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Robert Strassburg (August 30, 1915 - October 25, 2003) - was a leading American conductor, composer, musicologist and music educator of the twentieth century. His studies in music were completed under the supervision of such leading composers as Igor Stravinsky, Walter Piston and Paul Hindemith with whom he studied at Tanglewood. His formal academic studies were completed at the New England Conservatory of Music and Harvard University where he obtained a fellowship in composition. He also completed a doctorate in Fine Arts at the University of Judaism in Los Angeles. As a musicologist Dr. Strassburg is regarded as a leading authority on the compositions of the composer Ernest Bloch. [1][2] ^[1]

Contents 1 Contents 1.1 Biography 1.2 Compositions 1.3 References

[edit] Contents

[edit] Biography

Robert Strassburg's contributions to the advancement of music education within the United States of America were far ranging and comprehensive in nature. After serving as a lecturer at Brooklyn College (1947 - 1950), he obtain a position as artist in residence at the Brandeis Arts Institute in California (1951 - 1955). In later years he emerged as the founder and conductor of the Greater Miami Youth Symphony (aka All-Miami Youth Symphony) in Florida (1958 - 1961)[3]. Additional contributions were made as the Assistant Dean for the School of Fine Arts at the University of Judaism in Los Angeles (1961 - 1966).This culminated in an appointment as professor of Music at the California State University at Los Angeles in 1966.

Dr. Stassburg's contributions as a composer were also undertaken during the course of an extended fifty year period. An early composition entitled Lost was completed as early as 1945 and received critical acclaim ^[2]. As music director for various synagogues he expressed a keen interest in Judaic liturgical music and completed several sacred compositions. Many secular compositions also emerged during the ensuing years including over thirty musical settings of the poetry of Walt Whitman. In later years, a monumental choral symphony in ten movements was also completed in honor of the poet Walt Whitman entitled Leaves of Grass (1992). Dr. Strassburg also contributed to a variety of film scores as well as incidental music for such theatrical productions as: King Lear, The Rose Tattoo, Anne of the Thousand Days and The House I Live In.

There can be no doubt that Robert Strassburg inspired several generations of young and aspiring musicians in his capacity as an instructor of advanced composition, a university professor and an orchestral conductor. His patient style of instruction and enthusiastic dedication to excellence struck a resounding chord with all of his pupils. Several of his early students from the 1940's emerged in later years as acclaimed instrumentalists, soloists and orchestral composers. Included among this group was John Serry, Sr., a noted concert accordionist, arranger and composer.

Robert Strassburg is also noteworthy as the author of the critically acclaimed biography of Ernest Bloch entitled: Ernest Bloch: Voice in the Wilderness. The research materials associated with this publication along with Dr. Strassburg's written insights are accessible at the Belknap Collection for the Performing Arts. The collection is archived for research purposes at the University of Florida at Gainsville[4] ^[3].

[edit] Compositions

• Lost (1945) ^[4]
• 4 Bibilical Statements (1946)
• Fantasy and Allegro(1947)^[5]
• Torah Sonata (piano,1950)
• Chelm (Opera,1956) ^{[6] [7]}
• Tropal Suite (String Quartet,1967)
• Terecentenary Suite (Viola & Piano)
• Patriarchs (String Orchestra)
• Migrations Of A Melody (Baritone Narrator Chamber Orchestra)
• Festival of Lights Symphony (String Orchestra)
• Leaves of Grass (Choral symphony,1992) ^[8]

[edit] References

1. ^ Baker's Biographical Dictionary of Musicians, Cenential Editiion, Nicolas Slonimsky, Editor, Schirmer, 2001.
2. ^ The New York Times, November 18, 1945, pg. 50
3. ^ Ernest Bloch: Voice in the Wilderness, Robert Strassburg, Trident Shop, California State University, 1977
4. ^ The New York Times, November 18, 1945, pg. 50
5. ^ The New York Times,April 29, 1948,pg.19
6. ^ The New York Times, January 1, 1956, pg. X7
7. ^ The New York Times, January 28, 1956, pg. 10
8. ^ The New York Times, July 20, 1997, pg. H26