggests, is that this feature focuses on robots, though seemingly the title takes "robots" to mean anything mechanical which moves.
Contents |
[edit] Segments
The shorts come in a variety of styles. Only two shorts ("Presence" and "A Tale of Two Robots") contain dialogue.
Opening: Directed by Atsuko Fukushima and Katsuhiro Otomo. The opening takes place in a desert. A boy finds a small "coming soon" poster advertising the Robot Carnival, and becomes frightened and agitated. He warns the people in his village, most likely to escape, when a huge machine with many robots performing in niches on its exterior grinds its way right over the village. Once a magnificent traveling showcase, it is now a decayed, rusted, malfunctioning, engine of destruction.
Franken's Gears: Directed by Koji Morimoto. A crazy scientist tries to give life to his robot with lighting, just like Frankenstein. When it comes to life, the robot copies everything the scientist does. Overjoyed, the scientist dances with glee, trips, and falls. Seeing this, the robot dances, trips, and falls on the scientist, killing him.
Deprive: Directed by Hidetoshi Omori. This segment features a humanoid robot in the form of 8 Man and an invasion from space.
Presence: Directed by Yasuomi Umetsu. This one (featuring dialouge) tells the story of a man who builds a robot in the form of a girl, and how he is drawn apart from his relations with his wife and other people. The setting seems to be British and of the early twentieth century, but also suggests another planet or a future which has tried to bring back a former social structure. While he ages, his robot doesn't. When the robot begins to show actual emotions, he smashes her and leaves intending never to return. Twenty years later, he has a vision of his robot blowing up in front of him, he goes back to his shed to see the smashed robot still there. Twenty years later, the robot appears to him and he walks away with her and vanishes in front of his wife.
Star Light Angel: Directed by Hiroyuki Kitazume. A shōjo story, featuring teenage girls at a robot themed amusement park who are friends. One of the girls finds that her lover is now going out with her friend. Running away in tears she finds her way to a virtual-reality ride. Pleasant at first, her grief and sorrow cause the ride to create a robotic version of how she saw her former lover -- a monster. The visual style of this segment was heavily influenced by the classic music video for A-Ha's "Take on Me".[citation needed]
Cloud: Directed by Mao Lamdo. The simple and simply drawn tale of a robot (reminiscent of Astro Boy), walking through the segment without rest -- who travels through the years as various events pass by until he is noticed by a passing angel, who makes him human.
A Tale of Two Robots -- Chapter 3: Foreigner Invasion: Directed by Hiroyuki Kitakubo. This is set in the nineteenth century and features two "giant robots" directed from within by a human crew. In the style of a movie serial of the sound era, a Westerner in his giant robot attempts to take over Japan, but is stopped by some kids operating a "machine made for the parade" -- a Japanese giant robot. Despite the name, there is no known prequel or sequel. The voice acting of this piece are a mix of English and Japanese with the Westerner speaking English and the Japanese speaking their language.
Nightmare (a.k.a. Chicken Man and Red Neck in Tokyo): Directed by Takashi Nakamura. The city of Tokyo is overrun by its machines, as they all come alive for a night of revelry, with only a single, drunken human (Chicken Man) awake to witness it.
- This segment was inspired by the "Night on Bald Mountain" segment of Fantasia.
- This features the recent Japanese myth that machines can grow by connecting onto other machines, regardless of the purposes for which they were designed (as seen in Roujin Z).
- The "Chicken Man" character is considered by some to be a caricature of famous anime director Rintaro.
Ending: Directed by Atsuko Fukushima and Katsuhiro Otomo. The Robot Carnival is stopped by a little hill in the desert. Unable to climb its sandy obstruction, the Carnival is stalled at its base. As the sun sets over the traveling relic, flashback stills recall the grandeur of the Carnival at the peak of its existence -- an unparalleled engine of mirth that brought timeless joy to the various cities it visited. At sunrise, we see the platform put up a burst of power and crest dune in its way, only to result in the aged contraption going to pieces. The bulk of the film's credits are then shown concluding with an epilouge.
Epilouge: Centuries later a man discovers an orb among the remains and brings it back to his family. It is a music box featuring a miniature robot ballerina. As it dances, the children applaud. The ballerina finishes its dance with a leap into the air and explodes, blowing up the shack where the family lived, leaving 'THE END' in enormous letters lying it its place as the only survivor, the family's pet yak, struggles to rock to his feet.
[edit] Trivia
- Most of the film's music (except for the "Cloud" segment) was composed by Joe Hisaishi, who is best-known for working frequently with Hayao Miyazaki and Takeshi Kitano.
- The script for the English-dubbed version of "A Tale of Two Robots" is significantly different from the original Japanese version and even adds a few jokes not present in the original version. In addition, a passing reference to Japan's 1854 opening to foreign trade is removed and the foreign antagonist's English dialogue is re-recorded with a slightly more cartoonish accent.
- The English-dubbed version of the film released by Streamline Pictures shuffled the order of the segments and modified the "Ending" segment by removing the still images of the "Robot Carnival," placing the two animated segments next to each other, and placing all of the credits at the very end of the film. The reason for these changes is unknown.
